Simply Irresistible

[00:00:00] [SPEAKER_03]: Magic, Paper Airplanes, Delicious Food and Love Blossom in the Sarah Michelle Gellar

[00:00:07] [SPEAKER_03]: Rom-Com Simply Irresistible.

[00:00:51] [SPEAKER_05]: Welcome to the No More Late Fees podcast. I'm Danielle.

[00:00:55] [SPEAKER_05]: And I'm Jackie and we're just two best friends and ex-Blockbuster employees rewatching some of the best and worst movies from the late 90s and early 2000s.

[00:01:03] [SPEAKER_05]: This week we are talking about the 1999 Rom-Com Simply Irresistible.

[00:01:09] [SPEAKER_05]: But before we dive in, let's get into some...

[00:01:14] [SPEAKER_05]: Housekeeping!

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[00:01:49] [SPEAKER_03]: We're not just great at selecting movies to cover. We also have a knack for finding nostalgic treasures you may fancy.

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[00:02:07] [SPEAKER_03]: All right, Jackie, what is Simply Irresistible about?

[00:02:11] [SPEAKER_05]: After her mother's death, mediocre chef Amanda Shelton is having trouble attracting customers to her family's restaurant.

[00:02:19] [SPEAKER_05]: While shopping for ingredients, she is given a magical crab by a mysterious Geno Riley.

[00:02:26] [SPEAKER_05]: Afterward, Amanda's dishes suddenly become excellent, inducing strong emotional reactions in everyone who eats them.

[00:02:34] [SPEAKER_05]: Tom Bartlett, who is preparing to open his own eatery, tries her cooking and falls in love.

[00:02:39] [SPEAKER_05]: It stars Sarah Michelle Gellar, Sean Patrick Flannery, Patricia Clarkson, Amanda Peete, Dylan Baker, Christopher Durang, Larry Giller Jr. and Betty Buckley.

[00:02:51] [SPEAKER_05]: It was directed by Mark Tarlow. It was written by Judith Roberts, and you can currently watch it on Hulu and Plex.

[00:02:59] [SPEAKER_05]: But before we start, let's get into our ratings rewind.

[00:03:03] [SPEAKER_03]: So you know the drill. Before we get into the movie, we'll reveal the rating our Y2K versions of ourselves would give.

[00:03:09] [SPEAKER_03]: Then at the end, we'll see if our current selves agree with our initial rating.

[00:03:15] [SPEAKER_03]: Our scale consists of would buy it, would buy it again.

[00:03:19] [SPEAKER_05]: The best would play on repeat.

[00:03:21] [SPEAKER_05]: Five day rental.

[00:03:23] [SPEAKER_05]: Would watch again.

[00:03:25] [SPEAKER_05]: Two day rental.

[00:03:26] [SPEAKER_05]: Okay, but nothing to write home about.

[00:03:29] [SPEAKER_05]: And same day rental.

[00:03:31] [SPEAKER_03]: Trash. Straight up trash.

[00:03:35] [SPEAKER_03]: Just like Amanda's cooking before she found the witchcraft.

[00:03:41] [SPEAKER_03]: All right, Jackie, what would-

[00:03:45] [SPEAKER_03]: What was Y2K Jackie's rating of this movie?

[00:03:49] [SPEAKER_05]: I have never seen this movie before.

[00:03:52] [SPEAKER_05]: Wow. We're in for a ride.

[00:03:57] [SPEAKER_03]: Ken has.

[00:03:59] [SPEAKER_05]: I'm not surprised.

[00:04:01] [SPEAKER_05]: He was ecstatic.

[00:04:04] [SPEAKER_05]: As soon as he realized what movie it was, he was like, I know this movie. It's so cute. I can't wait to watch it.

[00:04:11] [SPEAKER_05]: And he was so happy that we had to watch it last night.

[00:04:16] [SPEAKER_03]: Now, what do you think Y2K Danielle's rating is of this movie?

[00:04:22] [SPEAKER_05]: Y2K Danielle was just blinded by anything Sarah Michelle Gellar.

[00:04:28] [SPEAKER_03]: I feel so seen, but also red for filth at the same time.

[00:04:35] [SPEAKER_04]: You're a stan and that's fine.

[00:04:38] [SPEAKER_04]: You're right, Jackie. I watched this movie all the goddamn time.

[00:04:45] [SPEAKER_04]: It was a would buy.

[00:04:48] [SPEAKER_03]: For me.

[00:04:48] [SPEAKER_03]: I didn't even have to check the shelf. I know it's there.

[00:04:58] [SPEAKER_03]: As we learned on the moms episode, my mother called me out for anything Sarah Michelle Gellar, I would, if I saw her, I would pass out.

[00:05:09] [SPEAKER_03]: To this day.

[00:05:10] [SPEAKER_03]: Yes.

[00:05:11] [SPEAKER_03]: And this was at the peak of Buffy.

[00:05:14] [SPEAKER_05]: It was. And his sons come out and said it's her least favorite of all the movies she's done.

[00:05:20] [SPEAKER_03]: Well, I think they were trying to take advantage of the Buffy crowd and cha-ching.

[00:05:25] [SPEAKER_03]: They got me, bitch.

[00:05:27] [SPEAKER_03]: They didn't get much else. Tell us about the box office.

[00:05:32] [SPEAKER_03]: The budget for this movie was $6 million.

[00:05:35] [SPEAKER_03]: Just 2 million shots.

[00:05:38] [SPEAKER_03]: Worldwide, they made 4.4 million.

[00:05:42] [SPEAKER_03]: No problem.

[00:05:44] [SPEAKER_03]: It opened at ninth place at the North American box office, making the 2.2 million in its opening weekend.

[00:05:54] [SPEAKER_03]: So it's like it made half of its money.

[00:05:58] [SPEAKER_03]: And the word got out, Danielle.

[00:06:02] [SPEAKER_03]: Because you know back then those movies were in the theater for a long time.

[00:06:07] [SPEAKER_05]: Yeah. I want to know what else was in the theater.

[00:06:11] [SPEAKER_03]: Around this time?

[00:06:12] [SPEAKER_05]: Yeah.

[00:06:13] [SPEAKER_05]: Okay.

[00:06:14] [SPEAKER_05]: Patch Adams was number one.

[00:06:17] [SPEAKER_05]: Number two was Saving Private Ryan.

[00:06:19] [SPEAKER_05]: Number three was Stepmom.

[00:06:22] [SPEAKER_05]: The Prince of Egypt.

[00:06:25] [SPEAKER_05]: And then followed by A Bud's Life.

[00:06:27] [SPEAKER_03]: There's a lot of competition. That's all this was.

[00:06:32] [SPEAKER_03]: Well, you know what, Jackie?

[00:06:34] [SPEAKER_03]: Lil' Rog has something to say.

[00:06:37] [SPEAKER_03]: Roger Ebert of the Chicago Sun-Times gave the film three out of four stars and stated,

[00:06:46] [SPEAKER_03]: Old-fashioned and obvious, yes.

[00:06:48] [SPEAKER_03]: Like a featherweight comedy from the 1950s.

[00:06:52] [SPEAKER_03]: But that's the charm.

[00:06:55] [SPEAKER_04]: But in a very sad turn of events,

[00:07:03] [SPEAKER_04]: Lil' Rog is bestie.

[00:07:06] [SPEAKER_03]: Gene Siskel,

[00:07:09] [SPEAKER_03]: he passed away as we know.

[00:07:12] [SPEAKER_03]: And this was the last movie before his death.

[00:07:16] [SPEAKER_03]: And he gave it a thumbs down.

[00:07:19] [SPEAKER_03]: He was riding out in a blaze of glory.

[00:07:22] [SPEAKER_05]: My pal Gene, don't disagree.

[00:07:27] [SPEAKER_05]: Lil' Rog can't be right all the time.

[00:07:36] [SPEAKER_05]: But before we get into the cast and crew,

[00:07:38] [SPEAKER_05]: let's go ahead and hear a message from our pod pals.

[00:07:46] [SPEAKER_02]: Prepare yourself for a return to the 1990s on the Nostalgic Millennial Podcast.

[00:07:53] [SPEAKER_00]: And then Brendan Fraser leads out with the bravado.

[00:07:55] [SPEAKER_00]: And then boom, Evie comes out.

[00:07:57] [SPEAKER_00]: One word here.

[00:07:58] [SPEAKER_00]: And then they tie in the temptation, not to the money, but to Evie.

[00:08:03] [SPEAKER_00]: This is Paul.

[00:08:04] [SPEAKER_00]: If you're feeling the nostalgia, follow our Instagram for much more.

[00:08:07] [SPEAKER_02]: And this is Matt.

[00:08:09] [SPEAKER_02]: We'll see you next time when we return to the 1990s on the Nostalgic Millennial Podcast.

[00:08:18] [SPEAKER_05]: Okay, so the cast and crew,

[00:08:20] [SPEAKER_05]: the director pitched the film to Holly Hunter,

[00:08:23] [SPEAKER_05]: who he intended to play the lead role,

[00:08:26] [SPEAKER_05]: but the studio didn't want her to play the part.

[00:08:29] [SPEAKER_05]: Sarah Jessica Parker was then wanted,

[00:08:31] [SPEAKER_05]: but the studio felt she was too old.

[00:08:34] [SPEAKER_05]: Even though my understanding is the character was written older,

[00:08:38] [SPEAKER_05]: and then it was rewritten to a 20-year-old woman,

[00:08:42] [SPEAKER_05]: with Sarah Michelle Gellar landing the role.

[00:08:44] [SPEAKER_03]: You know, the studios are so ageist.

[00:08:48] [SPEAKER_03]: And to think even then, Sarah Jessica Parker and Holly Hunter were not...

[00:08:53] [SPEAKER_03]: They weren't old.

[00:08:55] [SPEAKER_05]: They were age appropriate for the man they got to play in this movie.

[00:09:00] [SPEAKER_05]: How old was Sean Patrick Flannery?

[00:09:03] [SPEAKER_05]: There is a 12-year age difference.

[00:09:07] [SPEAKER_03]: Damn.

[00:09:07] [SPEAKER_03]: Yeah.

[00:09:08] [SPEAKER_03]: They age in good though.

[00:09:09] [SPEAKER_03]: In that movie at least.

[00:09:11] [SPEAKER_03]: I didn't realize that.

[00:09:13] [SPEAKER_03]: I did not realize that.

[00:09:17] [SPEAKER_05]: I was like, who is this mediocre actor?

[00:09:22] [SPEAKER_05]: Like, I would be happy if I never saw another movie with him in it.

[00:09:28] [SPEAKER_03]: I don't think...

[00:09:29] [SPEAKER_03]: You know what?

[00:09:30] [SPEAKER_03]: I can't even stick up for him because

[00:09:32] [SPEAKER_03]: I don't think there's a lot of things I've seen him in.

[00:09:37] [SPEAKER_05]: I looked at his IMDb.

[00:09:40] [SPEAKER_05]: He was in Dexter for several episodes.

[00:09:44] [SPEAKER_06]: And you still don't...

[00:09:46] [SPEAKER_05]: I didn't remember it.

[00:09:48] [SPEAKER_05]: And you know I love me some Dexter and rewatch it all the time.

[00:09:51] [SPEAKER_05]: That's how forgettable he is.

[00:09:53] [SPEAKER_05]: I don't have words for that.

[00:09:57] [SPEAKER_03]: I do have a lot of opinions about his character though.

[00:10:01] [SPEAKER_03]: So we can definitely peel back that onion.

[00:10:04] [SPEAKER_03]: You know what's so crazy?

[00:10:07] [SPEAKER_03]: In the first scene of the movie,

[00:10:13] [SPEAKER_03]: the actor Gabriel Mack from Suits.

[00:10:19] [SPEAKER_03]: He plays Harvey on the TV show Suits.

[00:10:25] [SPEAKER_03]: And as soon as I saw him,

[00:10:26] [SPEAKER_03]: because obviously when I saw it back then I didn't recognize him.

[00:10:29] [SPEAKER_03]: I was like, he would have been a great lead.

[00:10:33] [SPEAKER_03]: He would have been wonderful.

[00:10:35] [SPEAKER_03]: I love...

[00:10:36] [SPEAKER_03]: He's so charismatic.

[00:10:38] [SPEAKER_03]: He would have pulled this off 100%.

[00:10:40] [SPEAKER_03]: So I was very disappointed.

[00:10:43] [SPEAKER_03]: Just starting the movie like that really fucked with my head

[00:10:47] [SPEAKER_03]: because then I kept comparing him to who was actually the lead.

[00:10:53] [SPEAKER_05]: It only went downhill from there.

[00:10:55] [SPEAKER_03]: I have a lot of questions, Jackie.

[00:10:57] [SPEAKER_03]: Danielle, I don't have any answers for you.

[00:11:00] [SPEAKER_03]: Like one, who is this man that just introduces her,

[00:11:06] [SPEAKER_03]: I guess to her powers?

[00:11:07] [SPEAKER_03]: And I don't know what makes the powers.

[00:11:11] [SPEAKER_03]: Is it that this man is sent from her mom?

[00:11:15] [SPEAKER_03]: And he says his name as if it's supposed to mean something.

[00:11:18] [SPEAKER_03]: I didn't even Google it to see if it comes up from an old movie or something.

[00:11:22] [SPEAKER_03]: I have no idea.

[00:11:22] [SPEAKER_03]: Geno Reilly.

[00:11:24] [SPEAKER_03]: Right. What is it?

[00:11:25] [SPEAKER_03]: I don't know.

[00:11:26] [SPEAKER_03]: And is it the crab that gives her magical powers?

[00:11:29] [SPEAKER_03]: Is it that she's in love?

[00:11:32] [SPEAKER_03]: Is it her mom's earrings?

[00:11:33] [SPEAKER_03]: Is it this angel?

[00:11:35] [SPEAKER_03]: I'm guessing that's who he is.

[00:11:37] [SPEAKER_03]: Like, what is it?

[00:11:38] [SPEAKER_05]: Let me...

[00:11:39] [SPEAKER_05]: So last night, I can't remember what part it was,

[00:11:44] [SPEAKER_05]: but it was just like, it was the middle of a movie and I had had enough.

[00:11:47] [SPEAKER_05]: And I was just like, what the fuck?

[00:11:49] [SPEAKER_05]: What is happening?

[00:11:51] [SPEAKER_05]: And Ken went on a tirade.

[00:11:56] [SPEAKER_05]: I was like, this movie doesn't make sense.

[00:11:59] [SPEAKER_05]: And he goes, what's not to make sense?

[00:12:01] [SPEAKER_05]: It's a magical crab sent down by God from her mom to make her happy.

[00:12:06] [SPEAKER_05]: And he lives in the kitchen.

[00:12:09] [SPEAKER_05]: That like, how's that crab still living?

[00:12:12] [SPEAKER_05]: I don't know.

[00:12:13] [SPEAKER_05]: He has no water.

[00:12:15] [SPEAKER_05]: He's just living on vibes up by the salt.

[00:12:18] [SPEAKER_05]: Oh my God.

[00:12:22] [SPEAKER_05]: Danielle, we've done a lot of movies on this podcast.

[00:12:25] [SPEAKER_04]: Right.

[00:12:25] [SPEAKER_05]: And some are like straight up bad.

[00:12:27] [SPEAKER_05]: Like, Raise Your Voice, not a good movie.

[00:12:30] [SPEAKER_05]: But it made sense.

[00:12:32] [SPEAKER_05]: This movie.

[00:12:33] [SPEAKER_05]: Right.

[00:12:34] [SPEAKER_05]: To make a goddamn look of sense.

[00:12:37] [SPEAKER_03]: So I can like, after doing the notes and after like watching this,

[00:12:44] [SPEAKER_03]: I was able to pinpoint what was like the things that came together

[00:12:50] [SPEAKER_03]: that made me love it when I was younger.

[00:12:52] [SPEAKER_05]: Okay.

[00:12:53] [SPEAKER_03]: We already know the Sarah Michelle Gellar factor, right?

[00:12:56] [SPEAKER_03]: But you also know that I love old movies.

[00:13:00] [SPEAKER_05]: Yes.

[00:13:00] [SPEAKER_03]: You know, all the Turner classic movies that my mom and I used to watch.

[00:13:05] [SPEAKER_03]: And this movie is,

[00:13:08] [SPEAKER_03]: it has the feel of like a 1950s, 1940s.

[00:13:15] [SPEAKER_03]: Like romantic comedy.

[00:13:18] [SPEAKER_03]: It has the feel of it.

[00:13:20] [SPEAKER_03]: It wants to be that.

[00:13:21] [SPEAKER_03]: The look of it is that the music of it is that.

[00:13:26] [SPEAKER_03]: I think.

[00:13:28] [SPEAKER_03]: And it's a rom-com.

[00:13:29] [SPEAKER_03]: So like all of those pieces, that's what made me like it.

[00:13:31] [SPEAKER_05]: And it has magic.

[00:13:33] [SPEAKER_03]: And it has magic.

[00:13:34] [SPEAKER_03]: I do love.

[00:13:35] [SPEAKER_03]: I will.

[00:13:36] [SPEAKER_03]: I will like not believe I'll believe anything.

[00:13:41] [SPEAKER_03]: You tell me if you just explain it away and just say it's magic.

[00:13:45] [SPEAKER_03]: Fine.

[00:13:46] [SPEAKER_03]: But if you have too many pieces.

[00:13:48] [SPEAKER_03]: Yep.

[00:13:49] [SPEAKER_03]: And I don't know the source.

[00:13:51] [SPEAKER_03]: I'm confused and I have a problem.

[00:13:54] [SPEAKER_03]: Just she's a witch.

[00:13:55] [SPEAKER_03]: She's a witch.

[00:13:55] [SPEAKER_03]: She's a witch.

[00:13:55] [SPEAKER_04]: That's all we needed. We didn't need.

[00:13:57] [SPEAKER_04]: A magic crab.

[00:13:59] [SPEAKER_04]: No.

[00:14:00] [SPEAKER_04]: The crab makes zero sense.

[00:14:02] [SPEAKER_03]: And at some points you can see the strings.

[00:14:06] [SPEAKER_03]: Pulling the crab.

[00:14:08] [SPEAKER_03]: Did you see that?

[00:14:09] [SPEAKER_03]: To be honest, I was kind of scrolling on my phone.

[00:14:12] [SPEAKER_03]: Oh, my gosh.

[00:14:14] [SPEAKER_03]: I think.

[00:14:15] [SPEAKER_03]: I think that's the thing.

[00:14:16] [SPEAKER_03]: We need to make a movie that doesn't feel like the thing that's

[00:14:16] [SPEAKER_03]: lacking in this movie.

[00:14:18] [SPEAKER_03]: As much as we feel like Sean Patrick.

[00:14:20] [SPEAKER_03]: Flannery wasn't like the best.

[00:14:22] [SPEAKER_03]: I really think it was the script.

[00:14:25] [SPEAKER_03]: Because Sarah, Michelle Gellar is a top notch actress.

[00:14:30] [SPEAKER_03]: You give her scraps.

[00:14:31] [SPEAKER_03]: She won't make it work.

[00:14:33] [SPEAKER_03]: That's why she doesn't like this movie.

[00:14:34] [SPEAKER_03]: She couldn't even make this work.

[00:14:36] [SPEAKER_05]: Yeah.

[00:14:37] [SPEAKER_05]: You know what this movie feels like?

[00:14:39] [SPEAKER_05]: If you took a script.

[00:14:42] [SPEAKER_05]: And ran it through Google translate a few times.

[00:14:46] [SPEAKER_05]: And then you're like, okay, this is the version we're making.

[00:14:49] [SPEAKER_03]: So the director's wife is who wrote this movie.

[00:14:53] [SPEAKER_03]: And I don't think she should have.

[00:14:55] [SPEAKER_03]: Because from a direction standpoint, he doesn't, it's not,

[00:14:58] [SPEAKER_03]: it's a visually beautiful movie. It's just.

[00:15:02] [SPEAKER_03]: The words.

[00:15:04] [SPEAKER_03]: Make.

[00:15:05] [SPEAKER_03]: Zero sense.

[00:15:05] [SPEAKER_03]: And she's trying to get that banter from like that 1920s.

[00:15:09] [SPEAKER_05]: Yeah.

[00:15:10] [SPEAKER_03]: Like Friday banter and it doesn't.

[00:15:13] [SPEAKER_03]: It doesn't hit. And again, we have top notch actors.

[00:15:18] [SPEAKER_03]: Patricia Clarkson eats this bucket.

[00:15:21] [SPEAKER_03]: This.

[00:15:22] [SPEAKER_05]: She was the only saving grace for me.

[00:15:27] [SPEAKER_05]: I was like, just give me Patricia Clarkson as like the snarky

[00:15:32] [SPEAKER_05]: secretary lady.

[00:15:34] [SPEAKER_05]: Like that's seducing the man with weird lips in the elevator with.

[00:15:39] [SPEAKER_05]: Like that's.

[00:15:40] [SPEAKER_05]: That's the only part of this movie I enjoyed.

[00:15:44] [SPEAKER_03]: It makes me think that like.

[00:15:47] [SPEAKER_03]: Them being older might've worked. She should have been like,

[00:15:50] [SPEAKER_03]: if she was the lead, it would have been.

[00:15:53] [SPEAKER_03]: So, you know, fun. Not again, Sarah, Michelle Gellar could do no wrong.

[00:15:57] [SPEAKER_03]: I mean, I think it would have been fun.

[00:15:57] [SPEAKER_05]: It needed to go the way of down with love.

[00:16:01] [SPEAKER_05]: When were.

[00:16:01] [SPEAKER_05]: Over the top.

[00:16:03] [SPEAKER_05]: Then it would have worked with all of this weird magic.

[00:16:06] [SPEAKER_03]: Yes.

[00:16:07] [SPEAKER_03]: And I was thinking about that, this movie.

[00:16:11] [SPEAKER_03]: I would say if it had like a sub category in rom-coms would be like

[00:16:16] [SPEAKER_03]: the first one.

[00:16:16] [SPEAKER_03]: quit down with love and even you've got mail.

[00:16:19] [SPEAKER_03]: Because you've got mail obviously is a remake of shop around the

[00:16:24] [SPEAKER_03]: corner, which is.

[00:16:25] [SPEAKER_03]: From that time period. So it has that like quirky.

[00:16:29] [SPEAKER_03]: Cuteness about it.

[00:16:30] [SPEAKER_03]: Yeah.

[00:16:30] [SPEAKER_03]: So yeah, a hundred percent to me, the script failed.

[00:16:35] [SPEAKER_03]: It really, really failed.

[00:16:36] [SPEAKER_03]: I mean, I think it's a good thing.

[00:16:36] [SPEAKER_03]: And also he's not likable.

[00:16:39] [SPEAKER_03]: We are supposed to feel Amanda is feeling.

[00:16:43] [SPEAKER_03]: And I cannot understand how this man keeps playing her to the left.

[00:16:48] [SPEAKER_03]: Like, I don't understand what she likes about him. Yes.

[00:16:51] [SPEAKER_05]: I a hundred percent agree. Like, like, why you keep going after?

[00:16:56] [SPEAKER_05]: Like, is it his pheromones?

[00:16:58] [SPEAKER_05]: Like, is it his, like, what is the thing?

[00:16:59] [SPEAKER_05]: Because I'm not seeing it with these eyes.

[00:17:02] [SPEAKER_05]: And like you said.

[00:17:04] [SPEAKER_05]: The, I think the writer was going for witty banter.

[00:17:07] [SPEAKER_05]: And he was just.

[00:17:08] [SPEAKER_03]: Yeah, he wasn't nice to her.

[00:17:12] [SPEAKER_03]: He did. There's like, I couldn't find anything that he did.

[00:17:17] [SPEAKER_03]: For her to appreciate her.

[00:17:19] [SPEAKER_03]: All the way down to almost the very, like he didn't last seen.

[00:17:23] [SPEAKER_03]: He didn't believe in her.

[00:17:25] [SPEAKER_03]: Yeah.

[00:17:25] [SPEAKER_05]: And then all of a sudden he was like, okay.

[00:17:27] [SPEAKER_05]: Like that wasn't even believable that all of a sudden he was just

[00:17:31] [SPEAKER_05]: like.

[00:17:33] [SPEAKER_05]: Nevermind your magic powers. Don't weird me out.

[00:17:37] [SPEAKER_05]: Yeah. Anymore. We can be together.

[00:17:39] [SPEAKER_05]: Like, because now you're making me fucking money because everyone likes

[00:17:42] [SPEAKER_05]: your cooking.

[00:17:43] [SPEAKER_03]: Right.

[00:17:44] [SPEAKER_03]: I, it took him so long to get there. I didn't like that.

[00:17:48] [SPEAKER_03]: And she didn't get mad enough for me. I think that was the other thing.

[00:17:51] [SPEAKER_03]: We have seen Sarah Michelle Gellar, especially.

[00:17:53] [SPEAKER_03]: I think she's been a really good friend to me.

[00:17:53] [SPEAKER_03]: Especially before, even before we get to this role.

[00:17:55] [SPEAKER_03]: She has always been like a bad-ass.

[00:17:59] [SPEAKER_03]: Really strong.

[00:18:01] [SPEAKER_03]: Woman and to see her.

[00:18:04] [SPEAKER_03]: Kind of like.

[00:18:06] [SPEAKER_03]: Bowing down to this, this guy that doesn't deserve her just felt weird.

[00:18:12] [SPEAKER_05]: Yeah.

[00:18:13] [SPEAKER_05]: Like she was just sad. She never got like.

[00:18:16] [SPEAKER_05]: I don't know.

[00:18:16] She was just like, fuck you.

[00:18:16] [SPEAKER_05]: Fuck you mad.

[00:18:18] [SPEAKER_05]: Which she should have.

[00:18:19] [SPEAKER_05]: Like I can't control this shit.

[00:18:21] [SPEAKER_05]: Right.

[00:18:22] [SPEAKER_05]: Why are you blaming me? This is brand new for me too.

[00:18:25] [SPEAKER_05]: Like just go with it.

[00:18:27] [SPEAKER_05]: Instead of like.

[00:18:29] [SPEAKER_05]: Calling me.

[00:18:31] [SPEAKER_05]: A demon.

[00:18:32] [SPEAKER_03]: I think at one point.

[00:18:33] [SPEAKER_03]: So prejudice against witchcraft.

[00:18:36] [SPEAKER_03]: I mean, seriously.

[00:18:39] [SPEAKER_03]: Yes.

[00:18:40] [SPEAKER_03]: He was very.

[00:18:41] [SPEAKER_03]: He was very.

[00:18:41] [SPEAKER_03]: Not likable.

[00:18:43] [SPEAKER_03]: And I think.

[00:18:44] [SPEAKER_03]: If these two.

[00:18:46] [SPEAKER_03]: Regardless of the script and the crazy premise,

[00:18:49] [SPEAKER_03]: if these two had undeniable chemistry.

[00:18:52] [SPEAKER_03]: And he had something about him that made you like him.

[00:18:57] [SPEAKER_03]: I think we would have been able to kind of gloss over.

[00:19:00] [SPEAKER_03]: If there also, if there was a little bit more comedy to the ROM.

[00:19:04] [SPEAKER_03]: Like you look at Tom Hanks in.

[00:19:06] [SPEAKER_03]: The movie, he's a very.

[00:19:07] [SPEAKER_03]: You've got male.

[00:19:09] [SPEAKER_03]: And he's a very unlikely.

[00:19:11] [SPEAKER_03]: Person in that movie.

[00:19:13] [SPEAKER_03]: But he has that charisma.

[00:19:15] [SPEAKER_03]: And he ends up starting to change and be nicer.

[00:19:19] [SPEAKER_03]: And you see that this guy.

[00:19:22] [SPEAKER_03]: He.

[00:19:22] [SPEAKER_05]: His arc was just.

[00:19:25] [SPEAKER_05]: A straight line.

[00:19:27] [SPEAKER_03]: And all the years that I watched it, I.

[00:19:30] [SPEAKER_03]: I was like, Oh, I'm going to watch this movie.

[00:19:31] [SPEAKER_03]: And I didn't see it.

[00:19:32] [SPEAKER_03]: But also I haven't watched this movie in a long time.

[00:19:35] [SPEAKER_03]: And it wasn't streaming for a while.

[00:19:37] [SPEAKER_03]: I remember wanting to like, watch it.

[00:19:39] [SPEAKER_03]: And then it wasn't streaming.

[00:19:40] [SPEAKER_03]: And then by the time that I was like, oh, it's streaming.

[00:19:42] [SPEAKER_03]: I was like, oh, I have to wait till we do.

[00:19:46] [SPEAKER_05]: Well,

[00:19:47] [SPEAKER_05]: We're older now and we've had therapy.

[00:19:50] [SPEAKER_05]: So we.

[00:19:51] [SPEAKER_05]: I don't know.

[00:19:52] [SPEAKER_05]: I don't know.

[00:19:52] [SPEAKER_05]: Because a boy is mean to you does not mean that he likes you.

[00:19:56] [SPEAKER_03]: Yeah.

[00:19:57] [SPEAKER_03]: And also they didn't stick to his quirks, right?

[00:20:01] [SPEAKER_03]: Like he was mean instead of it just being like.

[00:20:05] [SPEAKER_03]: You know, sometimes you get those characters who are like.

[00:20:08] [SPEAKER_03]: I'm very logical and love doesn't make logical sense to me.

[00:20:12] [SPEAKER_03]: I like to be, you know, on a schedule.

[00:20:15] [SPEAKER_03]: I like to be on a schedule.

[00:20:15] [SPEAKER_03]: I like to be on a schedule.

[00:20:15] [SPEAKER_03]: That would have made more sense.

[00:20:16] [SPEAKER_03]: Cause they started to do stuff about like data where he.

[00:20:19] [SPEAKER_03]: You know, they didn't pull that string all the way through.

[00:20:22] [SPEAKER_05]: No,

[00:20:23] [SPEAKER_05]: like there were so many things that were brought into this movie and

[00:20:26] [SPEAKER_05]: then never touched again.

[00:20:28] [SPEAKER_03]: Yeah.

[00:20:29] [SPEAKER_05]: Or he'd be like, this doesn't make sense. It's only day two,

[00:20:32] [SPEAKER_05]: but I want to do either.

[00:20:33] [SPEAKER_05]: Like, like, okay.

[00:20:36] [SPEAKER_05]: Where are we going with this? Oh, nowhere. Okay.

[00:20:39] [SPEAKER_03]: I think that's a good point.

[00:20:42] [SPEAKER_03]: I also think one of the things that I love about this movie.

[00:20:46] [SPEAKER_03]: Is the food and like,

[00:20:50] [SPEAKER_03]: Like it makes you want to eat.

[00:20:51] [SPEAKER_03]: I love movies that you want to eat along while you're watching.

[00:20:56] [SPEAKER_03]: And I would punch my grandma.

[00:20:58] [SPEAKER_03]: For one of those, like a clear things that she makes.

[00:21:01] [SPEAKER_05]: And I would watch her make like a,

[00:21:02] [SPEAKER_05]: It was amazing.

[00:21:03] [SPEAKER_05]: Yeah.

[00:21:04] [SPEAKER_05]: And then at one point, like, so is she a baker or is she a chef?

[00:21:08] [SPEAKER_05]: Cause usually it's two different people in a kitchen, right?

[00:21:12] [SPEAKER_03]: She doing everything girl.

[00:21:13] [SPEAKER_03]: She doing everything.

[00:21:14] [SPEAKER_03]: But I had questions about some of the food scenes.

[00:21:17] [SPEAKER_05]: She's just standing there,

[00:21:19] [SPEAKER_05]: like playing with an apple and she looks down and it's like an apple

[00:21:22] [SPEAKER_05]: filled with ice cream.

[00:21:23] [SPEAKER_05]: And I'm like,

[00:21:24] [SPEAKER_05]: Oh yeah.

[00:21:26] [SPEAKER_05]: And like people are standing there facing her talking to her.

[00:21:30] [SPEAKER_05]: So it's not like.

[00:21:32] [SPEAKER_05]: She gets like her backs turn in.

[00:21:34] [SPEAKER_05]: They don't see like that. It just magically.

[00:21:37] [SPEAKER_05]: Like.

[00:21:40] [SPEAKER_03]: Also.

[00:21:41] [SPEAKER_03]: So that seed, the scene behind me.

[00:21:44] [SPEAKER_03]: Where she has, it looks like a blueberry cheesecake.

[00:21:48] [SPEAKER_03]: So she brings that out, but she also brings out better.

[00:21:51] [SPEAKER_03]: Like she's like, I'm going to make a better cheesecake.

[00:21:51] [SPEAKER_03]: And I'm like, well, what are we doing? Boo. He wanted dessert.

[00:21:54] [SPEAKER_03]: Yeah.

[00:21:55] [SPEAKER_03]: Why not cut into that cheesecake? What are we making? Is it a topping?

[00:21:59] [SPEAKER_05]: Like.

[00:22:00] [SPEAKER_05]: What's happening right now.

[00:22:02] [SPEAKER_05]: Well, every time she was making the batter,

[00:22:04] [SPEAKER_05]: I think she was making shoe pastry for more of the eclairs.

[00:22:07] [SPEAKER_05]: Yeah.

[00:22:08] [SPEAKER_05]: We've been watching a lot of British bake-offs.

[00:22:10] [SPEAKER_05]: So I can identify.

[00:22:12] [SPEAKER_05]: A batter pretty well.

[00:22:14] [SPEAKER_05]: Yeah.

[00:22:14] [SPEAKER_05]: It's like, okay. If you're eclairs or the signature thing.

[00:22:17] [SPEAKER_05]: You're making an apple thing.

[00:22:19] [SPEAKER_05]: Why are you making an apple thing? Why are you making like,

[00:22:20] [SPEAKER_05]: why isn't that just.

[00:22:23] [SPEAKER_05]: Your signature because it makes everyone happy.

[00:22:26] [SPEAKER_03]: Also this plant.

[00:22:28] [SPEAKER_03]: The vanilla plant that he brings her.

[00:22:30] [SPEAKER_03]: It's not really a vanilla plant in real life.

[00:22:34] [SPEAKER_03]: I don't know what planet is, but it's not vanilla.

[00:22:38] [SPEAKER_05]: They couldn't even get that right.

[00:22:40] [SPEAKER_05]: I don't know.

[00:22:40] [SPEAKER_05]: I don't know what the plant is.

[00:22:42] [SPEAKER_05]: What are we doing here?

[00:22:44] [SPEAKER_05]: Can we remake this movie?

[00:22:48] [SPEAKER_05]: And make it a hundred times better.

[00:22:50] [SPEAKER_05]: Yes.

[00:22:51] [SPEAKER_03]: At least we'll get the plants, right?

[00:22:54] [SPEAKER_03]: A hundred percent.

[00:22:55] [SPEAKER_03]: A hundred percent.

[00:22:56] [SPEAKER_03]: I'm not sure.

[00:22:57] [SPEAKER_03]: And the whole funny thing is that like,

[00:23:00] [SPEAKER_03]: you have the wrong vanilla plant.

[00:23:02] [SPEAKER_03]: And the movie was originally supposed to be called vanilla fog.

[00:23:06] [SPEAKER_03]: Glad they changed that.

[00:23:09] [SPEAKER_03]: But from a SEO standpoint, it would have done better.

[00:23:13] [SPEAKER_03]: Cause every time I look for simply airs is irresistible that damn

[00:23:16] [SPEAKER_03]: plant.

[00:23:17] [SPEAKER_03]: I'm like,

[00:23:17] [SPEAKER_03]: I'm going to make a movie about it.

[00:23:17] [SPEAKER_03]: And then.

[00:23:17] [SPEAKER_03]: Palmer song comes up and I was like,

[00:23:19] [SPEAKER_03]: Not that.

[00:23:21] [SPEAKER_05]: Movie.

[00:23:24] [SPEAKER_05]: Well, we're kind of popping all over the place, which I feel like.

[00:23:28] [SPEAKER_05]: We're bound to do because this movie is so disjointed anyway.

[00:23:32] [SPEAKER_05]: Like, even if we go in order,

[00:23:35] [SPEAKER_05]: it's not going to feel like we go in order.

[00:23:36] [SPEAKER_05]: It's just, it's just a little bit of a disjointed.

[00:23:37] [SPEAKER_05]: But essentially Amanda is a mediocre chef.

[00:23:42] [SPEAKER_05]: Who goes to the farmer's market every morning. It seems like.

[00:23:46] [SPEAKER_05]: And this mysterious genome alley is like crabs.

[00:23:50] [SPEAKER_05]: And she's like,

[00:23:51] [SPEAKER_05]: I'm good.

[00:23:53] [SPEAKER_05]: And he's like, no, but take the, the, the crabs.

[00:23:56] [SPEAKER_05]: And he's like, I'm good. And he's like, no, but take the crabs.

[00:23:56] [SPEAKER_05]: And then he says something.

[00:23:58] [SPEAKER_05]: Your mom wants you to.

[00:24:00] [SPEAKER_05]: Yeah.

[00:24:00] [SPEAKER_03]: Like your mom wants you to be happy or.

[00:24:04] [SPEAKER_03]: I don't know.

[00:24:05] [SPEAKER_04]: Yeah.

[00:24:06] [SPEAKER_03]: Kind of wake up.

[00:24:07] [SPEAKER_03]: All the signs are there. Like you're not listening or some crap.

[00:24:11] [SPEAKER_05]: And so she's just like, okay, I'll buy the crabs.

[00:24:14] [SPEAKER_05]: And then what escapes.

[00:24:15] [SPEAKER_05]: So now she's chasing crabs.

[00:24:17] [SPEAKER_05]: So now she's chasing crabs.

[00:24:17] [SPEAKER_05]: Through the farmer's market that she doesn't want in the first place and

[00:24:21] [SPEAKER_05]: the crab like crawls up the pant leg of.

[00:24:25] [SPEAKER_05]: What is his name?

[00:24:27] [SPEAKER_03]: Oh, Tom.

[00:24:29] [SPEAKER_05]: Yeah, Tom.

[00:24:30] [SPEAKER_05]: Tom Bartlett, which she's like, oh, like the pair.

[00:24:34] [SPEAKER_05]: Do we, do we need that clarification?

[00:24:37] [SPEAKER_05]: I knew no pair was called that.

[00:24:41] [SPEAKER_05]: So that is their meet cute, but it's just like super fucking awkward.

[00:24:47] [SPEAKER_06]: Yeah.

[00:24:49] [SPEAKER_05]: It's not even fun. It's not even jovial. It's just like the crab literally pinches him on the leg.

[00:24:56] [SPEAKER_05]: And there's no witty banter about it.

[00:24:59] [SPEAKER_05]: No, you gave me crabs nothing.

[00:25:03] [SPEAKER_03]: And she does say something about her, her crabs or something. I was like that line didn't come out.

[00:25:10] [SPEAKER_03]: Yeah.

[00:25:12] [SPEAKER_05]: That was not a joke.

[00:25:15] [SPEAKER_03]: And just a side note. This is the debut of Judith's like writing career, like for movies, I'm guessing.

[00:25:27] [SPEAKER_03]: And it was Mark's debut as well.

[00:25:30] [SPEAKER_03]: However, Jackie, he is the producer of one of our favorites, Pecker.

[00:25:37] [SPEAKER_05]: Oh, I do enjoy that.

[00:25:39] [SPEAKER_03]: Yes.

[00:25:39] [SPEAKER_05]: But what else has she written? I would like to know.

[00:25:43] [SPEAKER_05]: Not much, my friend.

[00:25:49] [SPEAKER_03]: All right. She wrote this movie called Simply Irresistible.

[00:25:56] [SPEAKER_05]: That's it?

[00:25:59] [SPEAKER_05]: Well, I mean, maybe she got the feedback and she's like, okay, maybe writing is not where I need to be.

[00:26:09] [SPEAKER_03]: She also produced a movie called Temptation.

[00:26:14] [SPEAKER_05]: So I find it interesting that according to Tarlov, the script was originally about a middle aged young woman who had never found romance before because she never found her passion.

[00:26:26] [SPEAKER_05]: And when she found her passion, which was cooking, romance followed.

[00:26:29] [SPEAKER_05]: Where in this movie?

[00:26:32] [SPEAKER_05]: Right.

[00:26:35] [SPEAKER_05]: Like, take out the crabs, have her have her meet cute at the farmer's market without crabs.

[00:26:42] [SPEAKER_05]: And then it's like, oh, I found someone I'm interested in.

[00:26:46] [SPEAKER_05]: And so like, I was a good cook before, but now like my emotions are coming through in my food.

[00:26:52] [SPEAKER_03]: You know, maybe, you know, the studio kind of bucked up the process because it's clear that they had a vision of what they wanted to do.

[00:27:01] [SPEAKER_03]: And then they had to write younger.

[00:27:03] [SPEAKER_03]: And, you know, a lot of writers know what, write what they know.

[00:27:06] [SPEAKER_03]: And maybe the writer was at that point in life where she was a little bit older and she could have written something that she wanted to see, like from her experience.

[00:27:18] [SPEAKER_03]: Yeah.

[00:27:19] [SPEAKER_03]: Instead of trying to write for this young 20 year old who doesn't know what the hell's going on, I guess.

[00:27:26] [SPEAKER_03]: So.

[00:27:27] [SPEAKER_03]: Oh, man.

[00:27:29] [SPEAKER_03]: So we, she meets, she has her meet cute.

[00:27:32] [SPEAKER_03]: She goes back to the restaurant.

[00:27:33] [SPEAKER_03]: That's where we learned that, you know, the restaurant's not doing well.

[00:27:36] [SPEAKER_03]: We meet her aunt Sheila, I think.

[00:27:40] [SPEAKER_05]: She just be drinking martinis.

[00:27:42] [SPEAKER_03]: She'll be a drunk.

[00:27:43] [SPEAKER_03]: Girl is having the time of her life.

[00:27:45] [SPEAKER_05]: Although whatever that Rube Goldberg martini making thing is, I want one of those.

[00:27:52] [SPEAKER_05]: One of the only other things that was interesting to me.

[00:27:56] [SPEAKER_05]: Don't get that Jackie.

[00:27:56] [SPEAKER_05]: You don't drink martinis enough for that.

[00:27:58] [SPEAKER_05]: That's okay.

[00:27:59] [SPEAKER_05]: Ken drinks martinis quite a bit.

[00:28:01] [SPEAKER_05]: So I just have to put a little marble in and I don't have to make a martini for him.

[00:28:06] [SPEAKER_05]: I'm there, but I met, but she's.

[00:28:09] [SPEAKER_05]: Did you have to pour the alcohol?

[00:28:12] [SPEAKER_05]: It just didn't.

[00:28:13] [SPEAKER_05]: It was on the bottle was on a swivel and it like hit it and poured it and then it plopped an olive in there.

[00:28:21] [SPEAKER_03]: So, yeah, we meet her on.

[00:28:22] [SPEAKER_03]: She says that they're going to pretty much close the restaurant that her mother left because they're not doing well.

[00:28:28] [SPEAKER_03]: They decided after her mom died to like.

[00:28:31] [SPEAKER_03]: Keep it open and it just didn't work.

[00:28:35] [SPEAKER_03]: The restaurant is in Tribeca and they have a few regulars who come regardless of the fact that old girl can't cook.

[00:28:45] [SPEAKER_03]: And what I don't understand is like when they just made that decision, like, hey, we're going to keep going after her mom died.

[00:28:51] [SPEAKER_03]: Why not hire someone like or at her friend, her bestie?

[00:28:56] [SPEAKER_03]: Who's the sous chef?

[00:28:57] [SPEAKER_03]: Why not let him just cook because you can't cook girl.

[00:29:01] [SPEAKER_03]: Yeah.

[00:29:02] [SPEAKER_03]: I just I didn't understand that.

[00:29:05] [SPEAKER_05]: OK, like they can't afford the rent on the restaurant, right?

[00:29:08] [SPEAKER_05]: Right.

[00:29:08] [SPEAKER_05]: But then in a later scene, Tom asked to walk her home and she lives in the same building.

[00:29:13] [SPEAKER_05]: So is she being evicted from her house because she can't pay rent on the apartment either?

[00:29:19] [SPEAKER_03]: My guess is probably not because it might be rent controlled.

[00:29:22] [SPEAKER_03]: Like if her mom had that apartment for a long time, it might not fall under the same things for the restaurant.

[00:29:32] [SPEAKER_05]: I guess so she has like four regulars that come in every day.

[00:29:38] [SPEAKER_03]: Yeah.

[00:29:38] [SPEAKER_05]: And I'm like, how much money are these people paying for food that they pretty much don't eat and then have to go home and cook themselves a meal because they feel bad for this girl?

[00:29:50] [SPEAKER_05]: Bitch, learn how to cook.

[00:29:52] [SPEAKER_03]: They must have really loved her mom.

[00:29:55] [SPEAKER_05]: Yeah.

[00:29:56] [SPEAKER_05]: And the restaurant is called the Southern Cross.

[00:30:00] [SPEAKER_05]: So I expected like biscuits and gravy, like some sort of like home, like southern cooking.

[00:30:08] [SPEAKER_06]: Yeah.

[00:30:09] [SPEAKER_05]: And she was making like chicken breast.

[00:30:13] [SPEAKER_03]: Yeah.

[00:30:15] [SPEAKER_03]: It wasn't it wasn't making sense.

[00:30:17] [SPEAKER_03]: Once she met Tom at the market, she mentioned that she was going to make crab Napoleon or something.

[00:30:25] [SPEAKER_03]: And then after having a talk with like the regulars that they were gonna have to shut down or whatever, we see Tom back at his office because he does something.

[00:30:37] [SPEAKER_03]: I don't know what he does, but something high up at Henry Bandel, the department store.

[00:30:43] [SPEAKER_03]: And you see his girl Friday.

[00:30:47] [SPEAKER_03]: I don't know what else to call her.

[00:30:48] [SPEAKER_03]: His secretary come up to him and let him know that his girlfriend or lady, some skinny lady is upstairs and waiting for him.

[00:30:59] [SPEAKER_03]: And so that's when we meet Amanda Pete's character.

[00:31:03] [SPEAKER_03]: She seems to be like a very type A neurotic woman that he's only dated like on four, I guess he's gone on four dates.

[00:31:12] [SPEAKER_03]: But they call each other girlfriend and boyfriend, apparently.

[00:31:16] [SPEAKER_05]: And she synced her calendar with his calendar.

[00:31:19] [SPEAKER_05]: I was like, were we doing that in 1999?

[00:31:22] [SPEAKER_03]: I could imagine the business bros kind of doing that like on their like, they seem to be very, yeah, pomp pilots.

[00:31:31] [SPEAKER_03]: Yes. So he is like freaked out by this and he's like, oh, it's time.

[00:31:35] [SPEAKER_03]: And then this is where we get the scene of him showing a chart of his data from all the dating he's doing.

[00:31:42] [SPEAKER_03]: Doesn't make any fucking sense.

[00:31:44] [SPEAKER_03]: Yeah.

[00:31:45] [SPEAKER_03]: So he's like, I have to break up with her.

[00:31:47] [SPEAKER_03]: I'm going to try to do it at lunch.

[00:31:49] [SPEAKER_03]: I want to do it in person or something like that.

[00:31:51] [SPEAKER_03]: I don't know.

[00:31:52] [SPEAKER_05]: They go to lunch.

[00:31:53] [SPEAKER_05]: She has a very specific restaurant in mind.

[00:31:55] [SPEAKER_05]: But then we see the taxi driver drops them off in front of the Southern Cross.

[00:32:00] [SPEAKER_05]: That darn rascal, Gino Malley is driving a taxi with this mysterious stranger.

[00:32:06] [SPEAKER_03]: What I don't get is that the two of them get out without looking to see, oh, we're not like, you know what part of town you're supposed to be going in.

[00:32:14] [SPEAKER_03]: So she's got her good old planner, which gives me 27 dresses vibes.

[00:32:20] [SPEAKER_03]: And she's looking so confused and all over the place.

[00:32:24] [SPEAKER_03]: But he spots Amanda immediately and he points at her, which rude because Amanda is outside crying.

[00:32:33] [SPEAKER_03]: And he's like you now his girlfriend immediately is like, who the fuck is this bitch?

[00:32:40] [SPEAKER_03]: Like you could tell she clocked it pretty quickly.

[00:32:43] [SPEAKER_03]: And so they she asked where the restaurant they're supposed to be is.

[00:32:48] [SPEAKER_03]: And he's like, I was two blocks away.

[00:32:50] [SPEAKER_03]: And he's like, no, let's just eat here since we're here.

[00:32:54] [SPEAKER_03]: And so Amanda is like freaking the fuck out because she's like, I don't know.

[00:32:59] [SPEAKER_03]: But at the same time, she's banging some unwashed unseasoned chicken and tenderizing it.

[00:33:08] [SPEAKER_03]: Because I don't know what Amanda Pete's character asked for some sort of chicken dish.

[00:33:15] [SPEAKER_03]: And now she has to figure out how to make the crab Napoleon.

[00:33:18] [SPEAKER_03]: So she runs upstairs to go because her bestie tells her, you know, check your mom's recipes, which bitch, why isn't that Jackie?

[00:33:28] [SPEAKER_05]: Why isn't it in the kitchen?

[00:33:29] [SPEAKER_05]: Why aren't you just using your mom's recipes?

[00:33:32] [SPEAKER_05]: Why are we bringing it?

[00:33:34] [SPEAKER_04]: So she's your mom and I teach you how to cook.

[00:33:37] [SPEAKER_04]: It's crazy.

[00:33:39] [SPEAKER_03]: She goes upstairs and quickly comes back down and says, I didn't find the recipes, but I got these earrings that used to be my mom's.

[00:33:48] [SPEAKER_05]: So I have a note of when Tom sees Amanda outside the restaurant and Chris Amanda Pete.

[00:33:59] [SPEAKER_05]: Is that her name?

[00:34:01] [SPEAKER_04]: Yeah, Amanda Pete's. Okay.

[00:34:03] [SPEAKER_05]: Amanda, the character Amanda Pete.

[00:34:05] [SPEAKER_05]: I know. Yeah.

[00:34:07] [SPEAKER_05]: So Chris America, Amanda Pete's character turns around and she's like.

[00:34:11] [SPEAKER_05]: Who is this little person?

[00:34:13] [SPEAKER_03]: I was like, why'd you call her a little person?

[00:34:18] [SPEAKER_03]: Oh my God.

[00:34:20] [SPEAKER_03]: And I hate Amanda Pete's hair color in this movie.

[00:34:24] [SPEAKER_03]: And why is it so goofy?

[00:34:28] [SPEAKER_03]: It looks like when she bleached it, it like did something to the texture of her hair.

[00:34:36] [SPEAKER_03]: It looks horrible.

[00:34:37] [SPEAKER_05]: They keep commenting on her like perfectly straight hair.

[00:34:42] [SPEAKER_05]: I'm like that hair is disgusting.

[00:34:47] [SPEAKER_03]: Yeah. Amanda is like, oh, she's so perfect.

[00:34:50] [SPEAKER_03]: She's this, she's that.

[00:34:52] [SPEAKER_03]: And of course, as she's doing that, all of her emotions are going into that dish.

[00:34:58] [SPEAKER_03]: And then she's trying to feel like she's like, I don't know how to make crab Napoleon.

[00:35:03] [SPEAKER_03]: Also, the dishes that she has to make should take a lot longer.

[00:35:09] [SPEAKER_03]: She comes out within them coming in five minutes and she's like, oh, be done soon.

[00:35:14] [SPEAKER_03]: What? And he cooks the crabs pretty fucking quick.

[00:35:19] [SPEAKER_03]: I mean, maybe it doesn't take long to cook whole crabs.

[00:35:22] [SPEAKER_03]: I don't know.

[00:35:23] [SPEAKER_03]: Shayla, how long does it take to cook a crab?

[00:35:26] [SPEAKER_03]: Right.

[00:35:28] [SPEAKER_03]: Please let us know.

[00:35:29] [SPEAKER_05]: Yeah. And but like she's daydreaming as she's like magically creating the crab Napoleon.

[00:35:37] [SPEAKER_05]: And so she brings they bring out the food to them.

[00:35:41] [SPEAKER_05]: Amanda Pete's character goes fucking crazy.

[00:35:45] [SPEAKER_05]: Yeah.

[00:35:47] [SPEAKER_05]: And it's because Amanda has put all of her pent up anger and emotions into the chicken.

[00:35:52] [SPEAKER_05]: So she takes one bite and is just like, essentially, fuck you, fuck you, fuck you.

[00:35:59] [SPEAKER_05]: Peace out.

[00:36:01] [SPEAKER_05]: You're cool.

[00:36:03] [SPEAKER_03]: To the crab.

[00:36:05] [SPEAKER_03]: You're cool.

[00:36:06] [SPEAKER_03]: Everyone else. Fuck you.

[00:36:08] [SPEAKER_05]: Like she smears butter on his face.

[00:36:12] [SPEAKER_05]: She uses his tie as a napkin.

[00:36:14] [SPEAKER_05]: I thought it was mashed potato.

[00:36:16] [SPEAKER_05]: Oh, I thought it was butter.

[00:36:18] [SPEAKER_04]: Why would she have that much butter on her plate?

[00:36:21] [SPEAKER_05]: I don't know.

[00:36:24] [SPEAKER_05]: Amanda's not a good cook.

[00:36:26] [SPEAKER_05]: And then she grabs the plates from the restaurant and just starts throwing them everywhere.

[00:36:32] [SPEAKER_03]: That scene made me mad because I would have came out of the kitchen and she would have caught some hands because what the fuck?

[00:36:38] [SPEAKER_03]: Yeah.

[00:36:39] [SPEAKER_03]: And they're just watching her like, oh, what are they doing?

[00:36:42] [SPEAKER_03]: What?

[00:36:43] [SPEAKER_05]: No one has a sense of urgency in this movie about anything.

[00:36:48] [SPEAKER_03]: No.

[00:36:49] [SPEAKER_03]: And the aunt is just drinking another martini.

[00:36:52] [SPEAKER_03]: She don't give a rat's ass on this.

[00:36:55] [SPEAKER_05]: She's like, we're not going to have this restaurant soon. We don't need many plates. We don't get many customers.

[00:37:00] [SPEAKER_03]: Right. And Tom is in a trance. He is having an orgasm as he's eating his crab.

[00:37:08] [SPEAKER_03]: First of all, she doesn't know how she made that crab.

[00:37:11] [SPEAKER_03]: She just was sprinkling some stuff and boom, it was there.

[00:37:14] [SPEAKER_03]: It looked very pretty.

[00:37:16] [SPEAKER_03]: So the girl leaves.

[00:37:18] [SPEAKER_03]: She breaks up with him.

[00:37:19] [SPEAKER_03]: And this is what this is the same kind of energy Amanda needed to have because she says, you're a jerk.

[00:37:26] [SPEAKER_03]: You're mean. I'm so much better than you.

[00:37:29] [SPEAKER_03]: And I'm like, yes, he is a jerk.

[00:37:32] [SPEAKER_03]: You do deserve better.

[00:37:34] [SPEAKER_03]: And then even when he talks about the breakup, he was like, I have feelings.

[00:37:38] [SPEAKER_03]: You were going to go break up with her. What the fuck are you talking about?

[00:37:43] [SPEAKER_03]: Because according to your data, it was over.

[00:37:48] [SPEAKER_03]: Oh my gosh. And so then he is again still in a trance.

[00:37:53] [SPEAKER_03]: He tells Amanda, look, send me the bill for the plates and I will get that sorted for you.

[00:38:00] [SPEAKER_03]: And he leaves money and he's just like, wow, this was amazing.

[00:38:03] [SPEAKER_03]: And he's he bounces.

[00:38:07] [SPEAKER_03]: And she's smitten. Yeah.

[00:38:10] [SPEAKER_03]: And they're all still trying to figure out how the fuck she made that good food.

[00:38:15] [SPEAKER_05]: Yeah. And then so she decides to get all gussied up to go to the department store to pick out new plates.

[00:38:26] [SPEAKER_05]: And this was the scene with her friend where she's trying on all the outfits.

[00:38:30] [SPEAKER_05]: He's making the dolls fight one another.

[00:38:32] [SPEAKER_05]: And then he mentions if a guy adjusts his belt, that means he's interested.

[00:38:38] [SPEAKER_03]: Right. He's also said that a man thinks about sex like two hundred and thirty plus times a day.

[00:38:44] [SPEAKER_03]: Yeah. I don't know. Doesn't sound inaccurate.

[00:38:47] [SPEAKER_03]: I have no idea. But when I was younger and I saw this movie, the outfits that Sarah Michelle Gellar wears.

[00:38:56] [SPEAKER_03]: At the time, I thought this was peak fashion.

[00:39:03] [SPEAKER_03]: You could tell me nothing.

[00:39:06] [SPEAKER_05]: Crocheted outfits, a lot of spaghetti straps.

[00:39:10] [SPEAKER_05]: The coat that she wears. I think it's in the scene coming up.

[00:39:15] [SPEAKER_05]: Was cute. The dress she chooses. Not so much.

[00:39:19] [SPEAKER_03]: And he says something that's kind of mean about her outfits.

[00:39:24] [SPEAKER_03]: Almost like it's a bit much. And she's like, it took me forever just to pick these three necklaces or whatever.

[00:39:34] [SPEAKER_03]: But I was like, ew.

[00:39:36] [SPEAKER_03]: You just met her. Just don't say anything.

[00:39:40] [SPEAKER_03]: Also, I really hate the trope of a clumsy lead, female lead in these rom-coms.

[00:39:47] [SPEAKER_03]: Like I'm so over it.

[00:39:48] [SPEAKER_05]: Yeah, she walks into the department store and immediately knocks over this display of all of these.

[00:39:54] [SPEAKER_05]: I don't know if it was cologne or.

[00:39:56] [SPEAKER_03]: I again want to ask. I don't know what his job is.

[00:40:00] [SPEAKER_03]: I also don't know what the guy that he was talking to his job is. Ramos?

[00:40:08] [SPEAKER_03]: Because I thought Ramos was part of the sales team selling the perfume.

[00:40:14] [SPEAKER_03]: But then when that knife situation happens with the chef, he's like, Ramos, go figure that out.

[00:40:21] [SPEAKER_03]: I was like, sir, I work in the perfume cologne area.

[00:40:26] [SPEAKER_05]: This is a Wendy's.

[00:40:27] [SPEAKER_05]: Right?

[00:40:30] [SPEAKER_03]: So I was confused. It shouldn't matter. Like honestly, he's not a huge character.

[00:40:36] [SPEAKER_03]: But I very much wanted to know, Ramos, what's your title? You getting paid for this?

[00:40:42] [SPEAKER_03]: Kind of weird.

[00:40:45] [SPEAKER_05]: He sees her come in and doesn't immediately go down and be like, oh, hey, what you doing?

[00:40:51] [SPEAKER_05]: He kind of watches her struggle and asks where he is.

[00:40:54] [SPEAKER_05]: And then they send her to plates on the fourth floor.

[00:40:58] [SPEAKER_05]: And she's just kind of like, oh, yeah, I guess I'll go up to the fourth floor.

[00:41:02] [SPEAKER_03]: Because he's trying to be Mr. Cool Guy.

[00:41:04] [SPEAKER_03]: I think at first when he sees her, it's almost like he's admiring her because he could see gets excited that he's there.

[00:41:11] [SPEAKER_03]: And he it's because the klutziness is supposed to be funny and cute or endearing.

[00:41:18] [SPEAKER_03]: Yeah, I don't know.

[00:41:20] [SPEAKER_05]: But he didn't act like that. It was.

[00:41:24] [SPEAKER_03]: He was just kind of like, hmm.

[00:41:27] [SPEAKER_03]: Right. And when he tells her, she's like, oh, well, you told me to buy new plates.

[00:41:34] [SPEAKER_03]: And he's like, oh, I thought you were just going to send me the bill.

[00:41:36] [SPEAKER_03]: So here's another thing. Like this man has been telling you from jump.

[00:41:40] [SPEAKER_03]: I'm not interested. Yeah.

[00:41:43] [SPEAKER_03]: And so she was like, well, you sell plates and he's like, well, yeah, they're on whatever.

[00:41:50] [SPEAKER_03]: And then he starts talking to her and she's like, I can't hear you.

[00:41:53] [SPEAKER_03]: And I'm like, girl, you're not that far.

[00:41:57] [SPEAKER_03]: But maybe it's a good way to get him to come closer.

[00:42:00] [SPEAKER_03]: I don't know. Yeah.

[00:42:01] [SPEAKER_05]: And then he's like, oh, I'll just show you what you should have done from the first place.

[00:42:06] [SPEAKER_05]: That's what a gentleman does.

[00:42:08] [SPEAKER_05]: Sir. And she picks out so many fucking plates.

[00:42:14] [SPEAKER_05]: And I'm like, this is a really fancy department store.

[00:42:18] [SPEAKER_05]: Each of those plates is probably like one hundred dollars.

[00:42:21] [SPEAKER_03]: And he could afford it because you're lucky I didn't call the cops.

[00:42:25] [SPEAKER_03]: So wrap up my plates. Let's go.

[00:42:29] [SPEAKER_03]: So, yes, she gets a lot of patterns.

[00:42:30] [SPEAKER_03]: He also it's like another dig where he kind of says these are eclectic or they're different.

[00:42:38] [SPEAKER_05]: You have an interest. You have an interesting taste or something like that.

[00:42:43] [SPEAKER_04]: Yeah, but then things get weird.

[00:42:46] [SPEAKER_04]: Even like how you say weirder than a magical crab.

[00:42:52] [SPEAKER_04]: Yeah, yeah, it gets weird because all of a sudden he's like completely under her spell.

[00:43:00] [SPEAKER_03]: And I don't know what shifts, but he did.

[00:43:05] [SPEAKER_03]: He eat any of the eclairs at this point?

[00:43:08] [SPEAKER_03]: Right. She pulls out some eclairs.

[00:43:12] [SPEAKER_03]: Because she says your dinner came with dessert.

[00:43:16] [SPEAKER_03]: He starts to eat them and boy, my dude is over.

[00:43:20] [SPEAKER_03]: And so here's my question.

[00:43:21] [SPEAKER_03]: Amanda, do you like him or do you like yourself?

[00:43:24] [SPEAKER_03]: Because this man turns into a semi decent person after he eats your cookie.

[00:43:30] [SPEAKER_03]: Yeah.

[00:43:32] [SPEAKER_03]: Just just asking, asking for a friend.

[00:43:35] [SPEAKER_03]: And so then after he starts eating the eclairs, he's like, I take you somewhere.

[00:43:40] [SPEAKER_03]: He because I got confused.

[00:43:43] [SPEAKER_03]: They go down the elevator.

[00:43:46] [SPEAKER_03]: Right. And it seems like they're back in the lobby.

[00:43:49] [SPEAKER_03]: And then he says, let me walk you to the elevator.

[00:43:52] [SPEAKER_03]: She came in through the front door.

[00:43:54] [SPEAKER_03]: Yeah. So I'm like, OK.

[00:43:55] [SPEAKER_03]: But then he takes her all the way to the top or wherever.

[00:43:58] [SPEAKER_03]: I don't fucking know where anything is at this point to his brand new restaurant,

[00:44:03] [SPEAKER_03]: because that's like the other side stories that he's spent a shit ton of money on

[00:44:07] [SPEAKER_03]: this brand new spanking restaurant with this very like I'm guessing Michelin star

[00:44:12] [SPEAKER_03]: chef, French chef that has a big old ego.

[00:44:17] [SPEAKER_05]: He's shaving truffles into like the other chef's hands.

[00:44:23] [SPEAKER_03]: It's it's insane because they do peek in on him and his regime,

[00:44:29] [SPEAKER_03]: his very Stalin like regime going on in his kitchen.

[00:44:34] [SPEAKER_03]: And then they go to like the area where the restaurant is going to be.

[00:44:40] [SPEAKER_03]: And you could see like the floor has kind of like this black and white swirly

[00:44:45] [SPEAKER_03]: design, which is really cool.

[00:44:47] [SPEAKER_03]: They just fucking are staring at each other.

[00:44:50] [SPEAKER_03]: But also they're dancing.

[00:44:54] [SPEAKER_03]: So you as a viewer and even the characters don't know if they're dancing

[00:45:00] [SPEAKER_03]: in real life or they're both having a hallucination together or fantasy

[00:45:04] [SPEAKER_05]: together, even at the end.

[00:45:06] [SPEAKER_05]: She still doesn't like he asks her like, what are we dancing?

[00:45:11] [SPEAKER_05]: Yeah. Did we make that up?

[00:45:13] [SPEAKER_05]: Did we hallucinate together? And she's like, just go with it.

[00:45:18] [SPEAKER_03]: And at this point, this is what we meet his boss, who is

[00:45:24] [SPEAKER_03]: the weird look. Jonathan Bendel.

[00:45:29] [SPEAKER_03]: And he's calling out to Tom multiple times.

[00:45:33] [SPEAKER_03]: But Tom is having a psychic link right now.

[00:45:37] [SPEAKER_03]: Can't be disturbed. So then he finally like interrupts and he's like,

[00:45:43] [SPEAKER_03]: OK, let me walk you down. Like my dude, let the girl go home.

[00:45:47] [SPEAKER_05]: Yeah. And then he shows back up at her restaurant, which is now thriving

[00:45:52] [SPEAKER_05]: because she's like in like with this guy.

[00:45:55] [SPEAKER_05]: And so all of those emotions are going into her.

[00:45:58] [SPEAKER_05]: Right. Her cooking and that this is the scene where I'm like, what?

[00:46:04] [SPEAKER_05]: What are we doing here? Because the guy was like one of the patrons

[00:46:08] [SPEAKER_05]: had just finished dessert. And he's like, I'd like to do the whole thing

[00:46:11] [SPEAKER_05]: again. But backwards start with dessert first.

[00:46:15] [SPEAKER_05]: And I'm like. Kind of fucking line is like, I don't understand

[00:46:21] [SPEAKER_05]: why that was written into a movie. It's so dumb.

[00:46:26] [SPEAKER_03]: I don't I don't know. No. And then in this scene, they make

[00:46:31] [SPEAKER_03]: Noah fat phobic because he's like, are you sure?

[00:46:34] [SPEAKER_03]: Because the man is a little heavy and he's like, well, if you keep it up,

[00:46:39] [SPEAKER_03]: we're going to have to back you in or something like that.

[00:46:41] [SPEAKER_04]: And I'm like, we need customers. What are we doing right now?

[00:46:46] [SPEAKER_04]: My dude, he wants to pay for two meals.

[00:46:51] [SPEAKER_03]: I just don't like it was so unnecessary to have that those lines in there.

[00:46:57] [SPEAKER_03]: So like it doesn't move the story. It doesn't do anything.

[00:47:01] [SPEAKER_03]: No, you could have had an actual funny joke.

[00:47:04] [SPEAKER_05]: And the customer just could have been like, this is the best meal I've ever

[00:47:08] [SPEAKER_05]: had. I'm going to tell everyone about it.

[00:47:10] [SPEAKER_05]: Like, here's a big tip or something like that.

[00:47:12] [SPEAKER_05]: Like not I want to eat the whole thing again, but in reverse,

[00:47:15] [SPEAKER_05]: like that makes no goddamn sense. I don't know.

[00:47:21] [SPEAKER_03]: And I don't know if he comes there to the restaurant in this scene

[00:47:27] [SPEAKER_03]: because doesn't he tell her he's going to call her after they part ways?

[00:47:32] [SPEAKER_03]: And then like he doesn't he doesn't call her.

[00:47:36] [SPEAKER_03]: And then you see him in his office, like in a trance,

[00:47:39] [SPEAKER_03]: because also side note to make him seem like a decent human being.

[00:47:44] [SPEAKER_03]: He loves paper airplanes. All I want to do is.

[00:47:50] [SPEAKER_03]: Just think of the MIA song.

[00:47:55] [SPEAKER_03]: Because why?

[00:47:57] [SPEAKER_05]: Why? Yeah, I, I don't, I have no clue.

[00:48:02] [SPEAKER_05]: It was giving on the line,

[00:48:04] [SPEAKER_05]: but I think on the line did the paper planes better than this.

[00:48:10] [SPEAKER_05]: Yeah, I was like, of course,

[00:48:14] [SPEAKER_05]: of course he has to fly a paper airplanes and be obsessed with perfecting

[00:48:19] [SPEAKER_05]: the best paper airplane ever.

[00:48:21] [SPEAKER_05]: And of course she knows about paper airplanes because why wouldn't she?

[00:48:26] [SPEAKER_05]: Right.

[00:48:28] [SPEAKER_05]: The only two people in fucking Manhattan that care about paper airplanes

[00:48:32] [SPEAKER_05]: are the two women that are over the age of five.

[00:48:35] [SPEAKER_03]: Right. So he's complaining to Lois.

[00:48:39] [SPEAKER_03]: Thank you. He's complaining to Lois that this shit is weird.

[00:48:43] [SPEAKER_03]: Every time I interact with this woman,

[00:48:45] [SPEAKER_03]: I'm like having some sort of out of body experience and.

[00:48:51] [SPEAKER_03]: This is our third, fourth. I don't know what day it is.

[00:48:53] [SPEAKER_03]: I'm just, this is not good.

[00:48:56] [SPEAKER_03]: This is not good. So they're talking about her.

[00:49:00] [SPEAKER_03]: I think I probably mixed in two scenes together just now, but.

[00:49:04] [SPEAKER_03]: It's fine.

[00:49:05] [SPEAKER_03]: He's talking to her and as he's talking to her,

[00:49:09] [SPEAKER_03]: the secretary says we have Amanda because.

[00:49:12] [SPEAKER_03]: No, her bestie is like, she goes, she's like, he hasn't called.

[00:49:16] [SPEAKER_03]: Shouldn't he call? But while he's like, I ain't got time for this shit.

[00:49:19] [SPEAKER_03]: He calls the directory,

[00:49:21] [SPEAKER_03]: calls the department store and asks for her boo and makes her look like a

[00:49:27] [SPEAKER_03]: fucking fool because he don't like her.

[00:49:31] [SPEAKER_03]: And he's like, I don't know what to do.

[00:49:31] [SPEAKER_03]: I'm just like, I'm not going over there.

[00:49:32] [SPEAKER_03]: I'm just like my thought process at this point.

[00:49:34] [SPEAKER_03]: Cause he's like, Oh no.

[00:49:36] [SPEAKER_03]: He answers the phone.

[00:49:38] [SPEAKER_03]: She asked him to come over for dinner.

[00:49:42] [SPEAKER_03]: And he's like, Oh, let me check my calendar.

[00:49:44] [SPEAKER_03]: And he's like, Oh, I have a work meeting. His secretary says, no,

[00:49:47] [SPEAKER_03]: it's clear.

[00:49:48] [SPEAKER_03]: But he's like, Nope, can't do it.

[00:49:51] [SPEAKER_03]: So he's like, I'm not going over there.

[00:49:53] [SPEAKER_03]: But he ends up going there later,

[00:49:56] [SPEAKER_03]: but Amanda in this moment is just kind of like heartbroken and feels

[00:50:01] [SPEAKER_03]: embarrassed because she should have waited for him to call.

[00:50:05] [SPEAKER_03]: But I guess he feels guilty because then he comes over,

[00:50:09] [SPEAKER_03]: he steals a fake vanilla plant from the department store and brings it

[00:50:14] [SPEAKER_03]: over. And then she starts baking.

[00:50:17] [SPEAKER_03]: This is a scene I was talking about where she has a freaking blueberry

[00:50:20] [SPEAKER_03]: cheesecake, but now she's also going to make a Claire's.

[00:50:23] [SPEAKER_05]: And she's all, she's also covered in, I guess,

[00:50:27] [SPEAKER_05]: like powdered sugar and he keeps licking his thumb and then like

[00:50:33] [SPEAKER_05]: dragging it down her cheek.

[00:50:35] [SPEAKER_05]: And then like, he's just tasting her.

[00:50:37] [SPEAKER_05]: And he's like, you just, you just taste a good, but like, what is,

[00:50:41] [SPEAKER_05]: what is happening?

[00:50:43] [SPEAKER_05]: You're just rubbing your saliva all over her face.

[00:50:46] [SPEAKER_05]: And then all of a sudden they're floating up in the ceiling.

[00:50:52] [SPEAKER_03]: Like they're also,

[00:50:54] [SPEAKER_03]: I hate that in movies when there's flour and sugar all over people's faces.

[00:50:58] [SPEAKER_03]: What are y'all doing?

[00:50:59] [SPEAKER_03]: I baked a lot and I have never gotten any fucking flour on my face.

[00:51:04] [SPEAKER_03]: I don't know who decided to make that like a thing,

[00:51:08] [SPEAKER_03]: but it doesn't really happen that often.

[00:51:11] [SPEAKER_05]: Like just do like a little smudge.

[00:51:12] [SPEAKER_05]: Like she went like this and like a little bit and he can like dust it off

[00:51:16] [SPEAKER_05]: and be like, Oh, powdered sugar or whatever.

[00:51:18] [SPEAKER_03]: You take a man that I barely am dating,

[00:51:21] [SPEAKER_03]: takes his nasty hands and licks it and tries to put it on my face.

[00:51:25] [SPEAKER_05]: We done?

[00:51:27] [SPEAKER_05]: No, like wipe it off and then lick not putting his saliva on you.

[00:51:32] [SPEAKER_05]: Oh, okay.

[00:51:33] [SPEAKER_05]: But like brush it off and then I'm, Oh, you taste so good.

[00:51:37] [SPEAKER_05]: Something like that.

[00:51:38] [SPEAKER_03]: Yeah.

[00:51:38] [SPEAKER_03]: But don't bring that finger back to my face.

[00:51:41] [SPEAKER_03]: No.

[00:51:42] [SPEAKER_05]: So where are you?

[00:51:44] [SPEAKER_05]: And then the float, the floating is so dumb.

[00:51:48] [SPEAKER_05]: I hate it.

[00:51:49] [SPEAKER_05]: And it's not like cute floating, like a couple inches off the ground.

[00:51:53] [SPEAKER_05]: Their heads are hitting the ceiling floating.

[00:51:56] [SPEAKER_03]: It's not Casper floating.

[00:51:57] [SPEAKER_05]: No, it's not just a gentle.

[00:52:00] [SPEAKER_05]: Can I keep you floating?

[00:52:01] [SPEAKER_05]: It's a Willy Wonka fizzy lifting drink floating.

[00:52:07] [SPEAKER_05]: Hmm.

[00:52:08] [SPEAKER_05]: And which freaks him out, which as it should,

[00:52:11] [SPEAKER_05]: I'm six feet off the ground.

[00:52:14] [SPEAKER_05]: Put me down.

[00:52:17] [SPEAKER_03]: She's also not in control of it.

[00:52:20] [SPEAKER_05]: No, but she's also unbothered that she has these powers.

[00:52:24] [SPEAKER_05]: And instead of explaining yourself, like, I don't know what's happening.

[00:52:28] [SPEAKER_05]: I don't know why these things keep occurring.

[00:52:31] [SPEAKER_05]: She's just like, eh, yeah, whatever.

[00:52:36] [SPEAKER_05]: Like she's so ambivalent to it.

[00:52:38] [SPEAKER_05]: And I think.

[00:52:40] [SPEAKER_05]: Like he has a right to be a little freaked out because she's so nonchalant

[00:52:45] [SPEAKER_05]: about the entire I have mystical powers now.

[00:52:50] [SPEAKER_03]: He he does act like Darren in the Bewitched movie.

[00:52:55] [SPEAKER_03]: And this he is very into.

[00:52:59] [SPEAKER_03]: I think she just going with it for me.

[00:53:01] [SPEAKER_03]: I feel like she's just so in love with him.

[00:53:04] [SPEAKER_03]: Yeah. Right.

[00:53:05] [SPEAKER_03]: That she's like, okay, we're floating.

[00:53:08] [SPEAKER_03]: But I also think that she doesn't believe it's her doing it.

[00:53:13] [SPEAKER_03]: I think she thinks maybe it's the two, the combination of the two.

[00:53:17] [SPEAKER_03]: And she's like, what's a little float?

[00:53:22] [SPEAKER_03]: But yes, he should be scared.

[00:53:25] [SPEAKER_03]: But also he he's extremely mean to her.

[00:53:28] [SPEAKER_03]: Yes. And says mean things to her.

[00:53:31] [SPEAKER_05]: Yeah. And so she does she send him?

[00:53:35] [SPEAKER_05]: It clears to apologize.

[00:53:38] [SPEAKER_05]: Is that how he gets them in his office in the next scene?

[00:53:42] [SPEAKER_03]: Yeah.

[00:53:44] [SPEAKER_03]: Okay. So I feel like we missed a scene because there's a scene

[00:53:47] [SPEAKER_03]: where they just start making out and then it ends.

[00:53:52] [SPEAKER_05]: The floating pair appeal scene where she's peeling a pair

[00:53:57] [SPEAKER_05]: and it's like incredibly slow and sexy, I guess.

[00:54:02] [SPEAKER_05]: But then like as the peel is falling to the counter,

[00:54:06] [SPEAKER_05]: it like floats in the air and like gently.

[00:54:09] [SPEAKER_05]: Yeah. On the counter.

[00:54:11] [SPEAKER_05]: I think that's the scene where they start making out.

[00:54:14] [SPEAKER_03]: Yeah. He because at first things are going good for them.

[00:54:19] [SPEAKER_03]: But the floating scene is where it's like that's where he drops

[00:54:23] [SPEAKER_03]: the line. Yeah. This shit is out of control.

[00:54:27] [SPEAKER_03]: And now the eclairs he's at work and he is

[00:54:32] [SPEAKER_03]: dead in his tracks. He smells something and he he's on the hunt.

[00:54:37] [SPEAKER_03]: Turns out one of the old couples that goes to the restaurant had

[00:54:40] [SPEAKER_03]: a box of eclairs and he steals it from them.

[00:54:43] [SPEAKER_03]: Talks about they're not supposed to have food.

[00:54:45] [SPEAKER_03]: I would have fought him for that.

[00:54:47] [SPEAKER_05]: He snatches them so violently out of these old frail people's hands.

[00:54:54] [SPEAKER_03]: Right. And so he goes to go, I don't know, get a knife and fork.

[00:54:59] [SPEAKER_03]: I don't know what he does. But Lois sees the box on his desk and she

[00:55:03] [SPEAKER_03]: just she's like, you got to share. And she just devours it.

[00:55:07] [SPEAKER_03]: Yes. And he starts going on a rant about like he doesn't know what the

[00:55:10] [SPEAKER_03]: hell's going on with Amanda. This shit is crazy.

[00:55:13] [SPEAKER_03]: And she's just like, go with it. What's the problem?

[00:55:16] [SPEAKER_03]: He leaves. And while he's gone, she calls her secretary and says,

[00:55:22] [SPEAKER_03]: I need you to go down to this restaurant and get as many eclairs as

[00:55:26] [SPEAKER_03]: possible. She knows this shit is magic.

[00:55:29] [SPEAKER_03]: Yeah. And I'm in love with Mr. Bendler or Mr. Bendle.

[00:55:34] [SPEAKER_03]: And I need this to be. Is it Bendle? Yeah.

[00:55:38] [SPEAKER_03]: So she gets them, she corners him and she's like trying to force feed him

[00:55:45] [SPEAKER_03]: these clear things or puff pastries.

[00:55:50] [SPEAKER_03]: And they are chika chika pow wow in the elevator because her plan works

[00:55:57] [SPEAKER_03]: flawlessly. It's like an aphrodisiac for them.

[00:56:01] [SPEAKER_03]: And when she comes out, I love how she throws the box at Tom.

[00:56:06] [SPEAKER_03]: She didn't even save him one. He's sitting there craving them or whatever.

[00:56:12] [SPEAKER_03]: But yeah, they get in a fight when they start floating and he blames

[00:56:17] [SPEAKER_03]: everything on her.

[00:56:18] [SPEAKER_03]: She does try to come to the office and say she's sorry with,

[00:56:22] [SPEAKER_03]: I don't think she brings eclairs.

[00:56:24] [SPEAKER_03]: She brings his wallet because it fell in the craziness of it all.

[00:56:30] [SPEAKER_05]: And at one point he says like, I love spending time with you or something.

[00:56:35] [SPEAKER_05]: And she goes, I love you too. I'm like, girl, it's been like three days.

[00:56:40] [SPEAKER_03]: Even for a romcom, which normally is like a week.

[00:56:43] [SPEAKER_03]: And these people are in love with each other.

[00:56:45] [SPEAKER_03]: But yeah, they're not what you would call equally yoked at this point.

[00:56:50] [SPEAKER_03]: She is head over heels and he is lukewarm at this point.

[00:56:54] [SPEAKER_03]: And when she's at the office to apologize,

[00:56:58] [SPEAKER_03]: he doesn't want Lois to leave the office with her because now he's terrified

[00:57:01] [SPEAKER_03]: of her being a witch or whatnot. And so they're arguing.

[00:57:05] [SPEAKER_03]: And then that's when Mr. Bendel comes in and they find out that the chef

[00:57:11] [SPEAKER_03]: has left because he left it up to Ramos,

[00:57:15] [SPEAKER_03]: the cologne dude, to get knives for the chef.

[00:57:22] [SPEAKER_03]: Right. The chef wants his knives and I guess they got held in customs

[00:57:26] [SPEAKER_03]: or something. So he refuses to work.

[00:57:30] [SPEAKER_03]: And so the chef busts in and like cusses them out.

[00:57:33] [SPEAKER_03]: He tries to throw knives at them. First of all, arrested.

[00:57:35] [SPEAKER_03]: There's a lot of people that should be arrested in this movie.

[00:57:38] [SPEAKER_03]: And now they have no chef.

[00:57:41] [SPEAKER_03]: And so Lois mentions to Mr. Bendel, like, hey,

[00:57:44] [SPEAKER_03]: this is the girl that made those wonderful eclairs that we had the other day.

[00:57:48] [SPEAKER_03]: And he's like, perfect. So he hires her.

[00:57:53] [SPEAKER_03]: And Tom is like, I don't think she can do it.

[00:57:56] [SPEAKER_05]: She this is the scene where I think Lois refers to her as a magical chef.

[00:58:02] [SPEAKER_05]: Yeah. And then Tom says she's not magic.

[00:58:06] [SPEAKER_05]: She's demonic. The quickness.

[00:58:11] [SPEAKER_05]: I would have like turned around and walk the fuck out of that place.

[00:58:15] [SPEAKER_05]: You want me to help you now that you call me demonic?

[00:58:20] [SPEAKER_05]: Fuck you and fuck everyone in here.

[00:58:23] [SPEAKER_05]: Except for Patricia Clarkson.

[00:58:26] [SPEAKER_03]: But she says yes.

[00:58:29] [SPEAKER_03]: And she just got a really good review in the newspaper.

[00:58:32] [SPEAKER_03]: So her friend Noah is trying to convince her like,

[00:58:36] [SPEAKER_03]: you're going to be great at this. No problem.

[00:58:37] [SPEAKER_03]: She goes and sees.

[00:58:40] [SPEAKER_03]: Then it's like she goes and sees the kitchen and then she runs into him.

[00:58:43] [SPEAKER_03]: She's like, why are you here? But then she's like, oh, you work here.

[00:58:46] [SPEAKER_03]: I'm like, girl, where is the anger?

[00:58:49] [SPEAKER_03]: Yeah. Where is the fuck you about all this?

[00:58:53] [SPEAKER_05]: And then all of a sudden, Noah shows up to help in the kitchen.

[00:58:59] [SPEAKER_03]: Well, she must call him because it's the next day we see her arrive.

[00:59:04] [SPEAKER_05]: And but she doesn't have her mama's earrings.

[00:59:07] [SPEAKER_05]: So she's like, shit's not going to work.

[00:59:09] [SPEAKER_05]: And Noah tries to reassure her by telling her even Dumbo flew without its feather.

[00:59:15] [SPEAKER_05]: Well, he tried to do the best that he can.

[00:59:18] [SPEAKER_03]: He's like, you ain't gonna mess this money up for us.

[00:59:20] [SPEAKER_03]: Get your shit together.

[00:59:22] [SPEAKER_03]: And there is the sous chef of the original chef is an asshole.

[00:59:29] [SPEAKER_03]: And just pretty much said there's no truffles.

[00:59:33] [SPEAKER_03]: He's like, what do you want me to do?

[00:59:34] [SPEAKER_03]: He's just rude to Amanda. And I guess she puts him in his place.

[00:59:38] [SPEAKER_03]: I don't know. I know.

[00:59:40] [SPEAKER_05]: She goes, find me figs. Yeah.

[00:59:43] [SPEAKER_05]: And but then she's like really freaked out and like starts crying because

[00:59:48] [SPEAKER_05]: she's like, I can't fucking do this.

[00:59:50] [SPEAKER_05]: I don't even have truffles.

[00:59:52] [SPEAKER_05]: And so the first dish that served to everyone,

[00:59:56] [SPEAKER_05]: everyone's boohooing into their figs.

[00:59:59] [SPEAKER_03]: All of her emotions just come out.

[01:00:01] [SPEAKER_03]: So like each course is like a new experience.

[01:00:06] [SPEAKER_03]: So even though people are crying because she starts freaking out when they see

[01:00:10] [SPEAKER_03]: when she sees everyone crying because her aunt comes in and says,

[01:00:14] [SPEAKER_03]: I don't want to freak you out, but look what's going on.

[01:00:17] [SPEAKER_05]: If you don't want to freak her out, don't let her know.

[01:00:18] [SPEAKER_05]: No, you hide that shit until later.

[01:00:22] [SPEAKER_03]: But her aunt had a bomb ass dress on though.

[01:00:25] [SPEAKER_03]: I saw the, like, she had like a cutout in the back.

[01:00:28] [SPEAKER_03]: I was like, okay, auntie get it.

[01:00:29] [SPEAKER_03]: So they're watching everyone's reactions.

[01:00:33] [SPEAKER_03]: So the first course appetizer, they cry.

[01:00:36] [SPEAKER_03]: The entree, they are all just kind of like in a trance stunned.

[01:00:40] [SPEAKER_03]: Now mind you this piece of shit, Tom.

[01:00:43] [SPEAKER_03]: Isn't eating anything because he says he's too nervous,

[01:00:47] [SPEAKER_03]: but we know it's because he's a scared little bitch.

[01:00:49] [SPEAKER_05]: Yeah.

[01:00:50] [SPEAKER_05]: Did you notice that while I think it was the first course while

[01:00:54] [SPEAKER_05]: everyone's crying, it had some orchestral music playing,

[01:01:00] [SPEAKER_05]: but then it either sounded like a bell or a cash register.

[01:01:06] [SPEAKER_03]: Yes. Every time.

[01:01:07] [SPEAKER_03]: So this is very much pulling from like the sixties and fifties,

[01:01:11] [SPEAKER_03]: like movies and TV shows.

[01:01:13] [SPEAKER_03]: Cause even if you look at like Bewitched,

[01:01:15] [SPEAKER_03]: like when something magical happened,

[01:01:17] [SPEAKER_03]: it'd be like a little bell or something.

[01:01:19] [SPEAKER_05]: Why only in the last scene?

[01:01:21] [SPEAKER_03]: I think this is to like portray people having when the food hits them,

[01:01:27] [SPEAKER_05]: you know, which is fine, but like, I don't know.

[01:01:31] [SPEAKER_05]: It hurt my ears.

[01:01:34] [SPEAKER_05]: It was weird because it was paired with like very like solemn music.

[01:01:40] [SPEAKER_03]: It was just, what do you mean it hurt your ears?

[01:01:43] [SPEAKER_03]: It wasn't that loud.

[01:01:45] [SPEAKER_05]: It was so loud.

[01:01:47] [SPEAKER_05]: That's how I noticed it because like the second or third time I'm like,

[01:01:50] [SPEAKER_05]: why is there fucking ringing in this movie?

[01:01:53] [SPEAKER_03]: I don't know.

[01:01:55] [SPEAKER_03]: I thought it was cute, but

[01:02:00] [SPEAKER_03]: so everyone's in a trance,

[01:02:01] [SPEAKER_03]: but also like people are having like aphrodisiac reaction to it.

[01:02:06] [SPEAKER_03]: Cause like somebody takes their shoes off and is like rubbing their foot up

[01:02:09] [SPEAKER_03]: against somebody, their like leg.

[01:02:12] [SPEAKER_03]: I don't know.

[01:02:14] [SPEAKER_05]: I just love how Lois goes,

[01:02:17] [SPEAKER_05]: it's so hazelnutty.

[01:02:21] [SPEAKER_05]: She said it's nutty.

[01:02:23] [SPEAKER_04]: It's hazelnutty.

[01:02:27] [SPEAKER_05]: And then Amanda starts having like a past memories montage of all the

[01:02:33] [SPEAKER_05]: good times?

[01:02:36] [SPEAKER_05]: Question mark with Tom.

[01:02:39] [SPEAKER_03]: It's weird, but it reminds me like if you watch a K drama every time,

[01:02:45] [SPEAKER_03]: no matter what, some K dramas do it every fucking episode.

[01:02:49] [SPEAKER_03]: It's really annoying, but like, like a halfway point in the show,

[01:02:53] [SPEAKER_03]: they will do montages, like people just sitting and like wrap it up.

[01:02:59] [SPEAKER_03]: I was there.

[01:03:01] [SPEAKER_03]: This just fucking happened.

[01:03:03] [SPEAKER_03]: So yeah, she has a montage and then the dessert is like this apple thing

[01:03:10] [SPEAKER_03]: that has stuff, ice cream or I don't know what it is.

[01:03:14] [SPEAKER_05]: It did.

[01:03:15] [SPEAKER_03]: I definitely wanted it.

[01:03:17] [SPEAKER_03]: And then she's like packing it up to go.

[01:03:20] [SPEAKER_03]: There's no way I would have all those rich people.

[01:03:23] [SPEAKER_03]: I would have networked.

[01:03:24] [SPEAKER_03]: I would have gotten my, yeah.

[01:03:27] [SPEAKER_05]: And my question is, okay.

[01:03:29] [SPEAKER_05]: So this opening of the restaurant went well,

[01:03:31] [SPEAKER_05]: but like what was the end goal?

[01:03:35] [SPEAKER_05]: Like to hope to get the original chef back to hire Amanda,

[01:03:39] [SPEAKER_05]: but then she's not working at her restaurant that she loves so much and

[01:03:43] [SPEAKER_05]: wants to say like, what is the goal of this?

[01:03:48] [SPEAKER_03]: Well, I'm with most restaurants.

[01:03:49] [SPEAKER_03]: Like she doesn't have to stay like she could maybe be there a few days a

[01:03:55] [SPEAKER_03]: week and her recipes,

[01:03:58] [SPEAKER_03]: like she can have recipes for that restaurant and then have a sous chef

[01:04:01] [SPEAKER_03]: like execute.

[01:04:03] [SPEAKER_05]: But if they want the experience, well,

[01:04:07] [SPEAKER_03]: her thing is a little bit different,

[01:04:09] [SPEAKER_03]: but I'm just thinking from like the perspective of like how this could have

[01:04:12] [SPEAKER_03]: worked from a restaurant standpoint. Yeah. That's, that's my thought.

[01:04:18] [SPEAKER_03]: Is that she would,

[01:04:20] [SPEAKER_03]: she could have set it up and done both or left Noah in

[01:04:25] [SPEAKER_03]: charge of the other restaurant. So who knows?

[01:04:29] [SPEAKER_03]: And then this elevator upstairs, downstairs bullshit that happens where she's

[01:04:35] [SPEAKER_03]: leaving. He's all of a sudden like looking for her now.

[01:04:39] [SPEAKER_03]: I can't live without you. Right. Just stupid.

[01:04:43] [SPEAKER_03]: And then he can't find her and then he spots her outside and getting in the

[01:04:48] [SPEAKER_03]: cab. He's calling for her. Somehow she doesn't hear that,

[01:04:51] [SPEAKER_03]: but here comes the air paper airplane that can,

[01:04:57] [SPEAKER_03]: cause the windows of course it's open up a taxi cab.

[01:05:00] [SPEAKER_03]: And then she comes running as soon as she sees it, girl,

[01:05:03] [SPEAKER_04]: what if it was just some random person? Yeah.

[01:05:08] [SPEAKER_03]: And then he puts a dress. Okay.

[01:05:11] [SPEAKER_03]: So he catches her attention instead of immediately running downstairs to say

[01:05:14] [SPEAKER_03]: like, I'm sorry, he goes shopping.

[01:05:17] [SPEAKER_03]: He goes and looks for a dress for her and puts it in the elevator has time to

[01:05:23] [SPEAKER_03]: do all this. She was not far. No,

[01:05:26] [SPEAKER_05]: she was getting into the taxi right outside the doors of the department

[01:05:32] [SPEAKER_03]: store. And he wrote like, where me or I don't know what he wrote on it.

[01:05:37] [SPEAKER_03]: And then she sends the mannequin back up and says thanks.

[01:05:40] [SPEAKER_03]: And then he's confused. Like where is she?

[01:05:43] [SPEAKER_03]: And then instead of going downstairs to look for her,

[01:05:46] [SPEAKER_03]: he just goes back to the restaurant.

[01:05:47] [SPEAKER_03]: And then she's just magically at the restaurant before him,

[01:05:52] [SPEAKER_03]: but then tells him she had to stop for shoes and who did them curls.

[01:05:57] [SPEAKER_03]: Michelle, Sarah, who did them curls? Because I'm sorry.

[01:06:02] [SPEAKER_04]: I saw her hair before this.

[01:06:05] [SPEAKER_04]: She had been working in a kitchen all night.

[01:06:10] [SPEAKER_05]: The magic, the crab did her curls.

[01:06:13] [SPEAKER_05]: I'm just,

[01:06:14] [SPEAKER_05]: I'm just like, I'm just so confused.

[01:06:15] [SPEAKER_03]: They're just only so much that I could overlook.

[01:06:21] [SPEAKER_03]: And then they're floating again. Right. And nobody notices.

[01:06:25] [SPEAKER_05]: No, like a packed fucking restaurant.

[01:06:29] [SPEAKER_05]: They're all drowned around. And that is simply irresistible.

[01:06:36] [SPEAKER_03]: And then she goes,

[01:06:37] [SPEAKER_03]: Several scenes in the movie were shot inside of New York's Henry

[01:06:41] [SPEAKER_03]: Bendell's department store. So as not to disrupt normal business,

[01:06:46] [SPEAKER_03]: the motion picture equipment was brought in at closing time and filming

[01:06:50] [SPEAKER_03]: would go on all night when customers arrived at the store each morning,

[01:06:54] [SPEAKER_03]: all traces of the production had vanished. So.

[01:06:58] [SPEAKER_03]: Yeah.

[01:07:00] [SPEAKER_05]: Despite the fact that the movie was filmed in super 35.

[01:07:05] [SPEAKER_05]: Filmed in panavision is listed in the end credits.

[01:07:08] [SPEAKER_05]: Even production was phone in it.

[01:07:10] [SPEAKER_05]: And at the end.

[01:07:11] [SPEAKER_03]: I wonder if they did that because a lot of those movies from that.

[01:07:14] [SPEAKER_03]: Earlier time period used to just like,

[01:07:16] [SPEAKER_03]: it's just such a visible thing that you would see associated with the

[01:07:20] [SPEAKER_03]: older movies.

[01:07:22] [SPEAKER_03]: But you're right.

[01:07:23] [SPEAKER_03]: I think they probably just said, fuck it.

[01:07:25] [SPEAKER_03]: If you could see the string on the crabs, whatever.

[01:07:28] [SPEAKER_05]: Yeah. I feel like the production crew was like,

[01:07:31] [SPEAKER_05]: we don't know what the fuck this movie is.

[01:07:35] [SPEAKER_05]: We're going to do the least.

[01:07:38] [SPEAKER_03]: Well, if you have feedback, if you love this movie, like Ken does,

[01:07:43] [SPEAKER_03]: or you despise it, or you have questions that we missed,

[01:07:47] [SPEAKER_03]: make sure to hit us up at no more late fees on Instagram, Facebook,

[01:07:50] [SPEAKER_03]: TikTok, Twitter, YouTube and threads. And Jackie.

[01:07:53] [SPEAKER_03]: Now that you've seen the movie.

[01:07:56] [SPEAKER_03]: So not ready for this. What's your rating?

[01:08:00] [SPEAKER_05]: I hope I never have to watch this movie again.

[01:08:03] [SPEAKER_05]: I will have to watch this movie again because we only got through half of it

[01:08:06] [SPEAKER_05]: last night and Ken was very sad. He didn't get to finish it.

[01:08:10] [SPEAKER_05]: So Matt Lee's watching the second half again, but same day rental for.

[01:08:15] [SPEAKER_05]: I'm going to watch it again.

[01:08:15] [SPEAKER_04]: I'm going to watch it again.

[01:08:17] [SPEAKER_04]: And for me,

[01:08:19] [SPEAKER_04]: I would buy it again.

[01:08:22] [SPEAKER_04]: I know.

[01:08:23] [SPEAKER_04]: I know you a lie.

[01:08:27] [SPEAKER_04]: Trying to digest that.

[01:08:38] [SPEAKER_05]: You.

[01:08:39] [SPEAKER_05]: Are lying either to me or yourself.

[01:08:45] [SPEAKER_05]: Are we standing with would buy, would buy it again?

[01:08:49] [SPEAKER_05]: Last decade.

[01:08:53] [SPEAKER_03]: I have a lot of questions.

[01:08:55] [SPEAKER_03]: But it's a classic.

[01:08:57] [SPEAKER_05]: Is it.

[01:08:59] [SPEAKER_03]: Okay.

[01:09:00] [SPEAKER_03]: All right.

[01:09:01] [SPEAKER_03]: All right.

[01:09:03] [SPEAKER_03]: It's Josh.

[01:09:04] [SPEAKER_03]: And yet.

[01:09:04] [SPEAKER_03]: It's a two day rental for me.

[01:09:06] [SPEAKER_03]: Cause.

[01:09:07] [SPEAKER_03]: I'll watch it again.

[01:09:09] [SPEAKER_05]: I'm not going to lie.

[01:09:11] [SPEAKER_05]: I need you to.

[01:09:12] [SPEAKER_05]: Watch it with Ken.

[01:09:13] [SPEAKER_05]: So I don't have to.

[01:09:16] [SPEAKER_03]: Just zoom me in, baby.

[01:09:18] [SPEAKER_03]: I'm not going to lie.

[01:09:19] [SPEAKER_03]: I'm not going to watch it again.

[01:09:21] [SPEAKER_05]: Well, if you have any opinions on the cinema.

[01:09:26] [SPEAKER_05]: Cinematic classic.

[01:09:27] [SPEAKER_05]: That is simply irresistible.

[01:09:29] [SPEAKER_05]: Hit us up at our quick job.

[01:09:30] [SPEAKER_05]: Nine zero nine six zero one.

[01:09:32] [SPEAKER_05]: And MLF.

[01:09:33] [SPEAKER_05]: Twat us at the Twitters.

[01:09:34] [SPEAKER_05]: Hem us at the threads and you can be featured on a future episode.

[01:09:38] [SPEAKER_03]: On that.

[01:09:39] [SPEAKER_03]: I do want to wish a happy birthday.

[01:09:42] [SPEAKER_03]: To our wonderful supporter and my sister from a different Mr.

[01:09:46] [SPEAKER_03]: Shayla.

[01:09:47] [SPEAKER_05]: Happy birthday.

[01:09:48] [SPEAKER_05]: Happy birthday.

[01:09:49] [SPEAKER_05]: And our crab connoisseur.

[01:09:53] [SPEAKER_05]: Happy birthday, Shayla.

[01:09:55] [SPEAKER_05]: Thank you for always supporting us and always keeping.

[01:09:58] [SPEAKER_05]: It real with us.

[01:10:01] [SPEAKER_03]: And the magic continues next week as we cover.

[01:10:04] [SPEAKER_03]: Practical magic.

[01:10:07] [SPEAKER_03]: Doing a little.

[01:10:09] [SPEAKER_05]: Magical September.

[01:10:11] [SPEAKER_05]: Preparation for spooky season, October. So.

[01:10:15] [SPEAKER_05]: I think we should make Margarita's next week.

[01:10:18] [SPEAKER_05]: Oh, I mean, a hundred percent. I will.

[01:10:20] [SPEAKER_03]: Yeah.

[01:10:21] [SPEAKER_03]: Yeah.

[01:10:22] [SPEAKER_03]: I do have Margarita glasses. I'm very excited.

[01:10:27] [SPEAKER_05]: And as always be kind and rewind.