The Faculty

[00:00:00] Get ready for an alien high school takeover. This week we're diving into the 1998 horror cult classic, The Faculty.

[00:00:08] Welcome to the No More Late Fees podcast. I'm Danielle.

[00:00:23] And I'm Jackie, and we're just two best friends and ex-blockbuster employees re-watching some of the best and worst movies from the late 90s and early 2000s.

[00:00:33] This week we're talking about the 1998 creature feature, The Faculty.

[00:00:37] But before we dive in, let's get into some housekeeping.

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[00:01:47] But we're not alone this week.

[00:01:50] We have one of our favorite returning guests, my little brother, who's taller than me, Johnny.

[00:01:58] Welcome back, Johnny.

[00:02:00] Hola, hola, hola.

[00:02:03] Duolingo is coming in handy.

[00:02:05] I see.

[00:02:07] Almost bilingual.

[00:02:10] What's your streak?

[00:02:12] Oh my gosh, I lost it.

[00:02:14] I freaking lost the streak.

[00:02:15] So, one.

[00:02:18] Yeah.

[00:02:19] I'm doing pretty good.

[00:02:21] Oh no.

[00:02:22] Oh no.

[00:02:23] Oh no.

[00:02:24] Well, don't let this episode be the only episode you check out that is Johnny being featured, because this is his third time being on the show.

[00:02:33] Go check out his past episodes, A Knight's Tale and Napoleon Dynamite.

[00:02:38] Plus, you can dive into our list of high school horror films with us on our bonus episode later this week.

[00:02:46] All right, Jackie.

[00:02:47] Let's get into the faculty.

[00:02:49] The faculty.

[00:02:55] That's how I'm going to say that movie title.

[00:02:58] The faculty.

[00:03:01] The faculty.

[00:03:04] The faculty.

[00:03:05] The nerd.

[00:03:05] The football captain.

[00:03:07] The cheerleader.

[00:03:08] The outcast.

[00:03:09] And the drug dealer.

[00:03:11] No, it's not the breakfast club because I hate John Hughes.

[00:03:14] Why you gotta do that, Jess?

[00:03:18] And there's a new girl.

[00:03:19] It's all up to them to save Harrington High School and the rest of their small Ohio town from a body-snatching alien parasite.

[00:03:26] But the faculty of their school isn't making it easy.

[00:03:30] They're swiftly becoming scary, mindless versions of their former selves and their intent on turning every last person they see.

[00:03:39] With a little help from the druggy teens' homemade meds, they might just have a fighting chance.

[00:03:45] It stars Jordana Brewster, Clea Duvall, Laura Harris, Josh Hartnett, Sean Haddesee, Famke Jansen, Baby Neuwirth, Robert Patrick, Usher Raymond, Jon Stewart, and Elijah Wood.

[00:04:01] This cast is stacked because there are people we haven't even mentioned.

[00:04:08] Right.

[00:04:08] And this list is pretty much household names.

[00:04:12] It was directed by Robert Rodriguez. The screenplay was by Kevin Williamson.

[00:04:17] Story by David Wechter and Bruce Kimmel.

[00:04:21] And you can currently watch it on Paramount and Pluto.

[00:04:24] But before we start, let's get into our ratings rewind.

[00:04:28] So, you know the drill.

[00:04:29] Before we get into the movie, we'll reveal the rating our Y2K versions of ourselves would give.

[00:04:35] Then at the end, we'll see if our current selves agree with our initial rating.

[00:04:38] Our scale consists of would buy it, would buy it again.

[00:04:42] The best would play on repeat.

[00:04:45] Five-day rental.

[00:04:46] Would watch again.

[00:04:48] Two-day rental.

[00:04:50] Okay, but nothing to write home about.

[00:04:53] And same-day rental.

[00:04:55] Trash.

[00:04:56] Straight up alien parasite trash.

[00:05:00] All right, Johnny.

[00:05:01] We'll start with you.

[00:05:02] What is your Y2K rating of the faculty?

[00:05:07] The faculty.

[00:05:08] The faculty.

[00:05:09] So I'm trying to put my mindset as a little kid watching this movie, right?

[00:05:16] So it was probably pretty scary.

[00:05:18] But even back then, I was always strong in the horror movies.

[00:05:23] So I'd probably say five-day rental.

[00:05:25] Not a buy it, would buy it again.

[00:05:27] Just because of the scary aspect of it.

[00:05:31] Scaredy cats.

[00:05:33] That should be our new handshake.

[00:05:36] Bo, dude.

[00:05:38] Meow.

[00:05:44] Jackie?

[00:05:45] Would buy.

[00:05:46] I loved the faculty as Y2K Jackie.

[00:05:50] Yeah, I think it was a five-day rental for me.

[00:05:53] But yeah, five-day rental.

[00:05:54] Because I never bought it.

[00:05:55] I never owned it.

[00:05:56] There's very few horror movies that I have.

[00:05:59] That's why I was surprised I had Shaun of the Dead.

[00:06:02] We were living in the Renaissance time during this.

[00:06:04] Like, Scream, I know what you did last summer.

[00:06:06] It was just like banger after banger after banger.

[00:06:09] Especially Kevin Williamson was really on his shit at this time.

[00:06:13] Tell us a little bit about the box office.

[00:06:15] Yeah, yeah.

[00:06:16] Let's do it.

[00:06:17] So, the movie had a budget of $15 million.

[00:06:21] And it made $63.2 million worldwide.

[00:06:27] It debuted at number five in the U.S., making over a little bit over $11.6 million.

[00:06:36] And it was kind of like a disappointment.

[00:06:40] Because it was below commercial expectations.

[00:06:42] They really thought this was going to be huge.

[00:06:44] And it got its money eventually.

[00:06:49] But it wasn't as big as they thought it was going to be.

[00:06:51] And mainly, that was credited to the studio's decision to release it on Christmas Day.

[00:06:56] As we all know, you don't normally put a horror movie on Christmas.

[00:07:03] Maybe Thanksgiving, but not Christmas.

[00:07:05] Because people want to go together as a family and have heartfelt stuff.

[00:07:10] Not all families, Jackie.

[00:07:13] I was just thinking, except if it's Violent Night.

[00:07:17] I fucking love that movie.

[00:07:19] It's so good.

[00:07:21] But I am probably in the minority there.

[00:07:24] But it was funny because Jordana Brewster, I think she was interviewed.

[00:07:28] And they were asking her the difference between doing The Faculty at the time and then doing Fast and the Furious.

[00:07:35] Because I think there was maybe three years in between those movies.

[00:07:39] And she said the funny thing was the expectations for Fast and the Furious wasn't that it was going to be big.

[00:07:47] It was just like a small movie about cars.

[00:07:50] Boy, did she not know.

[00:07:51] Yeah.

[00:07:53] But with this movie, the expectation was like, this is going to be huge.

[00:07:56] She was like, I was telling friends and family, like, this is going to be massive.

[00:08:00] This is going to be a big movie.

[00:08:03] But it really did not go in that direction.

[00:08:06] And it was her film debut.

[00:08:09] Yes, it was.

[00:08:10] And they had partnered with Tommy Hilfiger.

[00:08:14] Yeah.

[00:08:15] And had a huge campaign with Tommy Hilfiger.

[00:08:18] And you notice in the movie, like, she's wearing Tommy Hilfiger clothes.

[00:08:23] Like, it was supposed to be, like, this huge cross-promotion conglomerate, too.

[00:08:28] Yeah.

[00:08:29] Yeah, it was supposed to be a juggernaut.

[00:08:32] And it really didn't get there.

[00:08:35] But it did take a while for this movie to get on screen.

[00:08:40] So they started even just talking, you know, the beginnings of this movie in 1990.

[00:08:47] So David Wetscher and Bruce Kimmel, they wrote the first draft of the script.

[00:08:51] And they sent it out.

[00:08:52] But they literally couldn't get a buyer.

[00:08:55] But we have to also remember at that time period from, like, the late 80s, horror was declining.

[00:09:02] Like, we did not have a bunch of horror movies.

[00:09:06] And especially, like, in the early 90s, it was kind of just, like, defunct.

[00:09:10] And then we saw that resurgence in the late 90s where we had, like, Scream kind of kick things off.

[00:09:15] And then it was just, like, we're back, baby.

[00:09:18] So once Scream happened in 96, that's when Miramax bought the script.

[00:09:24] And they, like, rushed it into production.

[00:09:26] And, again, we have to remember, like, after Scream did so well, they rushed.

[00:09:31] I know what you did last summer.

[00:09:32] They rushed this movie.

[00:09:33] This movie was filming at the same time as Halloween H20.

[00:09:39] And Kevin Williamson wrote both.

[00:09:42] We know Josh Hartnett was in both.

[00:09:45] And although technically this movie I think he started working on first, Halloween H20 happened to come out first.

[00:09:53] So that is credited as his debut movie.

[00:09:57] So, yeah, he was doing both films at the same time.

[00:10:00] Which is crazy for an unknown young actor to be starring in two movies simultaneously.

[00:10:11] Like, it was almost like you would have thought the studios would have made him pick one or the other.

[00:10:17] Right.

[00:10:18] Yeah.

[00:10:19] Somebody saw something, for sure.

[00:10:22] And that happens sometimes.

[00:10:23] And if you get the right people to be behind you, yeah, you're...

[00:10:27] And he became the next big thing.

[00:10:29] Like, he was the guy for a while there.

[00:10:34] And the Weinstein douchebags, they ended up bringing on Williamson after they bought the script.

[00:10:40] And they had him do rewrites.

[00:10:42] So he's credited as, you know, screenplay by.

[00:10:46] But essentially, it was a rewrite.

[00:10:48] But the original writers were named, like, Story by.

[00:10:53] So they kept the basic story.

[00:10:55] But they ended up rewriting the dialogue and adding new characters to make it, quote, unquote, more hip.

[00:11:01] I think this movie really showcases Kevin Williamson's writing skills.

[00:11:06] Yes.

[00:11:07] And how he was able to encompass how we spoke at that time.

[00:11:12] Like, he always really got scenes.

[00:11:15] Not all the time.

[00:11:17] But, like, between this and Scream, he did a really great job.

[00:11:19] And, you know, I love Dawson's Creek.

[00:11:21] So I always thought he did a really good job with that.

[00:11:27] But, like, teaching Mrs. Tingle, I don't know what the fuck happened there.

[00:11:30] And it's crazy that, I mean, I understand he wrote it.

[00:11:35] And so, like, he wanted to direct his own movie.

[00:11:41] But, like, it's crazy that Teaching Mrs. Tingle flopped so bad.

[00:11:45] And this one was relatively well-received, I would think.

[00:11:49] I think, and we'll, I mean, eventually we'll do that movie.

[00:11:52] I think the problem with Teaching Mrs. Tingle is that the studio really got involved.

[00:11:56] And they kept on trying to make it, like, lighter, not as horrific for some reason.

[00:12:04] I don't know, like, off the top of my head.

[00:12:07] But that will be interesting to kind of find out what happened there.

[00:12:11] Because it's not like he can't do this, right?

[00:12:13] Yeah.

[00:12:14] He can.

[00:12:15] So that was odd.

[00:12:17] But because he opted to direct Teaching Mrs. Tingle,

[00:12:21] he backed out of directing this movie because he was offered the opportunity to direct it.

[00:12:27] And instead, he gave it to Robert Rodriguez,

[00:12:30] which is interesting because we learned when we did Scream 2

[00:12:33] that Robert Rodriguez had been offered to direct the second one.

[00:12:38] But he was like, no, to Wes Craven, he's like,

[00:12:41] no, you've got to direct this yourself.

[00:12:43] Like, yeah, this is your baby.

[00:12:45] But he did direct, like, the fake Stab movie within the movie,

[00:12:50] which was kind of cool.

[00:12:51] That's cool.

[00:12:52] Yeah.

[00:12:53] Well, before we get into casting crew,

[00:12:55] let's hear a message from our pod pals.

[00:13:32] All right, cast and crew.

[00:13:37] So what we got, Jackie?

[00:13:39] So Delilah was originally written for Charisma Carpenter,

[00:13:43] which 100% could see.

[00:13:46] Right.

[00:13:48] Yes.

[00:13:49] But she ended up declining the role

[00:13:51] because she felt it was too close to her character, Cordelia, on Buffy.

[00:13:55] I mean, I don't disagree, but she plays bitch so well.

[00:14:00] Yeah.

[00:14:00] You know, I like I have mixed feelings

[00:14:04] because I kind of feel like, oh, that was a miss.

[00:14:07] Because, you know, love you, Jordana.

[00:14:09] But, you know, she did a good job playing a bitch

[00:14:11] because I did hate her rewatching.

[00:14:13] This is like, I fucking can't with this girl.

[00:14:16] But Cordelia, the great thing that Charisma Carpenter does

[00:14:22] as an actress is being a bitch,

[00:14:26] but vulnerable at the same time.

[00:14:28] Like there,

[00:14:30] she would just take lines

[00:14:32] that would come off as like very one dimensional

[00:14:35] and just add like a brevity to it.

[00:14:38] And almost like backstory.

[00:14:41] Like you could tell she made a backstory for herself

[00:14:43] to make this character real.

[00:14:46] And I feel like she would have done a really good job

[00:14:50] with Delilah doing that, that ability.

[00:14:53] I find Jordana to be a little bit one dimensional at times

[00:14:57] in her roles.

[00:14:59] Yeah.

[00:14:59] So she was pretty girl.

[00:15:01] Nice gowns.

[00:15:02] Your boo, Sarah Michelle Gellar,

[00:15:05] she also turned down a role in the faculty.

[00:15:08] Which makes sense because at that point,

[00:15:10] she had already done,

[00:15:12] I know what you did last summer.

[00:15:13] Simply irresistible?

[00:15:14] No, I know.

[00:15:16] That came the year after,

[00:15:18] but I know what you did last summer.

[00:15:20] She had already done it and Scream 2.

[00:15:21] So, and doing Buffy.

[00:15:22] I think she was like, you know,

[00:15:25] maybe I need a break.

[00:15:26] Then she went and did that grudge.

[00:15:28] I don't know.

[00:15:29] Yeah, it's true.

[00:15:31] This was Usher and Jordana Brewster's film debut,

[00:15:35] as we had mentioned,

[00:15:36] and kind of Josh Hartnett's.

[00:15:39] So Jillian Anderson,

[00:15:40] she turned down the role of Valerie Drake.

[00:15:42] Drake, we all know Jillian as.

[00:15:45] Scully.

[00:15:46] Scully, yeah.

[00:15:47] I kind of loved her to be in it,

[00:15:48] but I kind of feel like I get it.

[00:15:50] Like she probably wanted to stay away

[00:15:52] from more alien stuff.

[00:15:54] Yeah, fine.

[00:15:55] Yeah.

[00:15:56] Yeah.

[00:15:58] Not as dumb as David Duchovny,

[00:16:00] who was like,

[00:16:00] I don't want to do anymore,

[00:16:02] but then does evolution,

[00:16:04] which is about aliens.

[00:16:06] And I mean,

[00:16:08] Baby New Worth did a fantastic job.

[00:16:11] Like,

[00:16:11] it wasn't like we were lacking

[00:16:14] because Jillian didn't take the role.

[00:16:16] Yeah.

[00:16:17] Baby looks hot in this movie.

[00:16:19] I have to give her props.

[00:16:20] And I mean,

[00:16:22] I always love seeing

[00:16:24] people who can do,

[00:16:26] she could do everything.

[00:16:27] obviously she's done television

[00:16:29] from Frasier to movies,

[00:16:31] but I always enjoy her the most

[00:16:34] from her Broadway career.

[00:16:35] And that body was bodying.

[00:16:38] Like,

[00:16:38] I have to look up,

[00:16:40] I'm sure she was doing a musical

[00:16:41] at some point during this time

[00:16:43] because

[00:16:43] Mama was given

[00:16:45] for real.

[00:16:46] That's interesting.

[00:16:47] I didn't know she did Broadway.

[00:16:49] Mm-hmm.

[00:16:50] She's a great performer.

[00:16:52] I'm sure she,

[00:16:53] I don't know how many Tonys she has,

[00:16:55] but I know she has to have some.

[00:16:57] So,

[00:16:57] Bebe Neuwirth

[00:16:58] has received two Tony Awards.

[00:17:02] So,

[00:17:03] one for Sweet Charity Revival,

[00:17:05] the second

[00:17:06] for Belma Kelly

[00:17:07] in Chicago

[00:17:08] in 96.

[00:17:09] Right.

[00:17:10] So,

[00:17:11] she,

[00:17:11] so this movie came out

[00:17:12] in 98.

[00:17:14] Mm-hmm.

[00:17:14] So they were filming in 97.

[00:17:16] Mama just came off

[00:17:17] of her role

[00:17:18] on Chicago.

[00:17:20] Yeah.

[00:17:21] Nice.

[00:17:22] Told you.

[00:17:22] Body was body.

[00:17:25] So,

[00:17:26] several scenes

[00:17:27] involving

[00:17:28] an additional character

[00:17:29] named Venus

[00:17:30] played by

[00:17:31] Kadida Jones

[00:17:32] were shown

[00:17:33] in TV previews

[00:17:34] for the film

[00:17:34] as well as

[00:17:35] in Tommy Hilfiger

[00:17:36] promotional commercials

[00:17:37] for the movie.

[00:17:38] But her scenes

[00:17:39] were cut

[00:17:40] from the final film.

[00:17:41] She is visible

[00:17:41] in a scene

[00:17:42] in the theatrical version

[00:17:43] standing next to Gabe

[00:17:45] in Mr. Furlong's

[00:17:47] science class

[00:17:48] when they are looking

[00:17:49] at the new

[00:17:50] species

[00:17:50] in the aquarium.

[00:17:52] I am so glad

[00:17:54] that I know this now

[00:17:56] because

[00:17:58] I

[00:17:59] never,

[00:18:00] like,

[00:18:01] I knew that

[00:18:01] the entire group,

[00:18:03] the cast

[00:18:04] and the faculty

[00:18:05] did

[00:18:05] that Tommy Hilfiger ad.

[00:18:08] I've always seen

[00:18:09] pictures from

[00:18:09] it

[00:18:09] and I was just

[00:18:11] like,

[00:18:11] oh,

[00:18:11] I just thought

[00:18:13] she,

[00:18:14] because she was

[00:18:15] already in

[00:18:16] Tommy Hilfiger

[00:18:17] ads,

[00:18:18] but

[00:18:19] is it,

[00:18:19] we're talking

[00:18:20] about,

[00:18:20] yeah,

[00:18:21] she was already

[00:18:21] in ads

[00:18:22] because,

[00:18:23] you know,

[00:18:23] her and Aaliyah

[00:18:23] were like BFFs

[00:18:24] so they were

[00:18:25] both in ads

[00:18:25] as well.

[00:18:26] Yeah.

[00:18:26] So,

[00:18:27] like,

[00:18:27] it didn't seem

[00:18:27] odd that she

[00:18:28] was in the ads

[00:18:29] with the rest

[00:18:29] of the cast

[00:18:30] but now

[00:18:31] I'm like,

[00:18:32] oh,

[00:18:33] baby girl

[00:18:33] was supposed

[00:18:34] to be in the movie.

[00:18:35] So,

[00:18:35] the football team

[00:18:36] playing the games

[00:18:37] was a real high school

[00:18:38] football team

[00:18:39] from Lockhart,

[00:18:40] Texas

[00:18:41] and Jon Stewart's

[00:18:43] character,

[00:18:43] Professor Edward

[00:18:44] Furlong,

[00:18:45] is named after

[00:18:46] the actor

[00:18:46] who played

[00:18:46] John Connor

[00:18:47] in Terminator 2.

[00:18:49] which is really

[00:18:50] cool because

[00:18:51] obviously we have

[00:18:53] Robert Patrick

[00:18:54] who was in Terminator

[00:18:55] so I thought

[00:18:57] that was really

[00:18:58] cool.

[00:18:59] I really liked

[00:19:00] in this movie

[00:19:00] how there were

[00:19:01] like all the

[00:19:01] like references

[00:19:02] like to Terminator

[00:19:03] and to

[00:19:04] like the previous

[00:19:05] work of the

[00:19:06] writer of the movie

[00:19:07] who did Scream.

[00:19:08] I can't think of

[00:19:08] what his name is

[00:19:09] but

[00:19:09] Kevin Williamson.

[00:19:10] Yeah.

[00:19:11] Like there was

[00:19:11] a scene where

[00:19:12] they referenced

[00:19:13] Jennifer LeFewitt

[00:19:14] and

[00:19:15] and Neve Campbell.

[00:19:16] Yeah.

[00:19:16] Yeah.

[00:19:17] When I was

[00:19:19] talking to mom

[00:19:20] earlier today

[00:19:20] I was like

[00:19:21] did you watch

[00:19:22] The Faculty

[00:19:23] with Johnny

[00:19:24] and she goes

[00:19:24] no

[00:19:24] but we had

[00:19:25] a real hard

[00:19:26] time remembering

[00:19:27] Neve Campbell's

[00:19:27] name because

[00:19:28] we thought

[00:19:28] that other

[00:19:29] girl was

[00:19:29] Neve Campbell

[00:19:30] at the beginning.

[00:19:32] Yeah.

[00:19:32] She came

[00:19:33] into the room

[00:19:33] and she was like

[00:19:33] this isn't

[00:19:34] the right movie

[00:19:35] because it was

[00:19:36] that actress

[00:19:37] and I was like

[00:19:38] what are you

[00:19:38] talking about?

[00:19:39] Yeah.

[00:19:40] She thought

[00:19:41] it was Neve Campbell

[00:19:42] she thought

[00:19:42] I was watching

[00:19:43] Scream.

[00:19:44] Oh boy.

[00:19:47] So let's

[00:19:48] let's hop

[00:19:49] hop right in.

[00:19:51] The scene

[00:19:52] opens with

[00:19:53] football

[00:19:54] with

[00:19:56] very classic

[00:19:57] late 90s

[00:19:58] music overlay

[00:19:59] of the offspring

[00:20:00] so

[00:20:02] yes

[00:20:03] that's very

[00:20:04] the tone

[00:20:05] is starting

[00:20:06] out right

[00:20:06] and immediately

[00:20:08] I was like

[00:20:09] yes

[00:20:10] the soundtrack

[00:20:11] of this movie

[00:20:12] was incredible

[00:20:13] such a 90s vibe

[00:20:15] to this movie

[00:20:15] I loved every second

[00:20:16] of it

[00:20:17] and I think

[00:20:18] like how

[00:20:19] the cast

[00:20:20] meticulous detail

[00:20:21] to all these

[00:20:22] things

[00:20:22] they really

[00:20:23] were trying

[00:20:24] to set this

[00:20:25] up to

[00:20:25] be a banger

[00:20:28] but I mean

[00:20:28] it became

[00:20:29] a cult classic

[00:20:29] but like

[00:20:30] it just

[00:20:30] didn't

[00:20:31] I don't know

[00:20:32] if they

[00:20:32] I don't know

[00:20:33] how they marketed

[00:20:34] it

[00:20:34] yeah

[00:20:35] the studio

[00:20:36] had like

[00:20:37] it had to

[00:20:39] have done

[00:20:39] with the

[00:20:39] release date

[00:20:40] like

[00:20:40] right

[00:20:41] if they

[00:20:42] had pushed

[00:20:42] it into

[00:20:43] like February

[00:20:44] because a lot

[00:20:44] of horror movies

[00:20:45] do come out

[00:20:46] in February

[00:20:46] and do pretty

[00:20:47] well

[00:20:47] or if they

[00:20:49] had bumped

[00:20:50] it up to

[00:20:51] Halloween

[00:20:52] like October

[00:20:54] it would have

[00:20:55] I think

[00:20:56] performed a lot

[00:20:57] better

[00:20:57] they just got

[00:20:58] a really shitty

[00:20:59] opening weekend

[00:21:00] date

[00:21:02] then we see

[00:21:03] it's like

[00:21:04] it's almost

[00:21:05] like the

[00:21:06] teachers are

[00:21:06] having a

[00:21:07] really weird

[00:21:08] tiny faculty

[00:21:09] meeting

[00:21:09] because there's

[00:21:09] only four

[00:21:10] of them

[00:21:11] it's not

[00:21:12] it's not

[00:21:13] the entire

[00:21:13] faculty

[00:21:14] right

[00:21:15] and they're

[00:21:15] kind of

[00:21:16] talking about

[00:21:16] how the

[00:21:17] school doesn't

[00:21:17] have a budget

[00:21:18] for things

[00:21:19] and everyone's

[00:21:20] kind of

[00:21:21] disgruntled

[00:21:21] and beaten

[00:21:22] down

[00:21:22] and there's

[00:21:23] the one

[00:21:23] faculty

[00:21:24] member that

[00:21:25] just drinks

[00:21:26] on the job

[00:21:27] all the time

[00:21:27] like you

[00:21:29] kind of

[00:21:29] feel like

[00:21:30] it's

[00:21:32] it's a

[00:21:32] school that

[00:21:33] doesn't have

[00:21:33] much money

[00:21:35] for its

[00:21:35] students

[00:21:36] and it

[00:21:36] shows in

[00:21:37] like the

[00:21:38] interaction

[00:21:39] of students

[00:21:39] like there's

[00:21:40] no social

[00:21:40] emotional

[00:21:41] learning

[00:21:41] going on

[00:21:42] in this

[00:21:42] no

[00:21:44] first of

[00:21:45] all

[00:21:45] when

[00:21:46] when Stan

[00:21:47] I don't

[00:21:48] know what

[00:21:48] Stan did

[00:21:49] but Coach

[00:21:50] was up his

[00:21:50] ass about it

[00:21:51] yeah

[00:21:51] right

[00:21:52] and

[00:21:53] he like

[00:21:55] yells at him

[00:21:56] and then

[00:21:57] turns away

[00:21:57] but it's

[00:21:58] like a

[00:21:59] weird thing

[00:21:59] that he

[00:22:00] does

[00:22:00] where he's

[00:22:01] like walking

[00:22:01] towards

[00:22:02] the bench

[00:22:04] he walks

[00:22:06] almost all

[00:22:07] the way there

[00:22:08] and then

[00:22:08] starts to

[00:22:09] run

[00:22:10] but like

[00:22:10] then has

[00:22:11] to stop

[00:22:11] because

[00:22:12] you're at

[00:22:13] the bench

[00:22:13] and then

[00:22:14] he like

[00:22:15] throws the

[00:22:16] like Gatorade

[00:22:17] stuff on the

[00:22:18] water and

[00:22:19] stuff on the

[00:22:19] floor

[00:22:20] and I'm

[00:22:20] like this

[00:22:21] is

[00:22:22] excessive

[00:22:24] because

[00:22:27] we've

[00:22:28] seen

[00:22:28] him

[00:22:29] this

[00:22:30] actor

[00:22:30] run

[00:22:31] like

[00:22:31] let me

[00:22:32] just put

[00:22:33] in perspective

[00:22:33] in Terminator

[00:22:34] 2 when

[00:22:35] they were

[00:22:35] filming

[00:22:36] this man

[00:22:37] was so

[00:22:37] fast

[00:22:38] that he

[00:22:39] caught

[00:22:39] Edward Furlong

[00:22:40] on the

[00:22:41] motorcycle

[00:22:41] scene

[00:22:42] or whatever

[00:22:43] like he

[00:22:43] caught him

[00:22:44] that's how

[00:22:44] fast he

[00:22:45] was running

[00:22:45] and they

[00:22:45] are like

[00:22:45] oh

[00:22:46] you've

[00:22:47] got to

[00:22:47] go slower

[00:22:48] because

[00:22:50] you're not

[00:22:50] supposed to

[00:22:51] catch him

[00:22:51] clearly

[00:22:51] so we

[00:22:53] know he

[00:22:53] could run

[00:22:54] so it

[00:22:55] was just

[00:22:55] very random

[00:22:56] and weird

[00:22:57] but I

[00:22:57] laughed very

[00:22:58] hard

[00:22:58] I also

[00:22:59] like that

[00:23:00] like you

[00:23:01] see him

[00:23:01] talking to

[00:23:02] someone

[00:23:03] but you

[00:23:04] don't know

[00:23:04] who it

[00:23:05] is so

[00:23:05] yes

[00:23:05] you know

[00:23:06] that was

[00:23:07] like a fun

[00:23:08] thing about

[00:23:08] the movie

[00:23:09] that and

[00:23:10] when you

[00:23:10] think about

[00:23:11] like body

[00:23:11] snatchers

[00:23:12] that idea

[00:23:13] have you

[00:23:13] seen on

[00:23:13] like the

[00:23:14] Twilight Zone

[00:23:14] episodes or

[00:23:15] whatever

[00:23:15] different kind

[00:23:16] of the

[00:23:17] same kind

[00:23:17] of genre

[00:23:18] you're kind

[00:23:19] of like

[00:23:19] wondering

[00:23:20] who could

[00:23:21] it be

[00:23:21] and it's

[00:23:22] also like

[00:23:22] speaking to

[00:23:23] society

[00:23:23] because when

[00:23:25] things like

[00:23:25] this happen

[00:23:26] how quickly

[00:23:27] you can

[00:23:27] turn on

[00:23:27] people

[00:23:28] your friends

[00:23:28] your family

[00:23:29] your neighbors

[00:23:32] and that's

[00:23:33] like the

[00:23:34] horror of

[00:23:34] it because

[00:23:35] it's

[00:23:35] psychological

[00:23:36] too

[00:23:37] because you

[00:23:38] can relate

[00:23:39] that yes

[00:23:40] I'd probably

[00:23:40] be checking

[00:23:41] the whole

[00:23:41] too like

[00:23:41] it could

[00:23:42] be you

[00:23:43] bitch

[00:23:43] you know

[00:23:46] so like

[00:23:47] being able

[00:23:47] to start

[00:23:48] the movie

[00:23:49] that way

[00:23:49] where you

[00:23:50] see him

[00:23:50] talking to

[00:23:51] someone and

[00:23:51] you have

[00:23:52] no idea

[00:23:52] but you

[00:23:53] know that

[00:23:53] this is

[00:23:54] where he

[00:23:54] gets infected

[00:23:55] and you're

[00:23:56] like who

[00:23:56] was he

[00:23:57] talking to

[00:23:58] and you try

[00:23:58] to pay

[00:23:59] attention to

[00:23:59] the language

[00:24:00] and how

[00:24:00] he even

[00:24:00] approaches

[00:24:01] that person

[00:24:02] to think

[00:24:03] like is

[00:24:03] it a kid

[00:24:04] is it a

[00:24:05] student

[00:24:05] you just you

[00:24:06] don't know

[00:24:06] so I thought

[00:24:07] that was cool

[00:24:09] yeah

[00:24:10] yeah

[00:24:10] and then

[00:24:12] so after

[00:24:13] the faculty

[00:24:14] meeting

[00:24:14] the principals

[00:24:16] in our office

[00:24:16] getting ready

[00:24:17] to lock

[00:24:17] up that's

[00:24:18] bb newworth

[00:24:19] playing mrs

[00:24:21] drake

[00:24:23] and the

[00:24:23] coach walks

[00:24:24] in and he's

[00:24:25] being super

[00:24:26] creepy

[00:24:26] and and

[00:24:28] she i

[00:24:29] mean

[00:24:30] i was like

[00:24:31] finally someone

[00:24:32] that is smart

[00:24:33] and like

[00:24:34] fights back

[00:24:35] and like

[00:24:35] tries to

[00:24:36] get away

[00:24:37] and doesn't

[00:24:38] do the

[00:24:39] wrong thing

[00:24:39] i mean

[00:24:39] the only

[00:24:40] thing she

[00:24:40] did was

[00:24:41] she dropped

[00:24:41] her keys

[00:24:42] which she

[00:24:43] had used

[00:24:44] them to

[00:24:44] like scratch

[00:24:45] him in

[00:24:45] the face

[00:24:45] so right

[00:24:47] i was like

[00:24:48] oh look

[00:24:48] look at

[00:24:49] someone with

[00:24:50] a brain

[00:24:50] in in a

[00:24:51] horror movie

[00:24:51] excellent job

[00:24:53] mrs drake

[00:24:53] but aren't you

[00:24:55] super mad at

[00:24:56] the other

[00:24:56] teacher at

[00:24:57] the other

[00:24:57] side of

[00:24:57] the door

[00:24:58] like

[00:24:59] bitch help

[00:25:00] me

[00:25:00] yeah like

[00:25:02] don't you

[00:25:02] have your

[00:25:02] key you can

[00:25:03] hand me

[00:25:04] through like

[00:25:04] the gap

[00:25:05] because like

[00:25:06] the doors

[00:25:06] are locked

[00:25:07] padlocked

[00:25:08] from the

[00:25:08] inside

[00:25:09] which is

[00:25:09] like

[00:25:11] how did

[00:25:12] she have

[00:25:12] a key

[00:25:14] you would

[00:25:15] assume that

[00:25:15] he like

[00:25:16] got those

[00:25:16] from the

[00:25:17] locker room

[00:25:17] or something

[00:25:18] right

[00:25:19] i think

[00:25:19] she had

[00:25:20] the keys

[00:25:20] with her

[00:25:20] when she

[00:25:21] was in

[00:25:21] the office

[00:25:22] or something

[00:25:22] he did

[00:25:23] but like

[00:25:24] how would

[00:25:24] she have

[00:25:25] the keys

[00:25:25] to the

[00:25:26] padlocks

[00:25:26] anyway

[00:25:27] like

[00:25:28] she's

[00:25:28] the

[00:25:28] principal

[00:25:29] but like

[00:25:30] do they

[00:25:30] padlock

[00:25:31] the doors

[00:25:32] every night

[00:25:32] i don't

[00:25:33] know what

[00:25:34] was happening

[00:25:34] because i'm

[00:25:35] like clearly

[00:25:36] when she

[00:25:36] walked in

[00:25:37] it wasn't

[00:25:38] locked

[00:25:38] so why

[00:25:40] didn't you

[00:25:41] go through

[00:25:41] the door

[00:25:42] you were

[00:25:42] coming in

[00:25:43] and who's

[00:25:44] locking the

[00:25:44] padlock when

[00:25:45] the last

[00:25:45] person leaves

[00:25:46] right

[00:25:46] yeah i don't

[00:25:47] know if that

[00:25:48] door is just

[00:25:49] always locked

[00:25:49] but what i

[00:25:50] learned from

[00:25:50] the classic

[00:25:51] lean on me

[00:25:54] fire code

[00:25:55] says you

[00:25:55] can't have

[00:25:56] that shit

[00:25:56] locked during

[00:25:57] the day

[00:25:57] so i don't

[00:25:58] i don't know

[00:25:59] if she

[00:25:59] padlocked

[00:26:00] that door

[00:26:01] it looks

[00:26:01] like the

[00:26:02] back door

[00:26:02] at night

[00:26:03] and then

[00:26:03] the front

[00:26:04] door just

[00:26:05] being able

[00:26:05] to lock

[00:26:06] it but

[00:26:07] again why

[00:26:08] not what

[00:26:09] she had

[00:26:10] room to

[00:26:10] run either

[00:26:11] direction

[00:26:11] yeah she

[00:26:12] chose the

[00:26:13] direction she

[00:26:14] knew she

[00:26:14] locked the

[00:26:14] motherfucking

[00:26:15] door yeah

[00:26:16] so how

[00:26:16] smart was

[00:26:17] she jackie

[00:26:17] i think

[00:26:19] he padlocked

[00:26:21] the doors

[00:26:21] oh no she

[00:26:23] couldn't get

[00:26:23] out which

[00:26:24] is why i'm

[00:26:25] like how

[00:26:25] would she

[00:26:25] have keys

[00:26:26] to a

[00:26:27] padlock if

[00:26:28] he was the

[00:26:28] one who

[00:26:29] padlocked

[00:26:29] the door

[00:26:30] i don't

[00:26:30] think he

[00:26:31] did that

[00:26:31] though i

[00:26:32] think that's

[00:26:33] it i think

[00:26:33] that's their

[00:26:34] lock-up

[00:26:34] procedure but

[00:26:36] they're on

[00:26:37] the inside

[00:26:37] like i get

[00:26:38] locking all

[00:26:39] but one

[00:26:40] but also why

[00:26:41] are we padlocking

[00:26:42] the doors

[00:26:43] and just

[00:26:43] lock them

[00:26:44] do we have

[00:26:45] break-ins are

[00:26:46] kids trying to

[00:26:47] break in

[00:26:47] probably yes

[00:26:48] i mean zeke

[00:26:49] does steal things

[00:26:50] from right

[00:26:51] yeah he's

[00:26:52] stealing from

[00:26:53] the chemistry

[00:26:53] lab or

[00:26:54] whatever but

[00:26:55] i could totally

[00:26:55] see them

[00:26:57] padlocking the

[00:26:57] back lock

[00:26:59] and then

[00:27:00] locking the

[00:27:00] front lock

[00:27:01] because the

[00:27:02] the back

[00:27:03] doors might

[00:27:04] be different

[00:27:05] than the

[00:27:05] front doors

[00:27:06] because it

[00:27:07] has those

[00:27:07] like pushy

[00:27:08] things for

[00:27:08] the kids

[00:27:08] to go in

[00:27:09] and out

[00:27:09] so i mean

[00:27:10] i'm not a

[00:27:11] locksmith

[00:27:13] yeah one

[00:27:14] other thing

[00:27:14] to think

[00:27:14] about though

[00:27:15] is miss

[00:27:16] karen

[00:27:16] obviously

[00:27:17] she was

[00:27:17] spoiler

[00:27:19] already

[00:27:20] an alien

[00:27:20] but she

[00:27:21] went up

[00:27:22] to that

[00:27:22] door to

[00:27:23] because she

[00:27:24] forgot something

[00:27:24] right so

[00:27:25] she was going

[00:27:25] to that

[00:27:26] door to get

[00:27:27] in so

[00:27:27] if that

[00:27:28] door was

[00:27:29] meant to

[00:27:29] be locked

[00:27:30] why would

[00:27:30] you go

[00:27:30] to that

[00:27:31] door

[00:27:31] you know

[00:27:31] yeah

[00:27:32] right but

[00:27:33] that's

[00:27:33] because

[00:27:34] she was

[00:27:35] that was

[00:27:36] her lie

[00:27:37] and i think

[00:27:37] the lady

[00:27:38] was too

[00:27:38] scared

[00:27:39] to think

[00:27:40] it through

[00:27:40] because clearly

[00:27:41] that lady

[00:27:42] was there

[00:27:42] to set

[00:27:43] that bitch

[00:27:43] up but

[00:27:44] also like

[00:27:44] if you're

[00:27:45] going to

[00:27:45] turn her

[00:27:46] into something

[00:27:47] like turn

[00:27:48] her into

[00:27:48] an alien

[00:27:49] they were

[00:27:50] real aggressive

[00:27:51] with it

[00:27:51] like this

[00:27:52] man he

[00:27:53] asked her

[00:27:54] for a pencil

[00:27:55] just so he

[00:27:56] could stab

[00:27:56] her hand

[00:27:57] and then

[00:27:58] he's always

[00:27:59] wanted to

[00:27:59] do that

[00:28:00] danielle

[00:28:00] i guess

[00:28:01] and then the

[00:28:02] other lady

[00:28:03] is like

[00:28:04] i'm gonna

[00:28:05] take these

[00:28:05] scissors and

[00:28:06] not just

[00:28:07] stab you

[00:28:07] a slash

[00:28:09] across

[00:28:10] your body

[00:28:11] and why

[00:28:11] was she

[00:28:12] so why

[00:28:13] was she

[00:28:13] playing

[00:28:15] like innocent

[00:28:15] trying to

[00:28:16] get her

[00:28:16] out when

[00:28:18] the whole

[00:28:19] goal was

[00:28:19] just to

[00:28:19] turn her

[00:28:20] you know

[00:28:20] what i'm

[00:28:20] saying

[00:28:21] like

[00:28:21] why was

[00:28:23] she

[00:28:23] frantically

[00:28:23] trying to

[00:28:24] get her

[00:28:24] out so

[00:28:24] she could

[00:28:25] just

[00:28:26] stab her

[00:28:26] okay so

[00:28:28] what i've

[00:28:28] learned about

[00:28:29] this alien

[00:28:30] invasion

[00:28:31] is that

[00:28:33] your

[00:28:33] pettiness

[00:28:34] comes out

[00:28:36] that's

[00:28:36] true

[00:28:36] that's

[00:28:37] true

[00:28:37] so

[00:28:38] because you

[00:28:39] notice you

[00:28:40] hear them

[00:28:40] saying i've

[00:28:41] always wanted

[00:28:42] to do this

[00:28:42] i've always

[00:28:43] wanted to do

[00:28:44] that it's

[00:28:44] almost like

[00:28:45] i'm hot

[00:28:47] petty

[00:28:48] yeah that's

[00:28:50] true

[00:28:50] and thirsty

[00:28:51] those are

[00:28:52] yeah she

[00:28:54] wanted it

[00:28:54] to be done

[00:28:55] herself

[00:28:56] yeah

[00:28:57] interesting

[00:28:58] cool

[00:28:59] yeah

[00:29:00] well we broke

[00:29:01] that down

[00:29:04] so it's

[00:29:05] the next

[00:29:05] day we're

[00:29:06] introduced to

[00:29:07] all of the

[00:29:07] main characters

[00:29:08] and so

[00:29:10] we have

[00:29:10] casey played

[00:29:11] by elijah

[00:29:12] wood he's

[00:29:12] the nerdy

[00:29:13] outcast

[00:29:13] zeke played

[00:29:15] by josh

[00:29:15] hartnett he's

[00:29:16] the bad boy

[00:29:17] genius slash

[00:29:18] drug dealer

[00:29:18] and like it

[00:29:20] seems like

[00:29:21] fifth year

[00:29:22] senior

[00:29:22] yes because

[00:29:24] he's repeating

[00:29:24] his senior

[00:29:25] year

[00:29:26] stan the

[00:29:27] played by

[00:29:28] sean haddesee

[00:29:29] is the

[00:29:29] popular jock

[00:29:30] delilah

[00:29:31] played by

[00:29:31] jordan and

[00:29:32] brewster is

[00:29:32] the cheerleader

[00:29:34] and she's

[00:29:34] head of the

[00:29:35] school paper

[00:29:36] stokely played

[00:29:37] by clea duvall

[00:29:38] is the moody

[00:29:38] goth girl

[00:29:39] and then i

[00:29:41] keep wanting to

[00:29:42] call her marybeth

[00:29:42] denberg which

[00:29:43] is not her

[00:29:44] name

[00:29:47] marybeth denberg

[00:29:48] is from all

[00:29:49] that

[00:29:49] yeah

[00:29:50] oh you're

[00:29:51] talking about

[00:29:52] marybeth

[00:29:52] louise played

[00:29:54] by laura harris

[00:29:55] yes she's

[00:29:56] the new girl

[00:29:57] in town with

[00:29:57] a real thick

[00:29:58] southern accent

[00:29:59] from being

[00:29:59] from atlanta

[00:30:02] yeah so

[00:30:05] she's canadian

[00:30:08] we're going to

[00:30:09] do a history

[00:30:10] lesson she's

[00:30:10] canadian and

[00:30:11] she was on a

[00:30:12] very popular

[00:30:13] show i say

[00:30:15] popular because

[00:30:15] i was obsessed

[00:30:16] with it as a

[00:30:17] child called

[00:30:18] 15 and

[00:30:20] you know

[00:30:20] 15 she sure

[00:30:22] was she was

[00:30:23] on 15 and

[00:30:25] so was ryan

[00:30:26] reynolds but

[00:30:27] she also

[00:30:27] dated josh

[00:30:28] hartnett at

[00:30:29] after this

[00:30:30] movie

[00:30:30] i mean she

[00:30:31] did show him

[00:30:32] her hoobity

[00:30:33] boobity so

[00:30:35] i don't know

[00:30:36] if that was

[00:30:37] the clencher but

[00:30:38] maybe

[00:30:40] maybe just

[00:30:41] maybe i doubt

[00:30:42] she was walking

[00:30:43] around the set

[00:30:43] naked but you

[00:30:44] never know what

[00:30:45] the wine seems

[00:30:45] this is

[00:30:47] fucking true

[00:30:48] so yeah

[00:30:50] after we

[00:30:52] see the

[00:30:52] teacher get

[00:30:53] slashed

[00:30:53] we meet

[00:30:55] i love

[00:30:56] the intro

[00:30:57] here it's

[00:30:57] like because

[00:30:58] you're seeing

[00:30:58] everybody all

[00:31:00] the main

[00:31:00] characters come

[00:31:01] in and then

[00:31:02] they have

[00:31:02] like really

[00:31:03] cool graphics

[00:31:04] saying their

[00:31:04] names so

[00:31:05] that was

[00:31:06] like a

[00:31:06] cool way

[00:31:06] to introduce

[00:31:07] everybody

[00:31:08] instead of

[00:31:08] like doing

[00:31:09] it in a

[00:31:10] narrative way

[00:31:10] um but

[00:31:13] can we talk

[00:31:13] about how

[00:31:15] casey i

[00:31:17] don't know if

[00:31:17] he'll be able

[00:31:18] to reproduce

[00:31:18] no the

[00:31:19] motherfuckers

[00:31:20] picked him

[00:31:21] up and

[00:31:22] ran him

[00:31:23] in the

[00:31:24] crotch on

[00:31:26] the flagpole

[00:31:26] not once but

[00:31:27] multiple times

[00:31:29] like that's

[00:31:30] that's

[00:31:31] disgusting

[00:31:32] that's horrible

[00:31:33] yeah and we

[00:31:34] see just

[00:31:35] like the

[00:31:36] violence that

[00:31:37] happens at

[00:31:37] this school

[00:31:38] like there's

[00:31:40] one couple

[00:31:41] oh it was

[00:31:43] played by

[00:31:43] summer phoenix

[00:31:44] and abrams

[00:31:46] i forgot what

[00:31:46] the other

[00:31:47] actors first

[00:31:47] name is

[00:31:49] scary movie

[00:31:50] right yes

[00:31:51] yes he

[00:31:52] was a scary

[00:31:52] movie um

[00:31:54] and they

[00:31:55] are straight

[00:31:56] up physically

[00:31:58] assaulting each

[00:31:59] other yes

[00:32:00] every fucking

[00:32:01] scene they're in

[00:32:01] until they're

[00:32:02] turned

[00:32:03] yeah yeah

[00:32:04] and i think

[00:32:06] that's very

[00:32:07] interesting that

[00:32:08] one of the

[00:32:08] aliens motivations

[00:32:10] was to

[00:32:11] like kind

[00:32:12] of make

[00:32:13] everybody

[00:32:13] happier

[00:32:14] essentially so

[00:32:15] like no

[00:32:16] conflict they're

[00:32:16] not mean they're

[00:32:17] nice to each

[00:32:18] other but

[00:32:19] obviously they're

[00:32:21] robotic

[00:32:22] yeah almost

[00:32:23] i i always

[00:32:25] thought that

[00:32:25] sean um

[00:32:26] had to see

[00:32:27] was like an

[00:32:27] odd choice to

[00:32:29] be like the

[00:32:30] football player

[00:32:30] yeah but

[00:32:31] not so much

[00:32:32] because i

[00:32:33] remember the

[00:32:35] our head

[00:32:36] football player

[00:32:37] he looked a

[00:32:38] lot like

[00:32:39] sean had

[00:32:39] to see

[00:32:40] like in

[00:32:42] a different

[00:32:42] font like

[00:32:45] sure i

[00:32:46] guess they

[00:32:47] were they

[00:32:47] were both

[00:32:47] there but

[00:32:49] not like the

[00:32:51] hot you know

[00:32:51] a lot yeah

[00:32:53] the the

[00:32:54] they usually

[00:32:54] have like the

[00:32:55] hottest guy be

[00:32:56] like the

[00:32:57] football the

[00:32:57] quarterback and

[00:32:59] that you know

[00:32:59] sometimes looks

[00:33:00] don't match up

[00:33:01] with the skill

[00:33:02] and that's okay

[00:33:03] but they end up

[00:33:04] still being popular

[00:33:05] and our

[00:33:05] quarterback

[00:33:07] was one of the

[00:33:08] nicest people

[00:33:09] like

[00:33:09] he was so

[00:33:11] nice

[00:33:12] fuck

[00:33:13] i fucked up

[00:33:14] kevin eakin and

[00:33:15] i fucking love

[00:33:15] him and you're

[00:33:16] right yes

[00:33:17] they do look

[00:33:18] they do

[00:33:18] resemble each

[00:33:19] other and

[00:33:20] hi kevin

[00:33:21] because we're

[00:33:21] friends so

[00:33:22] yeah love

[00:33:23] you

[00:33:23] yeah like

[00:33:24] i just

[00:33:25] remember he

[00:33:25] was always

[00:33:26] so nice

[00:33:27] and like

[00:33:28] that goes

[00:33:29] against like

[00:33:29] every typical

[00:33:31] movie jock

[00:33:32] trope so i

[00:33:33] was like

[00:33:34] we got really

[00:33:35] lucky with our

[00:33:35] quarterback because

[00:33:36] he was just

[00:33:37] the nicest guy

[00:33:37] he really

[00:33:39] was

[00:33:39] so hello

[00:33:41] kevin i

[00:33:41] haven't talked

[00:33:42] to you since

[00:33:42] high school

[00:33:43] but

[00:33:46] so

[00:33:48] oh we get a

[00:33:50] throwaway line

[00:33:51] during like all

[00:33:52] of this

[00:33:52] introduction stuff

[00:33:53] we learn that

[00:33:54] delilah and

[00:33:55] stan are dating

[00:33:56] but he goes to

[00:33:58] kiss her and

[00:33:59] she says

[00:33:59] estee lauder

[00:34:00] lips took two

[00:34:01] hours to apply

[00:34:02] and i'm like

[00:34:02] i thought she

[00:34:04] said 72

[00:34:05] hours and i

[00:34:06] was like that

[00:34:07] doesn't sound

[00:34:08] right

[00:34:09] but

[00:34:11] in the world

[00:34:12] of fashion

[00:34:14] influencers

[00:34:15] right

[00:34:16] there is no

[00:34:17] one on

[00:34:18] tiktok taking

[00:34:19] two hours to

[00:34:20] apply their

[00:34:21] goddamn lips

[00:34:22] hi i'm

[00:34:23] danielle and

[00:34:24] i'm going to

[00:34:25] do my

[00:34:25] two hour

[00:34:27] lipstick

[00:34:28] tutorial

[00:34:29] jesus

[00:34:37] okay

[00:34:38] first later

[00:34:40] on

[00:34:43] there's no

[00:34:44] fucking way

[00:34:45] no way

[00:34:46] you line

[00:34:47] that shit

[00:34:47] you fill

[00:34:48] it in

[00:34:48] it's all

[00:34:49] fucking clear

[00:34:50] because that's

[00:34:51] what we did

[00:34:51] back then

[00:34:53] it's clear

[00:34:54] or nude

[00:34:54] and you move

[00:34:55] on with

[00:34:55] life

[00:34:57] she did

[00:34:58] not like

[00:34:58] her boyfriend

[00:34:59] she did

[00:35:00] not

[00:35:00] all there

[00:35:00] is

[00:35:00] to it

[00:35:01] yeah

[00:35:02] she was

[00:35:02] just in

[00:35:03] it for

[00:35:03] the popularity

[00:35:04] i think

[00:35:04] she she

[00:35:05] really believed

[00:35:06] in the social

[00:35:07] hierarchy

[00:35:08] and structure

[00:35:08] of how

[00:35:10] this shit

[00:35:10] was supposed

[00:35:11] to be

[00:35:11] which gave

[00:35:12] me very

[00:35:12] taylor

[00:35:13] vaughn

[00:35:14] yes

[00:35:16] but taylor

[00:35:16] vaughn did

[00:35:17] it better

[00:35:17] oh she

[00:35:18] did always

[00:35:20] so we

[00:35:20] see

[00:35:21] go ahead

[00:35:22] sorry delilah

[00:35:23] is a mean

[00:35:24] girl that we

[00:35:24] miss a lot of

[00:35:25] the times when

[00:35:26] we make those

[00:35:26] lists

[00:35:27] she is

[00:35:29] she is so

[00:35:30] mean and

[00:35:30] she's like

[00:35:32] yeah

[00:35:33] she's literally

[00:35:35] essentially

[00:35:36] made up

[00:35:37] this

[00:35:38] storyline

[00:35:39] for stokely

[00:35:40] that like

[00:35:40] she's a

[00:35:41] lesbian

[00:35:42] and

[00:35:42] like just

[00:35:43] to be

[00:35:44] fucking

[00:35:44] mean

[00:35:45] yeah

[00:35:46] and even

[00:35:47] though we

[00:35:48] know like

[00:35:48] she's taken

[00:35:49] over by

[00:35:50] the aliens

[00:35:50] apparently

[00:35:51] they take

[00:35:52] parts of

[00:35:53] yourself

[00:35:54] out like

[00:35:54] it's not

[00:35:55] something new

[00:35:56] so that

[00:35:57] lived in

[00:35:57] her

[00:35:57] somewhere

[00:35:58] yeah

[00:35:58] yeah

[00:35:59] which was

[00:36:00] interesting

[00:36:01] because

[00:36:01] everyone

[00:36:02] got a

[00:36:02] glow up

[00:36:03] when they

[00:36:04] became like

[00:36:05] taken over

[00:36:06] by the

[00:36:07] aliens

[00:36:07] but she

[00:36:08] got a

[00:36:08] glow down

[00:36:09] she got

[00:36:10] like she's

[00:36:11] just wearing

[00:36:11] like a

[00:36:12] long sleeve

[00:36:12] Tommy

[00:36:13] Hilfiger

[00:36:13] button-up

[00:36:15] shirt

[00:36:15] she's wearing

[00:36:16] glasses

[00:36:17] her hair

[00:36:17] kind of

[00:36:18] done

[00:36:18] her

[00:36:19] Estee

[00:36:19] Lauder

[00:36:19] lips

[00:36:20] are not

[00:36:20] applied

[00:36:20] like

[00:36:21] I'm like

[00:36:22] it's really

[00:36:23] interesting

[00:36:23] that they

[00:36:24] chose

[00:36:24] her as

[00:36:25] the one

[00:36:25] person

[00:36:26] who prided

[00:36:26] herself

[00:36:27] on her

[00:36:27] appearance

[00:36:28] and like

[00:36:29] muted

[00:36:30] her

[00:36:31] appearance

[00:36:32] after she

[00:36:33] was taken

[00:36:33] over by

[00:36:34] the aliens

[00:36:34] maybe

[00:36:35] maybe part

[00:36:36] of like

[00:36:37] I feel

[00:36:38] like

[00:36:38] people are

[00:36:39] like

[00:36:39] they said

[00:36:39] that you

[00:36:40] get beautiful

[00:36:40] but I

[00:36:41] also think

[00:36:41] it's like

[00:36:42] the better

[00:36:42] version

[00:36:43] of yourself

[00:36:43] you know

[00:36:45] the teacher

[00:36:45] who's an

[00:36:46] alcoholic

[00:36:46] stop drinking

[00:36:47] you know

[00:36:48] like

[00:36:48] for her

[00:36:50] to do

[00:36:51] all that

[00:36:51] work

[00:36:52] on herself

[00:36:53] maybe it

[00:36:54] was tiring

[00:36:54] for her

[00:36:55] maybe this

[00:36:55] is the

[00:36:55] version

[00:36:56] that she

[00:36:56] wanted

[00:36:57] more

[00:36:58] yeah

[00:36:58] you know

[00:36:59] so I

[00:37:01] thought

[00:37:01] you're right

[00:37:02] that was

[00:37:02] interesting

[00:37:03] and I wish

[00:37:04] I knew

[00:37:04] the motivations

[00:37:05] yeah

[00:37:06] we see

[00:37:08] Zeke

[00:37:08] comes

[00:37:09] driving up

[00:37:10] in his

[00:37:11] Pontiac

[00:37:12] GTO

[00:37:13] and

[00:37:15] he's

[00:37:16] like we

[00:37:18] mentioned

[00:37:18] earlier

[00:37:19] he's just

[00:37:19] the

[00:37:20] he's

[00:37:20] he's

[00:37:20] brilliant

[00:37:21] he

[00:37:21] he

[00:37:22] is very

[00:37:23] good at

[00:37:24] science

[00:37:24] but

[00:37:25] he chooses

[00:37:26] to use

[00:37:27] his powers

[00:37:27] for

[00:37:28] evil

[00:37:29] and

[00:37:30] just

[00:37:30] creates

[00:37:31] this drug

[00:37:32] that he

[00:37:32] calls

[00:37:33] scat

[00:37:33] and

[00:37:34] just

[00:37:35] sells

[00:37:35] it

[00:37:35] to

[00:37:35] all

[00:37:36] of

[00:37:36] the

[00:37:36] stoners

[00:37:37] on

[00:37:38] campus

[00:37:38] one

[00:37:39] of them

[00:37:39] being

[00:37:40] Danny

[00:37:41] Masterson

[00:37:42] Ray

[00:37:42] Masterson

[00:37:43] so I

[00:37:45] wasn't

[00:37:45] thrilled

[00:37:46] to see

[00:37:46] him

[00:37:47] in this

[00:37:47] movie

[00:37:47] but

[00:37:48] yes

[00:37:49] we

[00:37:49] see

[00:37:49] that

[00:37:50] horrible

[00:37:50] human

[00:37:50] being

[00:37:51] and he

[00:37:52] he has

[00:37:52] a

[00:37:52] significant

[00:37:53] role

[00:37:54] outside

[00:37:54] of the

[00:37:55] main

[00:37:55] kids

[00:37:56] like he

[00:37:56] has a

[00:37:56] few lines

[00:37:57] so that

[00:37:57] was

[00:37:58] annoying

[00:37:58] I do

[00:37:59] like that

[00:37:59] Zeke

[00:38:00] hides

[00:38:01] the

[00:38:01] scat

[00:38:03] it's

[00:38:03] such a

[00:38:04] weird ass

[00:38:04] name

[00:38:05] in the

[00:38:06] pens

[00:38:06] yeah

[00:38:07] it was

[00:38:09] really

[00:38:09] smart

[00:38:10] but

[00:38:10] like

[00:38:10] clearly

[00:38:11] the

[00:38:11] teachers

[00:38:11] knew

[00:38:12] this

[00:38:12] shit

[00:38:12] was

[00:38:12] happening

[00:38:13] and

[00:38:13] they

[00:38:13] didn't

[00:38:14] care

[00:38:15] well

[00:38:15] one

[00:38:15] teacher

[00:38:15] did

[00:38:16] but

[00:38:16] couldn't

[00:38:16] do

[00:38:16] anything

[00:38:17] about

[00:38:17] it

[00:38:17] yeah

[00:38:17] so

[00:38:18] let's

[00:38:19] talk

[00:38:19] about

[00:38:19] Mrs.

[00:38:20] Burke

[00:38:20] because

[00:38:20] I

[00:38:21] don't

[00:38:21] understand

[00:38:21] so

[00:38:22] it's

[00:38:22] played

[00:38:22] by

[00:38:23] she's

[00:38:23] played

[00:38:24] by

[00:38:24] Famke

[00:38:24] Jansen

[00:38:25] with

[00:38:25] the

[00:38:26] Courtney

[00:38:27] Cox

[00:38:28] micro

[00:38:28] bang

[00:38:29] of

[00:38:30] Scream

[00:38:30] 2

[00:38:30] it

[00:38:31] was

[00:38:31] it

[00:38:32] was a

[00:38:33] look

[00:38:33] it

[00:38:33] was

[00:38:33] a

[00:38:33] choice

[00:38:34] but

[00:38:35] she's

[00:38:36] very

[00:38:36] mousy

[00:38:37] very

[00:38:37] soft

[00:38:37] spoken

[00:38:38] kind

[00:38:39] of

[00:38:39] lets

[00:38:40] kids

[00:38:40] run

[00:38:41] all

[00:38:41] over

[00:38:41] her

[00:38:41] but

[00:38:42] she's

[00:38:42] in

[00:38:43] the

[00:38:43] wrong

[00:38:43] profession

[00:38:43] yeah

[00:38:44] especially

[00:38:45] at this

[00:38:46] school

[00:38:46] yeah

[00:38:47] but

[00:38:48] there

[00:38:49] there's

[00:38:51] this

[00:38:51] weird

[00:38:51] like

[00:38:52] sexual

[00:38:52] tension

[00:38:53] between

[00:38:53] her and

[00:38:54] Zeke

[00:38:54] that I

[00:38:55] did

[00:38:55] not

[00:38:57] appreciate

[00:38:58] it

[00:38:59] that was

[00:39:00] wild

[00:39:00] it was

[00:39:01] very

[00:39:01] interesting

[00:39:03] it

[00:39:03] it

[00:39:04] was

[00:39:04] palpable

[00:39:05] for

[00:39:05] sure

[00:39:06] I

[00:39:06] think

[00:39:07] the

[00:39:07] one

[00:39:07] thing

[00:39:08] that

[00:39:08] I

[00:39:08] wished

[00:39:09] we

[00:39:09] had

[00:39:09] more

[00:39:10] of

[00:39:10] like

[00:39:10] I'm

[00:39:11] from

[00:39:11] the

[00:39:12] perspective

[00:39:12] when

[00:39:12] I

[00:39:12] was

[00:39:13] younger

[00:39:13] seeing

[00:39:13] this

[00:39:13] movie

[00:39:14] it

[00:39:33] so

[00:39:33] fantastic

[00:39:34] in

[00:39:35] comedic

[00:39:35] roles

[00:39:36] I

[00:39:36] mean

[00:39:36] obviously

[00:39:37] the

[00:39:37] daily

[00:39:38] show

[00:39:38] showcases

[00:39:39] his

[00:39:40] humor

[00:39:40] but

[00:39:41] I

[00:39:41] mean

[00:39:42] we

[00:39:42] get

[00:39:42] he

[00:39:43] was

[00:39:43] in

[00:39:43] Big

[00:39:43] Daddy

[00:39:44] he's

[00:39:44] in

[00:39:44] this

[00:39:44] and

[00:39:45] he

[00:39:45] always

[00:39:45] he's

[00:39:46] such

[00:39:46] a

[00:39:46] great

[00:39:47] actor

[00:39:48] yeah

[00:39:49] he's

[00:39:49] just

[00:39:50] fun

[00:39:50] like

[00:39:50] I

[00:39:50] love

[00:39:51] having

[00:39:51] him

[00:39:52] in

[00:39:52] these

[00:39:52] roles

[00:39:53] it

[00:39:53] was

[00:39:54] great

[00:39:54] seeing

[00:39:54] Selma

[00:39:54] Hayek

[00:39:55] as

[00:39:55] one

[00:39:55] of

[00:39:55] the

[00:39:55] teachers

[00:39:56] as

[00:39:56] well

[00:39:56] because

[00:39:57] you

[00:39:57] know

[00:39:57] if

[00:39:57] it's

[00:40:26] a

[00:40:28] I'm

[00:40:28] saving

[00:40:29] my

[00:40:29] sick

[00:40:29] days

[00:40:30] for

[00:40:30] when

[00:40:30] I

[00:40:30] feel

[00:40:30] better

[00:40:31] and

[00:40:31] as

[00:40:32] a

[00:40:32] former

[00:40:32] teacher

[00:40:33] the

[00:40:34] way

[00:40:36] like

[00:40:36] teachers

[00:40:37] literally

[00:40:38] do

[00:40:38] this

[00:40:38] they

[00:40:38] will

[00:40:39] come

[00:40:39] in

[00:40:39] one

[00:40:40] because

[00:40:40] it's

[00:40:40] easier

[00:40:41] to show

[00:40:42] up

[00:40:42] sick

[00:40:42] than

[00:40:42] write

[00:40:43] sub

[00:40:43] plans

[00:40:45] and

[00:40:45] you

[00:40:46] only

[00:40:47] get so

[00:40:47] many

[00:40:47] days

[00:40:48] to

[00:40:48] call

[00:40:48] out

[00:40:48] a

[00:40:48] year

[00:40:49] and

[00:40:50] you're

[00:40:51] saving

[00:40:51] them

[00:40:51] especially

[00:40:52] if

[00:40:52] you're

[00:40:52] planning

[00:40:53] on

[00:40:53] getting

[00:40:53] pregnant

[00:40:54] or

[00:40:55] anything

[00:40:55] like

[00:40:55] that

[00:40:55] because

[00:40:56] you

[00:40:56] have

[00:40:56] to

[00:40:56] stack

[00:40:57] your

[00:40:57] your

[00:40:58] PTO

[00:40:59] days

[00:40:59] and

[00:40:59] save

[00:41:00] them

[00:41:00] because

[00:41:01] you

[00:41:01] only

[00:41:02] get

[00:41:02] FMLA

[00:41:02] and

[00:41:03] so

[00:41:04] after

[00:41:04] your

[00:41:05] weeks

[00:41:06] of

[00:41:06] FMLA

[00:41:06] is

[00:41:07] done

[00:41:07] you

[00:41:08] have

[00:41:09] to

[00:41:09] go

[00:41:09] back

[00:41:10] to

[00:41:10] work

[00:41:17] like

[00:41:19] Kevin

[00:41:19] Williamson

[00:41:20] knows

[00:41:20] a

[00:41:20] teacher

[00:41:21] right

[00:41:24] so

[00:41:25] think

[00:41:26] so

[00:41:26] we

[00:41:27] had

[00:41:28] principal

[00:41:29] Chase

[00:41:30] is that

[00:41:31] her name

[00:41:31] Drake

[00:41:32] sorry

[00:41:32] principal

[00:41:33] Drake

[00:41:33] we have

[00:41:34] the

[00:41:34] coach

[00:41:35] Jon

[00:41:36] Stewart's

[00:41:37] character's

[00:41:37] name

[00:41:38] was

[00:41:39] Furlong

[00:41:39] Edward

[00:41:40] Furlong

[00:41:41] and it's

[00:41:41] weird that

[00:41:42] he's called

[00:41:42] professor

[00:41:43] Edward

[00:41:43] Furlong

[00:41:43] because

[00:41:44] we don't

[00:41:44] normally

[00:41:45] call

[00:41:45] high school

[00:41:46] teachers

[00:41:46] professors

[00:41:46] but

[00:41:47] okay

[00:41:47] then we

[00:41:48] have the

[00:41:49] alcoholic

[00:41:49] teacher

[00:41:50] who's

[00:41:51] hold on

[00:41:52] Mr.

[00:41:53] John

[00:41:53] what

[00:41:54] Tate

[00:41:54] and the

[00:41:57] school

[00:41:57] nurse

[00:41:58] as

[00:41:59] played by

[00:42:00] Selma

[00:42:00] Hayek

[00:42:01] nurse

[00:42:02] Rose

[00:42:03] Rosa

[00:42:05] yeah

[00:42:06] and

[00:42:07] there's a

[00:42:09] real old

[00:42:09] lady

[00:42:10] real old

[00:42:11] decrepit

[00:42:12] yes

[00:42:12] on her

[00:42:13] last leg

[00:42:14] so

[00:42:15] when we're

[00:42:15] in the

[00:42:16] teacher's

[00:42:16] lounge

[00:42:16] though

[00:42:17] we start

[00:42:18] seeing more

[00:42:18] of these

[00:42:18] teachers

[00:42:19] that we

[00:42:19] didn't see

[00:42:19] at the

[00:42:20] mini

[00:42:20] meeting

[00:42:20] the night

[00:42:21] before

[00:42:21] and

[00:42:22] we see

[00:42:24] that

[00:42:24] the

[00:42:25] kind

[00:42:26] of

[00:42:26] I want

[00:42:27] to say

[00:42:28] mousy

[00:42:28] but

[00:42:28] not

[00:42:29] great

[00:42:29] greatly

[00:42:30] styled

[00:42:31] drama

[00:42:31] teacher

[00:42:32] or whatever

[00:42:32] she

[00:42:33] English

[00:42:33] teacher

[00:42:33] I don't

[00:42:34] know

[00:42:34] what

[00:42:34] she is

[00:42:34] she

[00:42:35] comes

[00:42:36] in

[00:42:36] and

[00:42:36] she

[00:42:36] looks

[00:42:36] fabulous

[00:42:37] now

[00:42:38] so

[00:42:40] then

[00:42:41] we

[00:42:41] get

[00:42:42] a

[00:42:43] feeling

[00:42:44] that

[00:42:44] people

[00:42:45] turn

[00:42:45] when

[00:42:46] they

[00:42:46] turn

[00:42:46] they

[00:42:47] look

[00:42:47] hotter

[00:42:47] apparently

[00:42:48] and

[00:42:49] their

[00:42:49] personality

[00:42:50] just

[00:42:51] changes

[00:42:51] it's

[00:42:52] just a

[00:42:52] tweak

[00:42:53] yeah

[00:42:53] and

[00:42:53] that's

[00:42:54] why

[00:42:54] I'm

[00:42:55] like

[00:42:55] this

[00:42:55] is

[00:42:56] so

[00:42:56] superbly

[00:42:57] acted

[00:42:57] especially

[00:42:58] by

[00:42:58] the

[00:42:59] faculty

[00:43:00] members

[00:43:00] right

[00:43:01] because

[00:43:01] it's

[00:43:01] like

[00:43:01] you

[00:43:02] can

[00:43:02] never

[00:43:02] put

[00:43:03] your

[00:43:03] finger

[00:43:03] on

[00:43:04] what's

[00:43:05] different

[00:43:05] but

[00:43:07] something

[00:43:07] is

[00:43:07] different

[00:43:08] right

[00:43:09] which

[00:43:10] is

[00:43:10] just

[00:43:11] a

[00:43:11] testament

[00:43:11] to

[00:43:12] their

[00:43:12] acting

[00:43:12] because

[00:43:13] it's

[00:43:13] not

[00:43:13] like

[00:43:13] they

[00:43:13] have

[00:43:14] one

[00:43:23] they're

[00:43:23] literally

[00:43:23] by the

[00:43:24] water

[00:43:24] cooler

[00:43:25] just

[00:43:27] well

[00:43:29] and I

[00:43:29] was

[00:43:29] thinking

[00:43:30] about it

[00:43:30] because

[00:43:30] like

[00:43:31] once

[00:43:31] the

[00:43:32] students

[00:43:32] start

[00:43:33] turning

[00:43:33] to

[00:43:34] they're

[00:43:34] all

[00:43:34] like

[00:43:34] holding

[00:43:35] these

[00:43:35] plastic

[00:43:36] bottles

[00:43:36] of

[00:43:36] water

[00:43:36] I'm

[00:43:36] like

[00:43:37] you

[00:43:37] wouldn't

[00:43:37] be

[00:43:37] able

[00:43:38] to

[00:43:38] tell

[00:43:38] today

[00:43:39] because

[00:43:40] we

[00:43:40] all

[00:43:40] got

[00:43:40] our

[00:43:41] water

[00:43:41] bottle

[00:43:42] so

[00:43:43] so

[00:43:43] true

[00:43:44] but

[00:43:45] we

[00:43:45] do

[00:43:45] see

[00:43:46] the

[00:43:46] principal

[00:43:46] come

[00:43:46] in

[00:43:47] and

[00:43:47] because

[00:43:47] like

[00:43:47] from

[00:43:48] the

[00:43:48] viewer

[00:43:48] standpoint

[00:43:48] we

[00:43:49] thought

[00:43:49] that

[00:43:49] bitch

[00:43:49] was

[00:43:50] dead

[00:43:50] so

[00:43:50] now

[00:43:51] we're

[00:43:51] understanding

[00:43:52] what

[00:43:53] what's

[00:43:54] happening

[00:43:54] and that

[00:43:55] these

[00:43:55] alien

[00:43:55] attacks

[00:43:56] are

[00:43:56] kind

[00:43:57] of

[00:43:58] taken

[00:43:58] over

[00:43:58] she's

[00:43:59] not

[00:43:59] able

[00:43:59] to

[00:43:59] be

[00:43:59] dead

[00:44:00] because

[00:44:00] she's

[00:44:00] her

[00:44:01] body's

[00:44:01] been

[00:44:01] snatched

[00:44:02] yeah

[00:44:03] and

[00:44:03] then

[00:44:03] we

[00:44:04] also

[00:44:04] see

[00:44:05] a

[00:44:05] conversation

[00:44:06] between

[00:44:06] Stan

[00:44:06] and

[00:44:07] Delilah

[00:44:07] where Stan

[00:44:08] is

[00:44:08] telling

[00:44:09] Delilah

[00:44:09] he's

[00:44:09] quitting

[00:44:10] the

[00:44:10] football

[00:44:10] team

[00:44:11] like

[00:44:11] he's

[00:44:11] been

[00:44:12] good

[00:44:12] at

[00:44:12] sports

[00:44:13] his

[00:44:13] whole

[00:44:13] life

[00:44:14] and

[00:44:14] he

[00:44:14] knows

[00:44:15] he

[00:44:15] can

[00:44:15] get

[00:44:15] a

[00:44:15] scholarship

[00:44:16] based

[00:44:16] on

[00:44:17] his

[00:44:18] athletic

[00:44:18] ability

[00:44:19] but

[00:44:19] he

[00:44:20] really

[00:44:20] wants

[00:44:20] to

[00:44:20] focus

[00:44:21] on

[00:44:21] his

[00:44:21] academics

[00:44:22] and

[00:44:22] get

[00:44:23] by

[00:44:23] on

[00:44:25] his

[00:44:26] academic

[00:44:27] ability

[00:44:27] instead

[00:44:28] and

[00:44:29] this

[00:44:30] bitch

[00:44:32] calls

[00:44:33] it

[00:44:33] a

[00:44:33] yellow

[00:44:34] brick

[00:44:34] road

[00:44:34] quest

[00:44:35] for

[00:44:35] a

[00:44:36] brain

[00:44:36] and

[00:44:39] god

[00:44:39] damn

[00:44:40] that's

[00:44:40] your

[00:44:40] boyfriend

[00:44:42] yeah

[00:44:42] that's

[00:44:42] wild

[00:44:43] like

[00:44:45] I

[00:44:46] don't

[00:44:46] think

[00:44:47] she

[00:44:47] it

[00:44:48] felt

[00:44:48] like

[00:44:48] she

[00:44:48] was

[00:44:49] out

[00:44:50] of

[00:44:50] duty

[00:44:50] that

[00:44:51] she

[00:44:51] was

[00:44:51] with

[00:44:51] him

[00:44:51] at

[00:44:51] this

[00:44:51] point

[00:44:52] because

[00:44:53] when

[00:44:53] he

[00:44:54] tries

[00:44:55] to

[00:44:55] kiss

[00:44:55] her

[00:44:56] she

[00:44:56] turns

[00:44:56] her

[00:44:56] face

[00:44:57] when

[00:44:57] he

[00:44:58] tells

[00:44:59] her

[00:44:59] I

[00:44:59] need

[00:45:00] to

[00:45:00] tell

[00:45:00] you

[00:45:00] something

[00:45:00] important

[00:45:01] she

[00:45:01] tries

[00:45:01] to

[00:45:02] avoid

[00:45:02] it

[00:45:02] multiple

[00:45:03] times

[00:45:03] then

[00:45:04] when

[00:45:04] again

[00:45:04] when

[00:45:05] he

[00:45:05] tells

[00:45:05] her

[00:45:05] she

[00:45:06] treats

[00:45:06] him

[00:45:06] like

[00:45:07] that

[00:45:07] and

[00:45:08] she

[00:45:08] tells

[00:45:08] him

[00:45:09] what

[00:45:09] the

[00:45:09] expectation

[00:45:09] is

[00:45:10] so

[00:45:10] like

[00:45:10] they're

[00:45:10] no

[00:45:11] they're

[00:45:11] not

[00:45:11] good

[00:45:12] and

[00:45:12] they're

[00:45:12] not

[00:45:13] going

[00:45:13] to

[00:45:13] last

[00:45:13] obviously

[00:45:15] what's

[00:45:15] also

[00:45:16] interesting

[00:45:16] is

[00:45:16] that

[00:45:17] his

[00:45:17] character

[00:45:18] runs

[00:45:18] into

[00:45:19] Stokely

[00:45:20] like

[00:45:21] a lot

[00:45:22] is it

[00:45:23] Stokely

[00:45:23] yes

[00:45:23] Stokely

[00:45:24] right

[00:45:24] and

[00:45:25] every

[00:45:25] time

[00:45:26] it

[00:45:26] is

[00:45:26] her

[00:45:26] fault

[00:45:27] but

[00:45:27] then

[00:45:27] she

[00:45:27] tells

[00:45:28] him

[00:45:29] watch

[00:45:29] where

[00:45:29] you're

[00:45:30] walking

[00:45:30] their

[00:45:30] relationship

[00:45:31] unfolding

[00:45:32] felt

[00:45:33] very

[00:45:34] fast

[00:45:34] and

[00:45:35] kind

[00:45:35] of

[00:45:35] out

[00:45:36] of

[00:45:36] nowhere

[00:45:37] quickly

[00:45:38] because

[00:45:40] they

[00:45:40] run

[00:45:41] into

[00:45:41] each

[00:45:41] other

[00:45:41] she

[00:45:41] cusses

[00:45:42] them

[00:45:42] out

[00:45:42] a few

[00:45:42] times

[00:45:43] and

[00:45:43] then

[00:45:43] they're

[00:45:45] in

[00:45:45] another

[00:45:45] class

[00:45:45] and

[00:45:46] he's

[00:45:46] like

[00:45:46] yeah

[00:45:47] I'm

[00:45:47] not

[00:45:47] going

[00:45:47] to

[00:45:47] be

[00:45:48] on

[00:45:48] the

[00:45:48] football

[00:45:48] team

[00:45:48] and

[00:45:48] she's

[00:45:49] like

[00:45:49] oh

[00:45:49] my

[00:45:49] god

[00:45:49] why

[00:45:50] and

[00:45:50] then

[00:45:50] they

[00:45:51] start

[00:45:51] talking

[00:45:51] and

[00:45:52] then

[00:45:52] boom

[00:45:52] I

[00:45:53] love

[00:45:53] you

[00:45:53] like

[00:45:54] they

[00:45:54] don't

[00:45:54] say

[00:45:54] what

[00:45:55] you

[00:45:55] know

[00:45:55] what

[00:45:55] I

[00:46:15] how

[00:46:16] I

[00:46:16] know

[00:46:17] I

[00:46:19] I

[00:46:20] know

[00:46:21] like

[00:46:21] maybe

[00:46:22] she

[00:46:22] always

[00:46:23] liked

[00:46:23] him

[00:46:24] because

[00:46:24] he

[00:46:25] seemed

[00:46:25] like

[00:46:25] he

[00:46:26] wasn't

[00:46:26] mean

[00:46:26] like

[00:46:27] it

[00:46:27] didn't

[00:46:27] look

[00:46:27] like

[00:46:27] he

[00:46:28] picked

[00:46:28] on

[00:46:28] Casey

[00:46:29] it

[00:46:30] didn't

[00:46:30] look

[00:46:30] like

[00:46:30] he

[00:46:30] was

[00:46:31] like

[00:46:31] the

[00:46:32] rest

[00:46:32] of

[00:46:32] the

[00:46:32] popular

[00:46:33] kids

[00:46:33] he

[00:46:33] seemed

[00:46:34] like

[00:46:34] a

[00:46:34] down

[00:46:34] to

[00:46:34] earth

[00:46:34] nice

[00:46:35] guy

[00:46:35] so

[00:46:36] I

[00:46:36] wonder

[00:46:36] from

[00:46:37] like

[00:46:37] afar

[00:46:38] she

[00:46:38] kind

[00:46:38] of

[00:46:38] like

[00:46:39] admired

[00:46:39] him

[00:46:40] because

[00:46:40] when

[00:46:41] she

[00:46:41] does

[00:46:42] say

[00:46:42] that

[00:46:42] like

[00:46:42] oh

[00:46:43] well

[00:46:43] I

[00:46:43] watch

[00:46:43] your

[00:46:43] games

[00:46:44] and

[00:46:44] he's

[00:46:44] kind

[00:46:44] of

[00:46:44] surprised

[00:46:45] by

[00:46:45] that

[00:46:45] so

[00:46:45] it

[00:46:46] might

[00:46:46] have

[00:46:46] been

[00:46:46] like

[00:46:47] she's

[00:46:47] had

[00:46:47] a

[00:46:47] crush

[00:46:47] for

[00:46:48] a

[00:46:48] little

[00:46:48] bit

[00:46:49] and

[00:46:50] he

[00:46:50] I

[00:46:51] think

[00:46:51] because

[00:46:52] he's

[00:46:52] been

[00:46:52] so

[00:46:52] downtrodden

[00:46:53] by

[00:46:53] his

[00:46:53] actual

[00:46:54] girlfriend

[00:46:54] not

[00:46:55] believing

[00:46:55] in

[00:46:55] him

[00:46:56] in

[00:46:56] him

[00:46:56] she

[00:46:57] quickly

[00:46:58] just

[00:46:58] her

[00:46:58] asking

[00:46:59] why

[00:47:00] and

[00:47:00] wanting

[00:47:01] to

[00:47:01] know

[00:47:01] more

[00:47:02] you

[00:47:02] could

[00:47:02] tell

[00:47:02] his

[00:47:03] demeanor

[00:47:03] just

[00:47:03] changes

[00:47:04] so

[00:47:04] fast

[00:47:05] and

[00:47:05] you

[00:47:05] know

[00:47:06] so

[00:47:09] now

[00:47:09] Casey

[00:47:10] is

[00:47:10] just

[00:47:10] eating

[00:47:11] lunch

[00:47:11] on

[00:47:11] the

[00:47:12] bleachers

[00:47:12] out

[00:47:13] at

[00:47:13] the

[00:47:13] football

[00:47:13] field

[00:47:14] because

[00:47:14] it's

[00:47:15] the only

[00:47:16] place

[00:47:16] where

[00:47:16] he

[00:47:16] doesn't

[00:47:16] get

[00:47:17] racked

[00:47:17] glad

[00:47:18] it

[00:47:18] wasn't

[00:47:19] that

[00:47:19] nasty

[00:47:19] bathroom

[00:47:20] that's

[00:47:20] all

[00:47:31] I

[00:47:31] out

[00:47:32] on

[00:47:33] the

[00:47:33] field

[00:47:33] is

[00:47:34] the

[00:47:34] coach

[00:47:34] just

[00:47:35] drinking

[00:47:36] water

[00:47:36] or

[00:47:37] is

[00:47:38] he

[00:47:38] standing

[00:47:38] in

[00:47:38] the

[00:47:38] middle

[00:47:39] of

[00:47:39] this

[00:47:39] no

[00:47:39] the

[00:47:40] sprinklers

[00:47:40] were

[00:47:41] not

[00:47:41] on

[00:47:41] at

[00:47:41] this

[00:47:41] time

[00:47:42] no

[00:47:44] yeah

[00:47:44] what

[00:47:44] was

[00:47:44] he

[00:47:44] doing

[00:47:45] maybe

[00:47:46] he

[00:47:46] was

[00:47:46] just

[00:47:46] getting

[00:47:47] ready

[00:47:47] for

[00:47:47] practice

[00:47:47] but

[00:47:48] if

[00:47:49] you

[00:47:49] notice

[00:47:50] and

[00:47:50] I

[00:47:51] noticed

[00:47:51] it

[00:47:51] on

[00:47:51] this

[00:47:51] rewatch

[00:47:52] the

[00:47:52] ground

[00:47:53] like

[00:47:54] the

[00:47:54] concrete

[00:47:54] next

[00:47:55] to

[00:47:55] the

[00:47:55] grass

[00:47:56] is

[00:47:56] wet

[00:47:57] so

[00:47:58] it's

[00:47:58] like

[00:47:58] obvious

[00:47:59] that

[00:47:59] like

[00:48:00] he

[00:48:00] goes

[00:48:00] out

[00:48:01] hands

[00:48:02] like

[00:48:02] Johnny's

[00:48:03] background

[00:48:04] little

[00:48:05] tentacles

[00:48:06] out

[00:48:06] just

[00:48:07] just

[00:48:07] enjoying

[00:48:08] the

[00:48:08] rain

[00:48:09] on

[00:48:09] his

[00:48:10] skin

[00:48:10] what's

[00:48:10] wrong

[00:48:10] with

[00:48:10] that

[00:48:12] y'all

[00:48:13] it's

[00:48:13] making

[00:48:13] me

[00:48:13] itch

[00:48:16] I

[00:48:16] don't

[00:48:17] like

[00:48:17] it

[00:48:17] but

[00:48:18] Casey

[00:48:19] finds

[00:48:19] this

[00:48:20] little

[00:48:20] grubby

[00:48:21] worm

[00:48:21] thing

[00:48:22] in

[00:49:00] lab

[00:49:01] see

[00:49:02] what

[00:49:02] this

[00:49:02] thing

[00:49:02] felt

[00:49:03] like

[00:49:03] then

[00:49:03] he

[00:49:03] was

[00:49:04] surprised

[00:49:04] when

[00:49:04] he

[00:49:04] got

[00:49:04] bit

[00:49:05] yeah

[00:49:06] in

[00:49:07] tonight's

[00:49:07] segment

[00:49:08] of

[00:49:08] white

[00:49:08] people

[00:49:09] be

[00:49:09] doing

[00:49:09] stupid

[00:49:09] shit

[00:49:11] I

[00:49:13] could

[00:49:13] not

[00:49:13] like

[00:49:14] first

[00:49:14] of all

[00:49:15] if

[00:49:15] if my

[00:49:16] student

[00:49:16] brought

[00:49:17] this

[00:49:17] in

[00:49:17] and

[00:49:17] I

[00:49:18] could

[00:49:18] not

[00:49:18] recognize

[00:49:19] it

[00:49:19] as

[00:49:19] a

[00:49:19] science

[00:49:20] teacher

[00:49:31] I

[00:49:31] fish

[00:49:32] sea

[00:49:33] life

[00:49:33] that

[00:49:34] I've

[00:49:34] ever

[00:49:34] fucking

[00:49:34] seen

[00:49:35] and

[00:49:35] they

[00:49:35] were

[00:49:35] in

[00:49:35] Ohio

[00:49:36] so

[00:49:36] like

[00:49:36] how

[00:49:37] the

[00:49:37] fuck

[00:49:37] did

[00:49:37] it

[00:49:38] get

[00:49:38] here

[00:49:38] right

[00:49:39] too

[00:49:40] weird

[00:49:40] too

[00:49:40] weird

[00:49:41] and

[00:49:41] it

[00:49:41] bit

[00:49:42] right

[00:49:42] through

[00:49:42] this

[00:49:43] mother

[00:49:43] first

[00:49:44] of all

[00:49:44] that

[00:49:45] man

[00:49:45] had

[00:49:46] time

[00:49:46] before

[00:49:47] he

[00:49:47] put

[00:49:48] dumped

[00:49:48] his

[00:49:49] hand

[00:49:49] like

[00:49:49] a

[00:49:49] motherfucking

[00:49:50] oreo

[00:49:50] and

[00:49:51] milk

[00:49:51] into

[00:49:52] that

[00:49:52] aquarium

[00:49:54] because

[00:49:54] when

[00:50:01] came

[00:50:02] another

[00:50:02] it

[00:50:02] had

[00:50:03] two

[00:50:03] creatures

[00:50:03] now

[00:50:04] do

[00:50:04] you

[00:50:04] think

[00:50:04] I'm

[00:50:05] putting

[00:50:05] my

[00:50:05] hand

[00:50:05] back

[00:50:06] in

[00:50:06] there

[00:50:06] again

[00:50:08] I

[00:50:09] don't

[00:50:09] think

[00:50:10] so

[00:50:12] it's

[00:50:12] not

[00:50:13] gonna

[00:50:13] happen

[00:50:13] yeah

[00:50:14] that

[00:50:15] was

[00:50:15] wild

[00:50:16] most

[00:50:17] unbelievable

[00:50:17] part of

[00:50:18] that movie

[00:50:18] was that

[00:50:18] scene

[00:50:19] right

[00:50:19] there

[00:50:19] it's

[00:50:20] believable

[00:50:21] to me

[00:50:22] because

[00:50:22] I

[00:50:22] believe

[00:50:23] some

[00:50:23] white

[00:50:23] person

[00:50:24] the hell

[00:50:24] they

[00:50:25] would

[00:50:25] do

[00:50:25] that

[00:50:25] shit

[00:50:27] I

[00:50:27] also

[00:50:28] believe

[00:50:28] they

[00:50:28] will

[00:50:28] put

[00:50:29] their

[00:50:29] hand

[00:50:29] back

[00:50:29] in

[00:50:29] there

[00:50:30] after

[00:50:30] getting

[00:50:30] bit

[00:50:31] it

[00:50:33] but

[00:50:33] you

[00:50:33] know

[00:50:33] in

[00:50:34] this

[00:50:34] scene

[00:50:35] you

[00:50:35] could

[00:50:35] this

[00:50:36] is

[00:50:36] the

[00:50:36] scene

[00:50:36] where

[00:50:37] you

[00:50:37] could

[00:50:37] see

[00:50:37] Kadida

[00:50:37] Jones

[00:50:38] in

[00:50:39] the

[00:50:39] background

[00:50:39] so

[00:50:40] I

[00:50:40] have

[00:50:40] to

[00:50:40] go

[00:50:41] back

[00:50:41] and

[00:50:41] look

[00:51:01] know

[00:51:02] no

[00:51:03] know

[00:51:03] she's

[00:51:03] in

[00:51:03] the

[00:51:03] classroom

[00:51:03] with

[00:51:04] you

[00:51:04] or

[00:51:05] is

[00:51:05] that

[00:51:06] later

[00:51:06] this

[00:51:07] is

[00:51:07] later

[00:51:08] because

[00:51:09] he's

[00:51:09] trying to

[00:51:10] tell her

[00:51:10] something

[00:51:11] like

[00:51:12] something

[00:51:12] is

[00:51:12] off

[00:51:12] like

[00:51:13] the

[00:51:13] teachers

[00:51:13] are

[00:51:13] acting

[00:51:14] weird

[00:51:14] I

[00:51:15] found

[00:51:15] this

[00:51:15] wormy

[00:51:16] thing

[00:51:17] right

[00:51:18] and

[00:51:18] they're

[00:51:18] trying

[00:51:18] to do

[00:51:19] research

[00:51:20] on

[00:51:20] because

[00:51:21] she's

[00:51:21] the

[00:51:21] journalist

[00:51:21] person

[00:51:23] and

[00:51:23] then

[00:51:24] she

[00:51:24] of course

[00:51:25] is

[00:51:25] like

[00:51:25] let's

[00:51:26] go

[00:51:26] into

[00:51:27] the

[00:51:27] teacher's

[00:51:28] lounge

[00:51:28] or

[00:51:28] I

[00:51:29] don't

[00:51:29] know

[00:51:29] if

[00:51:29] it was

[00:51:29] the

[00:51:30] teacher's

[00:51:30] lounge

[00:51:30] they

[00:51:32] decided

[00:51:33] to

[00:51:33] go

[00:51:33] in

[00:51:33] there

[00:51:33] but

[00:51:34] before

[00:51:35] this

[00:51:36] Stan

[00:51:37] is

[00:51:38] in

[00:51:38] the

[00:51:38] locker

[00:51:38] room

[00:51:38] taking

[00:51:39] a

[00:51:39] shower

[00:51:39] right

[00:51:40] and

[00:51:42] then

[00:51:43] the

[00:51:43] old

[00:51:43] lady

[00:51:44] teacher

[00:51:44] Mrs.

[00:51:45] Brummel

[00:51:45] is

[00:51:46] just

[00:51:47] like

[00:51:47] zombie

[00:51:48] walking

[00:51:48] to

[00:51:48] him

[00:51:57] very

[00:51:57] affected

[00:51:58] in the

[00:51:59] subsequent

[00:51:59] scenes

[00:52:00] I feel

[00:52:01] like he

[00:52:01] doesn't

[00:52:02] even

[00:52:02] tell

[00:52:02] anyone

[00:52:02] about

[00:52:03] it

[00:52:03] he

[00:52:04] was

[00:52:05] just

[00:52:05] like

[00:52:05] that's

[00:52:05] weird

[00:52:07] I

[00:52:08] just

[00:52:08] feel

[00:52:08] like

[00:52:09] I'm

[00:52:10] not

[00:52:10] a

[00:52:10] man

[00:52:11] but

[00:52:12] that

[00:52:12] scene

[00:52:12] alone

[00:52:13] would

[00:52:13] make

[00:52:13] me

[00:52:13] flaccid

[00:52:14] with

[00:52:15] that

[00:52:16] lady

[00:52:16] yeah

[00:52:17] fucking

[00:52:18] around

[00:52:19] and

[00:52:19] finding

[00:52:19] me

[00:52:19] in

[00:52:20] the

[00:52:20] damn

[00:52:21] shower

[00:52:22] old

[00:52:23] decrepit

[00:52:24] lady

[00:52:25] because

[00:52:25] my first

[00:52:26] thought

[00:52:26] would have

[00:52:26] been

[00:52:26] like

[00:52:27] you

[00:52:27] trying

[00:52:27] to

[00:52:27] look

[00:52:27] at

[00:52:28] my

[00:52:28] pecker

[00:52:31] like

[00:52:32] I

[00:52:33] felt

[00:52:33] like

[00:52:34] that

[00:52:34] was

[00:52:34] sexual

[00:52:35] harassment

[00:52:35] and

[00:52:35] then

[00:52:36] she's

[00:52:36] like

[00:52:36] peeling

[00:52:36] her

[00:52:37] clothes

[00:52:37] off

[00:52:37] and

[00:52:38] that's

[00:52:39] like

[00:52:41] that's

[00:52:43] my

[00:52:43] personal

[00:52:43] problem

[00:52:44] you're

[00:52:44] in my

[00:52:45] personal

[00:52:45] space

[00:52:46] I'm

[00:52:46] trying

[00:52:47] to

[00:52:47] take

[00:52:47] a

[00:52:56] gross

[00:52:57] yeah

[00:52:58] he

[00:52:58] did

[00:52:58] not

[00:52:58] respond

[00:52:59] appropriately

[00:53:00] and

[00:53:00] then

[00:53:00] on

[00:53:00] top

[00:53:01] of

[00:53:01] that

[00:53:01] Casey

[00:53:02] just

[00:53:02] walks

[00:53:02] in

[00:53:02] there

[00:53:03] I

[00:53:03] don't

[00:53:03] know

[00:53:03] why

[00:53:04] what

[00:53:05] was

[00:53:05] Casey

[00:53:05] going

[00:53:05] in

[00:53:06] there

[00:53:06] for

[00:53:07] because

[00:53:09] the

[00:53:09] locker

[00:53:10] room

[00:53:10] essentially

[00:53:10] I can't

[00:53:11] imagine

[00:53:12] that the

[00:53:13] showers

[00:53:13] are at

[00:53:13] the

[00:53:13] front

[00:53:14] of the

[00:53:14] locker

[00:53:14] room

[00:53:15] so

[00:53:15] Casey

[00:53:15] has to

[00:53:15] walk

[00:53:15] through

[00:53:16] the

[00:53:16] locker

[00:53:16] room

[00:53:16] to

[00:53:16] get

[00:53:17] to

[00:53:17] the

[00:53:17] shower

[00:53:17] part

[00:53:18] to

[00:53:18] walk

[00:53:18] in

[00:53:19] on

[00:53:19] this

[00:53:19] rendezvous

[00:53:20] of

[00:53:21] teacher

[00:53:22] and

[00:53:22] student

[00:53:23] and

[00:53:24] then

[00:53:24] he's

[00:53:24] like

[00:53:24] go

[00:53:25] get

[00:53:25] help

[00:53:25] because

[00:53:26] Casey

[00:53:26] is

[00:53:26] like

[00:53:26] what

[00:53:27] the

[00:53:27] fuck

[00:53:27] going

[00:53:27] on

[00:53:27] here

[00:53:29] I

[00:53:29] think

[00:53:29] this

[00:53:30] is

[00:53:30] when

[00:53:30] he

[00:53:30] goes

[00:53:30] and

[00:53:30] gets

[00:53:31] Delilah

[00:53:31] and

[00:53:31] he's

[00:53:32] like

[00:53:32] shit

[00:53:32] is

[00:53:33] fucked

[00:53:33] right

[00:53:34] right

[00:53:35] and

[00:53:35] they

[00:53:36] try

[00:53:36] to

[00:53:36] investigate

[00:53:37] yeah

[00:53:38] so

[00:53:38] they

[00:53:38] hide

[00:53:39] in

[00:53:53] didn't

[00:53:53] didn't

[00:53:54] take

[00:53:54] she

[00:53:55] was

[00:53:55] too

[00:53:55] old

[00:53:55] and

[00:53:56] then

[00:53:56] you

[00:53:56] see

[00:53:57] the

[00:53:58] nurse

[00:53:58] Selma

[00:53:59] Hayek

[00:54:00] come

[00:54:00] in

[00:54:00] and

[00:54:01] they

[00:54:01] like

[00:54:01] literally

[00:54:02] hold

[00:54:02] her

[00:54:03] down

[00:54:03] and

[00:54:05] turn

[00:54:06] her

[00:54:06] and

[00:54:07] so

[00:54:08] Delilah

[00:54:08] and

[00:54:09] Casey

[00:54:09] are

[00:54:10] witnessing

[00:54:10] this

[00:54:11] but

[00:54:12] then

[00:54:12] they

[00:54:12] also

[00:54:12] are

[00:54:12] like

[00:54:12] freaking

[00:54:13] the

[00:54:13] fuck

[00:54:13] out

[00:54:13] and

[00:54:14] so

[00:54:14] they're

[00:54:14] making

[00:54:14] noise

[00:54:15] and

[00:54:15] so

[00:54:15] then

[00:54:16] they

[00:54:16] find

[00:54:16] them

[00:54:16] in

[00:54:17] the

[00:54:17] and

[00:54:17] then

[00:54:17] there's

[00:54:18] Miss

[00:54:18] Brummel's

[00:54:19] dead

[00:54:20] body

[00:54:22] it was

[00:54:23] a lot

[00:54:23] a lot

[00:54:24] of

[00:54:24] stuff

[00:54:24] was

[00:54:24] happening

[00:54:25] right

[00:54:25] and

[00:54:26] then

[00:54:26] they

[00:54:26] like

[00:54:27] bum

[00:54:27] rush

[00:54:28] out

[00:54:28] of

[00:54:28] there

[00:54:28] they

[00:54:29] they

[00:54:29] stick

[00:54:30] the

[00:54:31] coach

[00:54:31] with

[00:54:31] like

[00:54:31] I

[00:54:32] don't

[00:54:32] know

[00:54:32] what

[00:54:32] it

[00:54:32] was

[00:54:34] and

[00:54:34] they

[00:54:35] of

[00:54:35] course

[00:54:35] go

[00:54:36] do

[00:54:36] the

[00:54:36] logical

[00:54:37] thing

[00:54:37] and

[00:54:38] go

[00:54:38] find

[00:54:38] popo

[00:54:39] to

[00:54:39] try

[00:54:40] and

[00:54:40] Casey

[00:54:41] brings

[00:54:41] his

[00:54:41] parents

[00:54:42] because

[00:54:42] as

[00:54:43] they're

[00:54:44] this

[00:54:44] is

[00:54:45] I

[00:54:46] have

[00:54:46] mixed

[00:54:46] feelings

[00:54:46] because

[00:54:47] yes

[00:54:48] I

[00:54:48] know

[00:54:48] I

[00:54:48] always

[00:54:49] root

[00:54:49] for

[00:54:49] a

[00:54:50] villain

[00:54:50] or a

[00:54:50] mean

[00:54:50] person

[00:54:51] but

[00:54:51] for

[00:54:52] me

[00:54:53] this

[00:54:54] scene

[00:54:54] makes

[00:54:54] sense

[00:54:54] they're

[00:54:56] running

[00:54:56] out

[00:54:56] right

[00:54:57] they've

[00:54:58] just

[00:54:58] seen

[00:54:58] some

[00:54:59] fucked

[00:55:00] up

[00:55:00] freaky

[00:55:00] shit

[00:55:00] that

[00:55:01] can't

[00:55:01] be

[00:55:01] explained

[00:55:01] they're

[00:55:02] running

[00:55:03] out

[00:55:03] and

[00:55:04] Casey's

[00:55:05] bitch

[00:55:05] ass

[00:55:05] falls

[00:55:05] and

[00:55:06] instead

[00:55:06] of

[00:55:07] just

[00:55:07] like

[00:55:07] getting

[00:55:08] the

[00:55:08] fuck

[00:55:08] back

[00:55:08] up

[00:55:09] he's

[00:55:09] calling

[00:55:10] for

[00:55:10] Delilah

[00:55:10] who's

[00:55:11] already

[00:55:11] booked

[00:55:12] it

[00:55:20] I

[00:55:21] thought

[00:55:21] that

[00:55:21] was

[00:55:21] very

[00:55:21] like

[00:55:22] just

[00:55:22] a

[00:55:22] weird

[00:55:23] element

[00:55:23] to

[00:55:23] that

[00:55:24] scene

[00:55:24] how

[00:55:24] he

[00:55:24] falls

[00:55:25] and

[00:55:25] then

[00:55:25] he

[00:55:25] just

[00:55:25] calls

[00:55:25] for

[00:55:26] her

[00:55:26] and

[00:55:26] she

[00:55:26] doesn't

[00:55:27] run

[00:55:27] back

[00:55:30] she

[00:55:30] turns

[00:55:33] back

[00:55:34] and says

[00:55:34] sorry

[00:55:35] bruh

[00:55:35] keeps

[00:55:36] going

[00:55:37] she's

[00:55:38] gotten

[00:55:38] those

[00:55:38] running

[00:55:38] lessons

[00:55:39] from

[00:55:39] Robert

[00:55:39] Patrick

[00:55:41] and

[00:55:42] as

[00:55:43] she

[00:55:43] should

[00:55:44] like

[00:55:44] sir

[00:55:46] get

[00:55:46] up

[00:55:47] I

[00:55:49] was

[00:55:50] so

[00:55:50] annoyed

[00:55:51] by

[00:55:51] that

[00:55:51] and

[00:55:51] then

[00:55:51] he

[00:55:52] turned

[00:55:52] and

[00:55:53] from

[00:55:53] that

[00:55:53] scene

[00:55:54] alone

[00:55:54] we

[00:55:55] find

[00:55:55] out

[00:55:55] you know

[00:55:56] later

[00:55:56] in the

[00:55:56] movie

[00:55:57] spoiler alert

[00:55:58] if you've

[00:55:58] never seen

[00:55:59] the faculty

[00:55:59] he ends

[00:56:00] up with

[00:56:00] Delilah

[00:56:01] and I'm

[00:56:01] just like

[00:56:02] I could

[00:56:03] never

[00:56:05] Delilah's

[00:56:05] a bitch

[00:56:05] but I

[00:56:06] could

[00:56:06] never

[00:56:07] be with

[00:56:08] a man

[00:56:08] that

[00:56:17] ass

[00:56:17] up

[00:56:17] there's

[00:56:18] lots

[00:56:18] of

[00:56:18] slipping

[00:56:18] and

[00:56:19] sliding

[00:56:19] in

[00:56:19] this

[00:56:19] movie

[00:56:20] lots

[00:56:20] of

[00:56:20] people

[00:56:20] just

[00:56:21] almost

[00:56:22] eating

[00:56:23] it

[00:56:23] that

[00:56:23] was

[00:56:24] the

[00:56:24] only

[00:56:24] time

[00:56:24] that

[00:56:47] they're

[00:56:48] like

[00:56:48] take

[00:56:49] his

[00:56:49] porny

[00:56:49] mags

[00:56:50] that

[00:56:51] was

[00:56:51] so

[00:56:52] funny

[00:56:53] I

[00:56:53] cracked

[00:56:53] up

[00:56:53] so

[00:56:54] much

[00:56:54] shakedown

[00:56:55] because

[00:56:56] essentially

[00:56:57] by the time

[00:56:57] he comes

[00:56:58] back to

[00:56:58] the school

[00:56:59] the teachers

[00:56:59] have

[00:57:00] a

[00:57:01] an

[00:57:01] alibi

[00:57:01] for

[00:57:02] his

[00:57:03] hallucinous

[00:57:04] hallucinate

[00:57:06] hallucinations

[00:57:07] hallucinations

[00:57:09] I wanted

[00:57:10] to say

[00:57:10] hallucinations

[00:57:12] what is

[00:57:13] that

[00:57:13] I

[00:57:14] don't

[00:57:14] know

[00:57:15] I

[00:57:16] don't

[00:57:16] know

[00:57:16] but

[00:57:17] his

[00:57:18] hallucinations

[00:57:18] and

[00:57:19] they

[00:57:20] got

[00:57:20] some

[00:57:20] CPR

[00:57:22] dummy

[00:57:22] saying